But rather than focusing on a specific artist or time period, as in the previous Thiebaud and Early American works, the new series references a pictorial convention
within painting as a whole.
What's not likeable is that this powerful surface ends up stranded and unmotivated
within the painting as a whole.
Abstract painters do not hold the higher ground
within painting as a whole; neither does figuration.
Not exact matches
Within weeks I was dating men whom I never would have met otherwise, exploring new restaurants, discovering a
whole new range of things to do on a date, such
as paint night, something I could have never done with my boyfriend.
I can also imagine the
whole exhibition
as a reply to a previous one, almost
as if this first
painting, on a wall of its own, announces that the show is the artists reply, situated
within a previously established dialogue.
Seen together
as an installation, the
paintings in Silk Road encourage the viewer to search for related harmonies or discontinuity
within the works
as a
whole.
This permitted the
whole painting as object to lend itself to the propensity in perception to see the total configuration of an object
as an immaterial image of form, while precisely locating colour in an unfluctuating relationship
within the overall structure of the form.
Wright explores various mediums; such
as sculpture, printmaking and
painting as modes of expression, drawing inspiration from the interconnected worlds of media, popular culture, politics and societal interactions in an attempt to create panoramic views of current issues, hardships, complexities and paradoxes present
within South African and to some extent African society
as a
whole.
More than the arch of the waves and the wind in the sails, Cánovas became concentrated on small sections of colour
within the canvas, particularly the blinding luminosity of cloud formations and skyscapes — not the
painting as a
whole but a small snapshot of the full scene before him.
It is impossible to understand an artist's practice from one example, and given the range and abundance of artistic concerns, it is exhausting to appreciate and sort these various interests both
within each
painting and in the show
as a
whole.
The works play with elements of flat colour, depth and surface, revealing the process of
painting as a series of strategies or components
within the visual puzzle of the
whole.
So, on the one hand, some «skeptics» (including Judith)
paint the «climate science community»
as a
whole as being «asymmetrically» tribal and partisan, yet on the other hand, those same skeptics seek to create distinctions
within their own community that they won't allow for in the «climate science community.»