Sentences with phrase «woman artist during»

AMc: How have you seen things change for women artists during your lifetime?

«We Wanted a Revolution» focuses on the work of black women artists during the emergence of second - wave feminism — a primarily white, middle - class movement (Judy Chicago's The Dinner Party might ring a bell).

Radical Women: Latin American Art, 1960 — 1985 is the first comprehensive exhibition to explore the pioneering artistic practices of Latin American and Latina women artists during a tumultuous and transformational period in the history of the Americas and the development of contemporary art.

The inaugural opening at Hauser Wirth & Schimmel, a 113,000 square - foot gallery, located in Los Angeles, is an important, monumental, museum - size exhibition of one hundred abstract sculptures created by thirty - four well - known contemporary women artists during the last seventy years.

This is the first exhibition to explore the groundbreaking contributions to contemporary art of Latin American and Latina women artists during a period of extraordinary conceptual and aesthetic experimentation.

It explores the contributions to contemporary art of Latin American and Latina women artists during a period of extraordinary conceptual and aesthetic experimentation.

Growing up around two professionally active women artists during the 1940s and»50s had a powerful impact on Fishman.

Not exact matches

Only one woman won an award during the main event at the music celebration — Alessia Cara, who took home the Best New Artist.

The young woman — the autobiographical creation of actual feisty Iranian artist Marjane Satrapi — is sketched in the same bold illustration style that characterizes Satrapi's internationally adored graphic novels about her life during Iran's Islamic revolution.

When Tommy's misogyny is on display during a scene of filming — laughing about a woman getting beat up and sent to the hospital, despite being told over multiple takes not to — «The Disaster Artist» doesn't question what's underneath it.

An artist falls for a young married woman while he's commissioned to paint her portrait during the Tulip mania of the 17th century Amsterdam.

Set in the Netherlands in early the 17th - century, during the period of the Tulip mania, an artist (Dane DeHaan) falls for a married young woman (Alicia Vikander) while he's commissioned to paint her portrait by her husband (Christoph Waltz).

The movie tells the story of an artist who falls for a young married woman (Alicia) while he's commissioned to paint her portrait during the tulip mania of 17th century Amsterdam.

Connie Chung — television reporter Ann Curry — news anchor woman, Today Show S. I. Hayakawa (1906 - 1992)-- U.S. senator, college president Dr. Feng Shan Ho — saved thousands of Austrian Jews during the Holocaust David Henry Hwang — playwright, M Butterfly Colonel Young Oak Kim — first Asian American to command a battalion in combat Ang Lee — movie director: Hulk; Crouching Tiger, Hidden Dragon Bruce Lee (1940 - 1973)-- movie star and martial artist Gary Locke — governor, state of Washington Norman Y. Mineta — first Asian - American member of U.S. president's cabinet Patsy Mink — Congresswoman, Hawaii Ralph Nader — consumer advocate, presidential candidate Yoko Ono — artist, musician; was married to Beatle John Lennon Dalip Singh Saund — first Asian elected to Congress (1956) Donna E. Shalala — secretary, U.S. Department of Health & Human Services John Sununu — congressman, New Hampshire Amy Tan — author, Joy Luck Club Tiger Woods — golfer Kristi Yamaguchi — Olympic figure skater Jerry Yang — co-founder of Yahoo! Laurence Yep — author, young adult fiction (Dragonwings, Rainbow People)

During that period many women artists were driven to appropriate specific artworks by so - called «modern masters.»

I especially can't wait to see Objection, a collaborative exhibition uniting two emerging women artists, Michal Cole Israel / UK and Ekin Onat Turkey / Germany, at the Pavilion of Humanity during the 57th Venice Biennale.

In conjunction with our current exhibition, «A (Mis) Perceived Physique: Bodyscapes of Three Women Artists» the Target Gallery will be partnering with the Domestic Violence Program of Alexandria and The Clothesline Project to raise awareness during Domestic Violence Awareness month.

Abstraction dominated artistic practice during these years, as many artists working in the aftermath of World War II sought an international language that might transcend national and regional narratives — and for women artists, additionally, those relating to gender.»

Focusing on the work of black women artists, We Wanted a Revolution: Black Radical Women, 1965 — 85 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second - wave femiwomen artists, We Wanted a Revolution: Black Radical Women, 1965 — 85 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second - wave femiWomen, 1965 — 85 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second - wave femiwomen of color during the emergence of second - wave feminism.

She was the first of few women accepted into the Artists» Club and participated as an artist in the Works Progress Administration during the depression.

She was the first woman artist to achieve international renown, and was recognized by Vasari, Michelangelo and Van Dyck during a period in history when women did not typically achieve recognition as artists.

Famous artist Louise Bourgeios is here striking a pose with my painting June 24, 1992 during the Women's Protest» — as she surely might today in Spirit with OWS with everything finally on the docket.

On 15 October, Christie's will auction each artist's exclusively commissioned artwork for the launch of Artists for Women for Women International, in their Post War and Contemporary Day Sale during Frieze Art Fair.

Taking as its title and starting point a statement by the pioneering British feminist artist Jo Spence, the exhibition focuses on major performance art made by women artists in the UK during the 1970s.

The ambitious show will build a comprehensive narrative around the art and influence of black women artists (Camille Billops, Beverly Buchanan, Lorraine O'Grady, Howardena Pindell, Betye Saar, and Carrie Mae Weems among them) who, during the beginnings of second - wave feminism, «worked beyond and at times in antagonism to Eurocentric narratives of feminism and feminist art,» she says.

Art critics complained that the winners were too old or not even artists at all (curators were nominated during the»80s), and that there were no women on the first shortlists and juries.

Austrian - born artist Kiki Kogelnik (1935 - 1997) was one of a number of women working in the Pop vernacular during the 1960s — others include Dorothy Iannone and Rosalyn Drexler — in whom interest has lately been renewed.

Each book contains a selection of photocopied covers of the monographs and solo exhibition catalogues by women artists and artists of color published during that period of time and that were part of the CalArts library collection.

[8] During a 2015 panel discussion titled «Painting and the Legacy of Feminism» at Maccarone Gallery, Semmel stated «I would like to get away from the basic declaration of why there are no great women artists.

The section features nine solo presentations of women artists working at the extreme edges of feminist practice during the 1970s and «80s, all sharing a focus on explicit sexual iconography combined with radical political agency.

In London during the mid 1980s, Himid curated a number of seminal exhibitions, emerging as a keen champion of black women artists.

Brooklyn Museum's «We Wanted a Revolution: Black Radical Women, 1965 - 85» reorients the conversation around race, feminism, political activism and art during the emergence of second - wave feminism by highlighting the often dismissed work of women artists of cWomen, 1965 - 85» reorients the conversation around race, feminism, political activism and art during the emergence of second - wave feminism by highlighting the often dismissed work of women artists of cwomen artists of color.

The exhibition, which takes its title from a protest sign captured by Bettmann on Fifth Avenue in Manhattan during the Women's Liberation Parade in August 1971, is curated to complement and expand on Making Space: Women Artists & Postwar Abstraction currently on view at the Museum of Modern Art (MoMA, New York).

She was the only woman (and the youngest artist) to be included in the influential New American Painting exhibition, which toured Europe during 1958 - 59.

This exhibition, on view at NMWA during April — September 2004, was a hit, and although it was NMWA's first - ever design exhibition, it opened the curators» eyes to Scandinavian women artists such as fascinating Danish painter Anna Ancher.

The artist says, «I was moved to witness, especially during these times, a growing movement embracing women from different ends of the political map and diverse parts of society, who believe that beyond the existing gaps and controversies it is important to sustain a dialogue of honor and friendship, and that it is possible to find a way to live in peace one next to the

Although the two women never met — Lockhart only discovered Eshkol's work during a 2008 trip to Israel — the project is conceived as a two - person exhibition, highlighting a fascinating artistic convergence between past and present, as a contemporary artist activates the work of a modernist composer through her archive.

Especially significant are the contributions of women to printmaking during this period as well as the impact of African - American artists on the graphic arts.

While she was planning Views by Women Artists, a massive collaborative exhibition in 1982 during the annual College Art Association conference, Sabra Moore's own show, Pieced -LSB-...]

But it was also during a period when women artists like Cindy Sherman, Barbara Kruger, Liza Lou, and the Guerrilla Girls were transforming the artistic landscape of New York.

During this period, the artist also created the Pregnant Woman piece, which was purchased by the National Gallery of Australia for A$ 800,000 in 2002.

A Girls» Guide to ABMB is a resource produced by Girls» Club to bring attention to exhibitions, fairs, performances and programs featuring women artists, curators and art professionals during the 2015 ABMB festivities.

During National Women's History Month, please join us in honoring our community of Native Arts and Cultures Foundation women artists and culture beaWomen's History Month, please join us in honoring our community of Native Arts and Cultures Foundation women artists and culture beawomen artists and culture bearers.

Working in very different contexts during a period of global political and aesthetic foment, the artists here are united — like the women in the Brooklyn Museum's equally ground - breaking recent survey «We Wanted a Revolution: Black Radical Women 1965 — 85» — by their doubly marginalized posiwomen in the Brooklyn Museum's equally ground - breaking recent survey «We Wanted a Revolution: Black Radical Women 1965 — 85» — by their doubly marginalized posiWomen 1965 — 85» — by their doubly marginalized position.

In a guide to intriguing art exhibitions nationwide, Judith Dobrzynski features the High Museum of Art's «Walker Evans: Depth of Field», a major international retrospective of Evans» work, including images taken of the American South during the Great Depression; the Denver Art Museum's «Women of Abstract Expression», celebrating the contributions of female artists who helped shape the movement in the 1940s and 1950s; the Met Breuer's «Unfinished: Thoughts Left Visible», the Museum's inaugural exhibition examining works that were never finished by the artists from the 15th century to today; the Asian Art Museum's «Emperors» Treasures: Chinese Art From the National Palace Museum, Taipei», and the Bowdoin College Museum of Art's «This Is a Portrait if I Say So: Identity in American Art, 1912 to Today.»

During that time Cassel Oliver helped curate a number of successful touring exhibits including Radical Presence: Black Performance in Contemporary Art (2012) and Cinema Remixed and Reloaded: Black Women Artists and the Moving Image (2008).

During her 7 - year tenure at the Virginia Museum of Fine Arts, Yount has brought a greater profile to the American art collection, strengthening it with major purchases and gifts that encompass a wide range of media and artists, especially women and artists of color.

The «Women of Abstract Expressionism,» on view at the Palm Springs Art Museum through May, is a groundbreaking survey of the women artists working in the movement during the 20th century — and it is worth the two - hour drive east, reports Times art critic Christopher KnWomen of Abstract Expressionism,» on view at the Palm Springs Art Museum through May, is a groundbreaking survey of the women artists working in the movement during the 20th century — and it is worth the two - hour drive east, reports Times art critic Christopher Knwomen artists working in the movement during the 20th century — and it is worth the two - hour drive east, reports Times art critic Christopher Knight.

The MFA is thrilled to present founding member Käthe Kollwitz during the opening weekend of Marks Made: Prints by American Women Artists from the 1960s to the Present.

During the feminist art movement in the 1960s and»70s, women artists claimed ownership over visualization of the body, and artists today explore the expressive potential of the female form.