Like the other paintings included in the Perls show, La Siesta reflects Carreño's style of the late 1940s, characterized by flattened forms inscribed
within rhythmic compositions.
Not exact matches
Heavy, conspicuous post-production and dense sound and musical
compositions create a fluid and compelling
rhythmic montage
within the work.
In discussing his stripe work, Davis spoke not simply about the importance of color, but about «color interval:» the
rhythmic, almost musical, effects caused by the irregular appearance of colors or shades
within a
composition.