By the end, El Mariachi, rebel -
without - a-crew Rodriguez's alter ego, walks off into the sunset draped in a Mexican flag, Rodriguez having ripped off the church shootout from The Killer, a chunk of the hospital and morgue intrigue from Hard - Boiled, the
plastic surgery discomfort from Face / Off, and, switching directors briefly, the falling escape from Tsui Hark's Time and Tide, and the Odessa Steps sequence from Battleship Potemkin.
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