Sentences with phrase «without human vision»

The photographic works Near Nogales (2017) and Four Clouds (2017)-- a quadriptych — represent the artist's recent interest in what he refers to as «invisible images» — images made by machines for other machines, without human vision or other intervention.

Not exact matches

A hallmark of the Catholic tradition is that God's existence (though not His Trinitarian nature), the existence of the incorporeal soul (though not the nature of the after life and the beatific vision), the nature of the human person (though not the full truth about the indwelling of grace), and the natural law are all accessible to us without divine Revelation.

In our generation there is danger and hope — danger that these noncognitive accouterments will lose their aesthetic harmony and hypnotic power when integrated with the basic prehensions of science, and be reverted into impotent and empty symbols, jarring, ugly, and without force in final satisfactions: hope that the power of Jesus as lure will reassert itself in an aesthetic context devoid of supernaturalism, a context such that (the language now picks up echoes of van Buren) the vision of Jesus, the free man, free from authority, free from fear, «free to give himself to others, whoever they were «1 — such that this vision in its earthly, human purity will lure our aims to a harmonious concrescence, integrating scientific insight and moral vision and producing a modern, intensely fulfilling human satisfaction.

I wonder, however, if it will be sustained without a sense of human unity that the mystical vision inspires.

To be a religious believer is to know that the hungers of the human heart will not find fulfilment without God, but even religious believers benefit from goals short of the ecstatic vision of the divine.

Given that St. Thomas» theological project is both materially and intentionally open ended, and given that the Magisterium recognises that philosophy must take adequate account of the advances of modern science, if one could demonstrate that the perspective proposed by Holloway and now by Faith movement and magazine fulfilled all of the criteria mentioned above - i.e. it is a unified vision of the Catholic faith that gives due place to the role of human reason without blurring the distinction between nature and grace and one that presents our revealed faith uncompromisingly and in its entirety - one could justifiably claim that the Faith vision is totally coherent with, if not the total content of St. Thomas» theology, then most certainly the aims and intentionsset out in Aeterni Patris.

It is always dangerous dealing with people who may be intelligent without depth, shrewd without vision, jocular without humour.People whose friends don't like him and courageously describe them as cold and pompous.We heard Kennedy Agyepong openly insult every soul in the Npp including the flagbearer, we heard him call on Akans to wipe off Gas and Ewes from Ghana and heard Osafo Marfo one personality I hitherto admired so much, declare citizens from some particular regions unfit to occupy the executive seat.Nana did not find these inhuman and obnoxious outbursts as insulting, didn't find it expedient bringing these henchmen to order.We heard Ursula who is a spiritual confidant of Nana painfully say on public platform that had it not been free education, many of our northern appointees would have been managers of cows not human beings.This was how far people who are very close to him went.Antwi another close associate courageously referred to Fantes as «fickle minded» fit only for concert shows.

Scientists said the platform is part of LLNL's broader vision for countering emerging and existing threats, allows them to study the networks formed among various regions of the brain, and obtain timely, human - relevant data without animal or human testing.

«When you're an organism, human or otherwise, without vision, your brain privileges nonvisual information,» he says.

Human vision is an active process that involves shifting attention across the visual scene, with or without moving the eyes.

Although not exactly heartwarming, Amour has a more contained vision of human relationships than Haneke's previous films without sacrificing its bleak foundation.

After tragedy strikes, he soon winds up on an epic journey, a vision quest without the fire, accompanied by a human boy he calls Spot (Jack Bright) who scurries around on all fours and howls like a wolf.

In his vision of the past, American slavery represented an opportunity for vampires to own and devour human beings without compunction or limit, and the Civil War was largely an effort to curb vampires» control of the country.

The outcome statement of the Rio +20 Conference on Sustainable Development (2012) centred around ecological sustainability.2 If countries of the world are serious about the commitment made at Rio, then the MDGs need to evolve into a new framework; sustainability was not at their heart, and it is increasingly clear that without such an orientation, various «development» goals are impossible to meet for both the current and future generations.3 As the report of the UN System Task Team on the post-2015 development agenda says, «the proposed vision and framework for the post-2015 agenda must be fully aligned with that (Rio +20) outcome».4 Accordingly, the theme of sustainability should be running through all the post-2015 goals (as should the themes on equity and human rights), even as more specific environmental targets such as halting the erosion of biodiversity could be specified in one of the goals.

If your dog has a serious case of Collie eye defect and has a major loss of vision, you should train your dog to manage without sight just as you would with a human.

And our vision is a resort where humans coexist with the natural environment (fauna and flora) without breaking the balance.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Without casting every challenge as a political battle or focusing on apocalyptic visions of a despoiled planet, Alex Steffen, first with Jamais Cascio and then a global community of contributors, built a conversation around designing a human future that could work for the long haul.

Without an atmosphere to protect human inhabitants from meteorites and solar radiation, Foster + Partners» vision uses locally - sourced materials to protect future inhabitants.

Human flourishing is almost impossible without property rights and the rule of law, and so before millions of poor people around the world are able to realize Julian Simon's optimistic vision, they need de Soto to defend their rights.