Not exact matches
He examines the speeches in Acts and also the editorial skeleton in Mark, and he finds that they follow a more or less common pattern: the ministry began with the «baptism» of John, that is, his message of repentance and
work as a baptizer; following John's arrest, Jesus began his own ministry in Galilee, and there «went about doing good,» and «healing all that were possessed by the devil»; then he came up to Jerusalem, where the rulers put him to death by crucifixion; on the third day he
rose again, and appeared to his disciples, who were now «
witnesses» to the truth of these reported events, namely to his resurrection from the dead.
In the UK, we are
witnessing a huge
rise of in
work poverty, with vast swathes of the country's labour force having to rely on benefits to top up paltry wages.
You do the
work, and you will
witness the closest you'll ever get to that magic wand: your total debt dropping faster and faster over time, and a steadily
rising credit score as a bonus.
Having
witnessed the phenomenal
rise of young British artists in the early 1990s, he contacted those he knew and admired and invited them to make a
work for his mail art project, Imprint 93.
The present
work bears
witness not only to the
rise of the grid during this period — exemplified in his landmark suite of Bach paintings — but also to the darker palette that began to encroach upon his oeuvre.
His recent exhibitions include The Interview: Red, Red Future, a solo exhibition with the artist MPA that addressed the impending human colonization of Mars; Double Life with artists Jérôme Bel, Wu Tsang, and Haegue Yang that considered possibilities for performance without live bodies; Parallel Practices: Joan Jonas & Gina Pane, which brought together multimedia
works by two pioneering female performers based in New York and Paris, respectively; and LaToya Ruby Frazier:
WITNESS, which documented, in the artist's own words, of «the
rise of globalization and the decline in manufacturing as told through the bodies of three generations of African - American women.»
Enraged by the
rise of fascism that he
witnessed while visiting Europe in the 1930s, Smith began to
work on the «Medals for Dishonor.»
Previous exhibits featured the
work of residential school survivors in Canada and their descendants, including NET - ETH: Going Out of the Darkness, co-curated with
Rose M. Spahan, Malaspina Printmakers; and
Witnesses: Art and Canada's Indian Residential Schools, at the Morris and Helen Belkin Art Gallery, co-curated by Geoffrey Carr, Dana Claxton, Tarah Hogue, Shelly Rosenblum, Charlotte Townsend - Gault and Keith Wallace.
Working in the»80s, Nickas
witnessed radical change in art, including the
rise of a new type of criticism, pioneered by Village Voice writers like Eileen Myles and Gary Indiana, who reviewed shows while bitching about their personal lives.
[1] This discussion is primarily about clients, but lawyers often
work with a number of other people in the legal system in ways that can give
rise to secondary trauma (for example,
witnesses, victims and family members).