Sentences with phrase «within traditional histories»

Not exact matches

«There is no way in which African and Asian church history can be incorporated within a traditional Western - type syllabus; nor can they be appendages to Western church history,» he writes.

Both the European missionary movement and the traditional Indian «Christian Theology of the 20th Century were rejected as metaphysical speculations having nothing to do directly with the history and existence of the marginalized majority within the Indian Church.

We shall see how within each of the three traditions of Christian love there is a search for an authentic realism about man and history which results in a strain upon the traditional forms.

Although in its traditional form, it has always failed to explain some of the fairly fundamental behaviors of muscle contractions, including the history dependence of force production, many researchers believe that it still provides the best explanation for the mechanism by which sarcomeres shorten in order to create tensile force within a muscle fiber.

The hundred - year resistance within public education to a traditional curriculum that would have required in - depth knowledge of history, philosophy, and culture is part of the problem: Americans simply do not know why our institutions developed as they did, or how important it is to participate in the ongoing struggle to align our institutions with our ideals.

A second quality that distinguishes these alternatives from traditional schools is their long and unique history within well - rooted philosophical foundations.

A true page out of the traditional Ferrari history book, the 1964 Ferrari 275 GTB / C Speciale contains within a 320 - hp (70 hp more than the standard GTB road car), 3.3 - liter dry - sump V - 12 engine with six Weber 38 DCN carburetors, mated to a five - speed manual transaxle transmission.

Especially if they don't have that much of a history within the traditional comics market, but are talented artists with their own not considered commercial creative voice.

Informed by traditional crafts and the histories of female figures within art and architectural history, Leonor Antunes discusses her work alongside art historian Briony Fer.

Her curatorial work focuses on artistic production from the neo avant - garde until today, particularly rooted in global art histories, the intersections of sound and performance with traditional media, and the function of contemporary art within encyclopedic museums.

Traditional and nontraditional methods of painting are supported in the department and discussed within the context of the history of painting.

The exhibition invites the audience to corroborate this non - traditional exploration of transformation, self evaluation, spirituality and history, within a cross cultural dialogue.

She creates a personal and contemporary fiction within her works, bringing to light issues of race and representation throughout the history of traditional figurative painting: «My work is a form of tribute, analysis and intervention: tribute out of sincere admiration for the figurative tradition; analysis, by making something vast,» the role of race in the history of figurative painting «comprehensible to both myself and to my viewers; and intervention, by positioning a woman - of - color as primary picture - maker, in whose hands the figurative tradition is refashioned.»

Traditional reverence for the splendors of nature has been challenged by the highly abstract color landscapes of Toshio Shibata, which embrace man - made infrastructure in harmony with natural surroundings, as well as in Hiroshi Sugimoto's view of a polar bear in the snow, actually taken within our city's Museum of Natural History.

As a Lieutenant Colonel in the Saudi Army, themes of control and authority can be felt within this work, as well as a desire to preserve and respect the history upon which traditional art is built.

On view thru Sept. 27, America Is Hard to See — drawn entirely from the Museum's collection — reexamines the history of art in the United States from the beginning of the twentieth century to the present and examines the themes, ideas, beliefs and passions that have inspired American artists in their struggle to work within and against traditional conventions.

Instead of working directly with the Pan-African Flag, Hammons» use of its colors within the context of the traditional American flag is a reminder of the many contributions made by African Americans throughout the history of the country.

Whilst Black denies the gendered nature of her sculptures, it is difficult not to interpret her work as overtly «feminine» in a traditional sense — materials associated with house - keeping, beauty and nursing recur within her work, along with formal motifs like bows, canopies and nests, in pretty fondant colours — suggesting an oppositional stance to the traditionally masculine, monumental and heroic idea of the history of sculpture.

Widely published within the fields of art history, musicology, and cinema studies, Joseph's research focuses on those North America and European artists from the 1950s to the present day whose work has challenged or crossed traditional genre and disciplinary boundaries.

Gioni elaborates that, «The construction of the show itself is not traditional, in the sense of chronological presentation, and in fact, within each thematic we have created to present Pettibon's work, we present the works from different moments in his career and history, so you have this strange confrontation [where] the more graphic work is next to the more painterly work, going through his work, in a sense, vertically rather than horizontally.»

This can mean connecting to traditional Indigenous spiritual stories, practices that form traditional law and connection to country, as well as locating the healing process within the Indigenous history and context.

The traditional FICO score requires consumers to have at least six months of credit history and at least one financial account reported to credit agencies within the last six months.