Sentences with phrase «without experiencing the film»

The antics from the first film are simply classic to me, and the film is something I manage to quote from on a weekly basis amongst friends and when I hear that someone has managed to go all these years without experiencing the film it's something I feel the need to remedy immediately.

Not exact matches

Whether or not the critical acclaim already experienced by O.J.: Made in America means that television viewers can expect more long - form, multi-part films from ESPN remains to be seen, as Schell said the longer format is difficult to sustain without the right subject matter.

If you see it without knowing much, then you'll have a much better film experience.

These minor points aside, Beginners is without doubt one of the best films of 2011, with an outstanding performance from Plummer, great writing, and through being an immensely rewarding viewing experience in general.

Filmed without narration, subtitles, or any comprehensible dialogue, Babies is a direct encounter with four babies who stumble their predictable ways to participating in the awesome beauty of life.Needless to say, their experience of the first year of life is vastly different, yet what stands out is not how much is different but how much is universal as each in their own way attempts to conquer their physical environment.Though the language is different as well as the environment, the babies cry the same, laugh the same, and try to learn the frustrating, yet satisfying art of crawling, then walking in the same way.You will either find Babies entrancing or slow moving depending on your attitude towards babies because frankly that's all there is, yet for all it will be an immediate experience far removed from the world of cell phones and texting, exploring up close and personal the mystery of life as the individual personality of each child begins to emerge.

It's arguably impossible to create a film without them, or at least would make for a pretentious and boring «maze» not appropriate for an entertaining experience (which Inception was and film should be).

We begin with a compelling love story that evolves into a dissection of marriage in all its facets, a thrilling possible - murder mystery, a scathing indictment of American national media and... well to go much further I'd wade into spoiler territory and honestly, this film is best experienced without them.

Wendigo is an extraordinarily thorny film, no question; that it manages to be so without pretension, while providing an experience that is terrifying and gorgeous, is a remarkable achievement.

Both offer better writing and performances, as well as bigger budgets, but through the addition of scratches to the film print and the use of missing reels during key plot points, the experience has been replicated as best as possible without alienating the mainstream crowd.

Laughed out the door at the screening we were at, it's a risible, brutal experience to say the least and the film limped onto DVD a year later without much fanfare (even Rourke himself publicly dogged the film before it came out).

It is hard to describe a film experience so sublime without resorting to cliché or ridiculous runs of superlatives.

Left on the craft to experience 23 years without human contact while his companions experience mere minutes on the surface of the planet, his reappearance is one of the film's most resonant moments — the more so for being so quiet and so delicately played by Gyasi.

Indeed, though it doesn't lean on a particular ideology, this is a fiercely political film in which the stakes of politics are the everyday lived experience: dollar bills exchanged between hands, a blank form waiting to be filled, or the aisle of a supermarket where shoppers do mental arithmetic to figure out what they can go without this week.

I firmly believe that the films we watch are pointless without people around to share the experience.

The Tribe / Ukraine (Director and screenwriter: Myroslav Slaboshpytskiy)-- Set at a Ukrainian boarding school for the deaf, the film's narrative unfolds purely through sign language without the need for employing subtitles or voiceover, resulting in a unique, never - before - seen cinematic experience that engages the audience on a new level.

Credit goes to Quaid and Grace for never playing any scene in a vacuum, allowing their characters the complexity to express without having to explain verbally, and to grow in their experiences before the film ends.

It read «I do not know what you will think of my movie, however, whatever you write, I would ask that you preserve the experience for the audience of seeing the film the way you see it today... without knowing any details about the plot of the movie.

The films have also allowed festival goers a chance to experience other lives and cultures without leaving their seats.

is, without a doubt, one of the most painful experiences of my critical life, for herein most of the interviewees from «The Real Story» treat the film's resident RealDoll as if she were an actress.

Without giving away the movie's big reveal (it's horrifying, in an everyday sort of way, but not «surprising» in a movie way) I can say that once we face it along with Jackie and Angelo and their loved ones, the film seems to go through much the same revelatory experience that Jackie has on the beach as she learns how to ride a board with help from a handsome, slightly younger instructor and soon - to - be-love-interest named Ian (Luke Wilson).

... As you continue, that ability to watch without having seen or read a Potter — you will be able to enjoy it, but I think you will enjoy them in a completely different way than with the experience of having read and seen the Potter films and books.

Without going into spoilers for those who haven't experienced the story, thinking back on the film and when a video game version of that should give the player control, or how a scene in the film could be converted into a gameplay section is nailed to a tee.

Hmm, if you are going into the film without any experience with Entourage the review you post will be interesting for sure.

David Lowery's first film that really worked for me, A Ghost Story is a loving, metaphysical ode to the rushing river of life, the way events and experiences can come and go or pass us by without the time or consideration of its gravity.

It's best to see this film without knowing anything else, because the full experience comes from following the story as it plays out.

However, the second film is stuck with that tricky job of giving us the same experience as before, but without the pleasure of actually ending anything.

Rosefeldt reintroduced the work as a 95 - minute feature film at this year's Sundance Film Festival, where I spoke to him about bridging the two experiences without sacrificing the density of philosophy and theory contained within.

I do think Leigh could have fit this character into an actual tale that revolves around more than just a series of driving lessons, but even without this typical movie ingredient, Happy - Go - Lucky still provides for a very entertaining film - going experience.

But there's a major disadvantage here as well, as Xiao Hong herself remains something of a cipher for much too long in her own film, being talked about by others but not being allowed to simply be experienced without any direct filter, so the audience can make up its own mind about her.

Malick's film aims to provide tastes of the whole human experience and he strings episodes together without much concern for chronology or linearity.

While Jonah Hill is without a doubt the star, having had tons of experience in films like Superbad and Knocked Up, Tatum does a fine job as well and the two actors have great chemistry together.

Though some of the features are available on the DVD edition, the Blu - ray set The Bourne Trilogy is without doubt the best way to experience these films and to bone up before the in - development fourth entry reaches theaters.

Cop Out represents Smith's first film as a director that he did not write, as well as the first without his longtime production crony Scott Mosier (and his first experience working directly on a major studio production), and it is a mistake on many levels.

We can speak from first hand experience that Nolan's wishes to make a film feel like «VR without the goggles» is a feat he pulls off perfectly.

That he once had the uncanny experience of discovering his own writing repurposed (without citation) in a sheet of UCLA screening notes is not that surprising — next to his small - scale but refreshingly original insights, the majority of film criticism looks like a rhetorically polished thesaurus - job.

«I Am Mowgli» (8:18) looks at how Neel Sethi landed the film's only live - action role and his experience as a first - time actor without traditional co-stars.

You would think that kind of experience would preclude him from writing, producing, and starring in Gun, a film that glamorizes violence without any creativity or reasoning.

It's really tough to say more about the actual events of Infinity War without ruining the experience — however, there's something to be said for the lengths to which this film goes to give an air of finality and consequence to the Marvel Universe.

That the film confronts these issues head - on, without the crutch of allegory, is rare in itself, but what makes Black Panther truly unique is that this «dystopian» present is juxtaposed with a (stunningly staged) utopian vision that is also wholly steeped in the black experience — in its history, iconography, and culture.

Krasinski said that Simmonds being deaf in real life helped him ground the film in reality more because she was a «guide through what it's like to experience the world without hearing it.»

It is impossible to watch the new film by writer / director Nicole Holofcener (Lovely and Amazing, Friends with Money) without experiencing, anew, sharp pains of regret at the premature passing of James Gandolfini He is so perfect in his role as a lonely and awkward divorcé, and such a lovely match for the equally wonderful Julia Louis - Dreyfus — herself lonely and divorced here — that one can but wish he had had more time to deliver many more such performances.

Despite the competent script and experienced directing, this film would have just been middling without the performances to inject some personality into it.

He's the novelist and film maker who co-founded Red 14 Films a literary trailer production company that creates live action cinematic book trailers to capture the plot, voice and tone of a story without compromising the reading experience.

Perks such as an in - house photography service allow you to capture the best experiences on film without having to take the pictures yourself.

Now, an indie film is set to go back in time before Rapture fell and aims to tell the story of Arthur and Charles, brothers experiencing Plasmids for the first time and who must learn the true cost of art and power without boundaries.

Drawing inspiration from spaghetti western films, the game is a fantastic example of creating a cinematic video game experience without relying on cutscenes.

«How to Act» is an installation that offers an immersive cinematic experience without the use of film images.

In any location, basic rules of decency apply (don't film others without consent, and don't campaign for any particular candidate), but documenting your experience at the polling place in most places is as much a right as voting itself.