Sentences with phrase «within new photographs»

These works either physically appear in the installation designed for the gallery, or are strategically placed within new photographs created for this show.

Not exact matches

Whether from New York, Bangkok, Tel Aviv or Gaza, we can look all at his photographs and see our own lives within them.

On Sept. 20, 2016, Buso of Rosario, Argentina, was testing a new camera on his 16 - inch telescope by taking a series of short - exposure photographs of the spiral galaxy NGC 613, which is about 80 million light years from Earth and located within the southern constellation Sculptor.

The videogame twists within itself as you uncover new clues, allowing you to interpret the action as you see fit and offering more information outside of the photographs you hunt than there are hidden within.

This series of photographs, The Love Doll, demonstrates a progression from her earlier, miniature work and marks an important new direction from Simmons: scaling up her subject has meant new opportunities for locating this «person» within the landscape.

In his new series of photographs, David Gilbert frames a world of ephemera and repeated imagery within the quiet of his studio.

With the exceptions of essays by Rosalind Krauss (in Francesca Woodman: Photographic Work, edited by Ann Gabhart, Rosalind Krauss and Abigail Solomon - Godeau, published by Hunter College Art Gallery, New York and Wellesley College Museum, Wellesley, 1986) and Benjamin Buchloh (in Francesca Woodman: Photographs 1975 - 1980, edited by Benjamin Buchloh and Betsy Berne, published by Marian Goodman Gallery, New York, 2004), few critics have contextualised Woodman's work within the feminist genre of the 1970s.

Installation photographs of the rooms within the Betty Parsons Gallery in New York, where Still, Jackson Pollock, Barnett Newman, and Mark Rothko first showed their classic works, suggest these artists were accustomed to having their paintings dominate the viewer's field of vision.

Allowing the viewer to see the works through visual cues and historical connections, looking at the image within the photograph as well as relationships between photographs, this exhibition seeks to engender new «ways of looking.»

Laurence Miller Gallery, in partnership with Asia Week New York, presents Toshio Shibata — Harmony, a solo exhibition featuring large format color photographs that extend his exploration of man - made structures co-existing within nature.

The film tracks the artist's life from his early days as a student at Pratt Institute, his rise to fame within the New York art world, the controversy surrounding his sexually explicit photographs, and his untimely death in 1989.

At the Whitney he brings together his own works, alongside historical photographs, sculptures, paintings, drawings, film and video from the Whitney's holdings and those of other public and private collections — all presented within a layered exhibition design by Mauss that allows for the works to be seen in a new light.

In Burton's most ambitious exhibition to date, the artist will present a new body of photographs that explore the practice of image making and the notion of performance through his personal relationships within Los Angeles.

Joan Oh's first solo show of new photographs and ceramic sculptures will examine the phenomenon of hypebeast culture and advertising within an online... Continue reading →

2003 The Desire of the Cartographer, Kunstverein, Hannover, Germany Experience, Rotterdam Photo Biennale, Nederlands Foto Institute, Netherlands Transfers, Palais des Beaux Arts, Brussels, Belgium Sanctuary: Contemporary Art & Human Rights, Gallery of Modern Art, Glasgow, Scotland Black President: The Art and Legancy of Fela Anikulapo - Kuti, The New Museum of Contemporary Art, New York, USA Pictures from Within: American Photographs, 1958 - 2002, Whitney Museum of American Art, New York, USA Linking Collection And Community, MAM — Miami Art Museum, Miami, Florida, USA Potential Images Of The World, Speed Art Museum, Louisville, USA Double Exposure, G Fine Art, Washington, DC, USA Colección MAC, MAC Museo de Arte Contemporáneo.

As Robert Rosenblum states in his 2002 essay for the Marlborough New York exhibition of paintings by Francis Bacon «within this world of widely varied nudity, Francis Bacon might be seen as pioneer and reigning monarch, shifting rapidly, as he could from the immediate stimulus of the always imperfect, often ugly flesh he scrutinized in real - life models and photographs all the way to the fantastic, theatrical constructions that could evoke everything from Aeschylus's Oresteia to the nightmares of the twentieth century's two world wars».

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

The invention of photography in the nineteenth century had three effects on art: portrait and scenic artists were deemed inferior to the photograph and many turned to photography as careers; within nineteenth - and twentieth - century art movements it is well documented that artists used the photograph as source material and as an aid — however, they went to great lengths to deny the fact fearing that their work would be misunderstood as imitations; [8] and through the photograph's invention artists were open to a great deal of new experimentation.

Returning to the studio with the materials he had gathered, Vitturi created teetering totemic assemblages with a Baroque sense of drama, collaging and overpainting his photographs and materials in high - register colours — and often layering physical objects within the photographic assemblages to create new volumetrically disorientating images.

In seeking to decipher the identity and thoughts of a figure photographed from behind, the viewer can visually assume their place within the picture — joining baseball spectators in the crowd in Tod Papageorge's Shea Stadium, New York, 1970, witnessing Senator John F. Kennedy's presidential nomination in Garry Winogrand's Democratic National Convention, Los Angeles (JFK), 1960, or attending a traditional Chinese funeral ceremony in the Sichuan Province in Adou's Funeral, Women, 2006.

For his latest exhibition, a solo show at Magda Gallery in Paris, Pétillon is showing new and existing photographs in the Invasions series, as well as an an immersive cloud forest installation within the gallery itself.

Alex Prager's new exhibition Face in the Crowd, showcases large - scale color photographs of elaborately - staged crowd scenes and a film by the same name that explore the notion of the individual within the masses, the boundary between public and private space and the psychological complexities of human interaction.

Having amassed 48,000 photographs of soup from each of these outlets, Doi made use of his own machine learning models in conjunction with Google's AutoML Vision technology, fed these photos to his system and ended up being able to identify, within a 5.5 % margin of error, which of these shops a brand new bowl of ramen came from by showing a photo of it to his computer.

To determine all photos within New Floor Plans for Storage Container Homes photographs gallery you need to comply with this hyperlink.