Sentences with phrase «within photographic art»

About the Artist: Peter Finnemore is an artist working within photographic art, multi-media installation and video.

Not exact matches

The project explores the work of Lee Kirby, the uses of projection within the photographic world (music shoots, fashion photography, fine art) and provides an opportunity for the pupils to gain an understanding of exposure / shutter speeds.

An assistant professor of art and director of the Diggs Gallery at Winston - Salem State University, Beal is recognized for her «photographic narratives and video testimonies that examine the personal, yet contemporary stories of women of color working within the corporate space.»

The first mid-career survey dedicated to Deschenes's work, this exhibition will feature 20 years of her art, including explorations of various photographic technologies, rich and nuanced work with photograms (a type of photographic image made without a camera), and sculptural installations that reflect the movements and light within a given space and respond to a site's unique features.

With the exceptions of essays by Rosalind Krauss (in Francesca Woodman: Photographic Work, edited by Ann Gabhart, Rosalind Krauss and Abigail Solomon - Godeau, published by Hunter College Art Gallery, New York and Wellesley College Museum, Wellesley, 1986) and Benjamin Buchloh (in Francesca Woodman: Photographs 1975 - 1980, edited by Benjamin Buchloh and Betsy Berne, published by Marian Goodman Gallery, New York, 2004), few critics have contextualised Woodman's work within the feminist genre of the 1970s.

The Saint Louis Museum of Art presents Thomas Struth: Nature and Politics, a photographic exploration of industrial and scientific research spaces featuring 35 large - scale works created within the past decade.

An eponymous new show, opening tomorrow at Boston's Institute of Contemporary Art, represents the first full North American survey of his practice, exploring Raad's focus on investigations into distinctions between fact and fiction, especially in relation to «the veracity of archives and photographic documents in the public realm [and] the role of memory and narrative within discourses of conflict».

Presumptuous and imposing, they manage to escape strict categorization as painting, sculpture or media art, merging the power of photographic and film pictures that Longo exploits as a mean of his research of importance of visual expression in popular culture and stereotypical portrayals of the individual's alienation within a complex society.

Rami Maymon pulls connections from portraits and their reprints within art books — originals and reproductions — as a way of investigating authenticity within modes of photographic production.

The strength of these photographs lies in the photographic reproduction of a particular space and time within art history.

Alongside a selection of color plates, Michael Darling, James W. Alsdorf Chief Curator at the MCA, reviews the works in the exhibition within the context of the artist's career; Chrissie Iles, Anne and Joel Ehrenkranz curator at the Whitney Museum of American Art, examines the artist's position within photographic and cinematic history; and novelist Kate Zambreno considers the fragments of lost objects and what it means to collect.

Exhibition: SOLO EXHIBITIONS 2010 A-D Gallery, Athens, Greece, Within the Mind 2006 C. Grimaldis Gallery, Baltimore, MD, Unborderville 2005 A-D Gallery, Athens, Greece, Unborderville 2004 Kouros Gallery, New York, NY, Sacred Shadows 2003 C. Grimaldis Gallery, Baltimore, MD, Sacred Shadows 2001 A-D Gallery, Athens, Greece, Sacred & Poetic References 2000 A-D Gallery, Athens, Greece, Artificial Enemy 1999 Recalcati Arte Contemporanea, Torino, Italy, Tripticon, New Index 1998 Artforum Gallery, Thessaloniki, Greece, Air Chicago 1996 Show Centre of Hdk, Berlin, Germany, The Untruth 1994 Show Centre of Hdk, Berlin, Germany, Poetry of the Moment - Photographic References GROUP EXHIBITIONS 2012 C. Grimaldis Gallery, Baltimore, MD, Behind Walls C. Grimaldis Gallery, Baltimore, MD, Summer «12 2010 C. Grimaldis Gallery, Baltimore, MD, Summer «10 C.Grimaldis Gallery, Baltimore, MD, Wasteland 2009 Xippas Gallery, Athens, Realities & Plausibilities, curator: A. Moschovi Thessaloniki Museum of Photography, Greece, 10 Aspects of Hellenic Photography curators, Jean - Pierre Giusto and V. Loakimidis Thessaloniki Museum of Photography, Athens, Greece, Art Athina 09 2008 Theatre de la Photographie et de l Image, Nice, France, Aspects de la Photographie Hellenique, curators Jean - Pierre Giusto and V. Ioakimidis 2007 Maison Européenne de la Photographie, Paris, France, The Athens Effect, curator: Birgit Hoffmeister 2006 Fondatione Mudima Milano, Milan, Italy, The Athens Effect, curator: Birgit Hoffmeister C.Grimaldis Gallery, Baltimore, MD, Through The Lens II The Beltzios Collection, Trikala Greece, An Outing, curator S.Bahtsetzis 2004 C. Grimaldis Gallery» Baltimore, MD & «A-D Gallery» Athens, Art Athina Sala de Exposiciones, Canal de Isabel II, Madrid, Spain, Self - Aboutness, curator: Marilena Karra White Box, New York, NY, Every Day Hellas, curator: Heather

Jeff Wall The Crooked Path Center for Fine Arts Brussels May 25 - September 11, 2011 Especially conceived for Bozar, this original exhibition places the work of Canadian artist Jeff Wall (° 1946) within his cultural context and photographic creation.

At the end of this exhibition, the FRAC Auvergne will otherwise be lent dozens of CNAP's photographical art works within the frame of L'Oeil Photographique (The Photographic Eye).

He went on to do his bachelor's degree at the Camberwell College of Arts, University of the Arts, London, which helped him expand his artistic practice to construct layers within his photographic narratives to allow for the viewer to question what they see by oscillating between reality and fiction.

Jackson's image is just one of the many striking photographic portraits included in Black Chronicles II at Spelman College Museum of Fine Art in Atlanta, Georgia, that activate an important dialogue about the history and record of Black faces and bodies within Western culture.

Dedicated to exploring the veracity of photographic and video documents in the public realm, the role of memory and narrative within discourses of conflict, and the construction of histories of art in the Arab world, Raad's work is informed by his upbringing in Lebanon during the civil war (1975 — 91), and by the socioeconomic and military policies that have shaped the Middle East in the past few decades.

Neelika Jayawardane, art critic and scholar, will discuss the work of Zanele Muholi and the activist impulses within this body of photographic work.

Michael Darling, James W. Alsdorf Chief Curator at the MCA, surveys Collier's photographs of the past decade to analyze their artistic influences and thematic connections; Chrissie Iles, Anne and Joel Ehrenkranz Curator at the Whitney Museum of American Art, examines the artist's position within photographic and cinematic history; and novelist Kate Zambreno delves into identity and self - portraiture, collection, and obsession.