Not exact matches
The best part about this is that because everyone's in their own car, you can
feel free to have a little chat with yourselves during the film
without having a theatre of angry
viewers pester you!
Without a discernible plot or goal in mind, some
viewers may
feel like this is a film about nobodies who do nothing for the duration.
And,
without doubt,
viewers will
feel this film's big ideas piling on top of each other, in the heavy events that thrust racial quandaries front and center, and in the zippy - academia dialogue that implies Dawson's Creek was also an inspiration.
Most documentaries can
feel boring or drawn out, too dry and objective to entice
viewers without a deliberate interest in what's being documented.
Despite the spectacular visual effects and enthralling music, «The Greatest Showman»
feels rushed, failing to engage the
viewer on an emotional level, creating characters
without depth or personality.
However,
without learning much about the supporting characters and knowing they aren't going to make it, it's hard to
feel much for them outside of the basic connection between
viewer and talented performer.
The measure of a picture's worth can be divined by the targets it
feels are low enough to be beneath its demographic: Matthew the waiter is such a profound loser that
without any offense save his dreams and passions, he's made the victim of every single character and
viewer.
«We knew this was something special that our
viewers will
without a doubt connect to and
feel compelled to explore with us.
There's a very good chance that a majority of drivers would agree with his assessment, but it's unlikely that any
viewers will
feel confident enough to buy the Jaguar
without at least taking a look at the BMW first.
Author Betsy Huete notes, «To make political work
without literally telling the
viewer how he should think or
feel is a tall order, yet Roberts pulls it off masterfully by intertwining the personal with the ideological.
Meanwhile one can hardly move a humid step
without feeling short of breath and in fear of falling, like the
viewer let loose in the dark by David Hammons.
Without a clear beginning or end, the journeys mapped on these vertical canvases question the
viewer's sense of place and create a strong
feeling of dislocation.
The video is not narrated, so it is an opportunity for the
viewer to
feel like they are sitting in on a complete play therapy session
without interruption.