Sentences with phrase «woman sculptors in»

Peter Lang AG, Witney: Publication, Genteel Mavericks: Professional Women Sculptors in Victorian Britain by Shannon Hunter Hurtado - # 3,000

This exhibition shows how proto - feminist women sculptors in the»40s,»50s and»60s intuitively used the internal female body - well before the women's art movement or feminist theory.

Not exact matches

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I m a talented artist painter... sculptor... poet... intellectual... white... mutilingual... and I adore women in uniform... I want to marry one;)

At the Q&A after the screening, Kazan said she was inspired by the myth of Pygmalion, a sculptor who creates his ideal woman and falls in love with her.

There are no obstacles in the way of a woman becoming a painter or sculptor other than the usual obstacles that any artist has to face.

Each print has received a hand - painted alteration, reimagining the artist in various guises drawn from a range of cultural sources: Wonder Woman, the sculptor Louise Bourgeois, the Hindu goddess Kali, and the Irish Sheela - na - gig, among others.

Had it taken place, Hopps (who died in 2005) and Agee's show would have done so earlier and even more extensively, including artists both famous and obscure and from America's heartland as well as from its coasts, men and women, sculptors and painters, precursors and descendants.

From the legendary sculptor, Sabina von Steinbach, in the 13th century, who, according to local tradition, was responsible for South Portal groups on the Cathedral of Strasbourg, down to Rosa Bonheur, the most renowned animal painter of the 19th century, and including such eminent women artists as Marietta Robusti, daughter of Tintoretto, Lavinia Fontana, Artemisia Gentileschi, Elizabeth Chéron, Mme. Vigée - Lebrun and Angelica Kauffmann — all, without exception, were the daughters of artists; in the 19th century, Berthe Morisot was closely associated with Manet, later marrying his brother, and Mary Cassatt based a good deal of her work on the style of her close friend Degas.

Lygia Clark and Hannah Wilke at Alison Jacques Gallery, The Armory Show Before another landmark Brazilian artist, Lygia Pape, gets her due at the Met Breuer in a few weeks, the work of Lygia Clark, known for her interactive, neo-concrete works like folding metal bichos, will be showcased in Alison Jacques Gallery's booth of women artists, including the late American sculptor and photographer Hannah Wilke.

WASHINGTON, D.C. — Opening April 16, Diane Simpson's work will be on view at George Washington University's Luther W. Brady Art Gallery in What Not to Wear: Women Sculptors.

This will be after taking in Robins sculpture, and Gary Wraggs paintings in Deal.Great that there are two shows of British Abstract Painting and Sculpture on at the moment.With Bill Tucker at Pangolin and Sams cracking show of 60s colour in Liverpool, Abstraction is far from a dead issue.Indeed there is a symposium by Matthew Macauley at a northern university [to be confirmed] coming up, with requests for papers.Two very good painters rang me to say go and see the Picasso show at Tate Modern, which I did.It was stunning and there were probably eight or so masterpieces in one room from one year!Tony and Sheila Caros show in Peterborough and Graham Boyd at the Cut, Frank Bowling in Dublin and Scully in Newcastle, Mali Morris at Women can't Paint at Turps Banana, loads to see, enjoy, think about and stimulate new work.I hope there are all those hungry [artistically] young Abstract Painters and Sculptors out there keen to extend the genre.!

Biomorphic Forms in Sculpture,» Kunsthaus Graz, September 27, 2008 — January 11, 2009 «AURUM Gold in Contemporary Art,» curated by Dolores Denaro, CentrePasquArt, Biel, Switzerland, September 13 — November 30, 2008 «Red Wind,» Blum & Poe, Los Angeles, CA, June 28 — August 23, 2008 «Collecting Collections: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, February 9 — May 19 2007 «Celebrating the Lucelia Artist Award, 2001 - 2006,» Smithsonian American Art Museum, Washington, D.C., September 21, 2007 — June 22, 2008 «Makers and Modelers: Works in Ceramic,» Gladstone Gallery, New York, NY, September 8 — October 13, 2007 «Blood Meridan,» curated by David Hunt, Galerie Michael Janssen, Berlin, Germany, April 27 — May 26, 2007 «From Close to Home: Recent Acquisitions of Los Angeles Art,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, April 1 — July 2 «eight sculptors from los angeles,» sabine knust, Münich, Germany, March 22 — April 17, 2007 «Multiple Vantage Points: Southern California Women Artists, 1980 - 2006,» curated by Dextra Frankel, Los Angeles Municipal Gallery at Barnsdall, Los Angeles, CA, February 25 — April 15, 2007 «Fast Forward: Contemporary Collections for the Dallas Museum of Art,» Dallas Museum of Art, Dallas, Texas, February 11 — May 20, 2007; cat.

From the Amon Carter website — «In conjunction with the special exhibitions A New American Sculpture, 1914 — 1945: Lachaise, Laurent, Nadelman, and Zorach and Commanding Space: Women Sculptors of Texas, James Surls will provide a public lecture in the Amon Carter's auditoriuIn conjunction with the special exhibitions A New American Sculpture, 1914 — 1945: Lachaise, Laurent, Nadelman, and Zorach and Commanding Space: Women Sculptors of Texas, James Surls will provide a public lecture in the Amon Carter's auditoriuin the Amon Carter's auditorium.

Genzken's place, as a woman artist in Germany, and primarily a sculptor, has been difficult.

Hamptons - based painter and sculptor Audrey Flack is one of four women in the arts slated to receive the 2017 Women's Caucus for Art Lifetime Achievement Award in February in New York women in the arts slated to receive the 2017 Women's Caucus for Art Lifetime Achievement Award in February in New York Women's Caucus for Art Lifetime Achievement Award in February in New York City.

1997 Three Generations of African American Women Sculptors: A Study in Paradox, California African - American Museum, Los Angeles, CA; Telfair Museum of Art, Savannah, GA Explorations in the City of Light: African - American Artists in Paris, 1915 - 1965, Modern Art Museum of Fort Worth, Fort Worth, TX; Milwaukee Art Museum, Milwaukee, WI Bearing Witness: Contemporary African American Women Artists, Fort Wayne Museum of Art, Fort Wayne, IN; St. Paul Museum, St. Paul, in Paradox, California African - American Museum, Los Angeles, CA; Telfair Museum of Art, Savannah, GA Explorations in the City of Light: African - American Artists in Paris, 1915 - 1965, Modern Art Museum of Fort Worth, Fort Worth, TX; Milwaukee Art Museum, Milwaukee, WI Bearing Witness: Contemporary African American Women Artists, Fort Wayne Museum of Art, Fort Wayne, IN; St. Paul Museum, St. Paul, in the City of Light: African - American Artists in Paris, 1915 - 1965, Modern Art Museum of Fort Worth, Fort Worth, TX; Milwaukee Art Museum, Milwaukee, WI Bearing Witness: Contemporary African American Women Artists, Fort Wayne Museum of Art, Fort Wayne, IN; St. Paul Museum, St. Paul, in Paris, 1915 - 1965, Modern Art Museum of Fort Worth, Fort Worth, TX; Milwaukee Art Museum, Milwaukee, WI Bearing Witness: Contemporary African American Women Artists, Fort Wayne Museum of Art, Fort Wayne, IN; St. Paul Museum, St. Paul, IN; St. Paul Museum, St. Paul, MN

1996 Three Generations of African American Women Sculptors: A Study in Paradox, African American Historical and Cultural Museum, Philadelphia, PA; The Equitable Gallery, New York, NY Explorations in the City of Light: African - American Artists in Paris, 1915 - 1965, The Studio Museum, Harlem, NY; Chicago Cultural Center, Chicago, IL; New Orleans Museum of Art, New Orleans, LA Bearing Witness: Contemporary African American Women Artists, Spelman College Museum of Fine Art, Atlanta, GA; Tuskegee University Art Gallery, Tuskegee, AL

She pushed on, and in 1934 became the first African - American artist to be elected to the National Association of Women Painters and Sculptors.

Opening: «Hedda Sterne: Machines 1947 - 1951» at Van Doren Waxter One of the few women in the New York School of artists and poets, a group of post-war American artists that included the Abstract Expressionist painters Mark Rothko and Jackson Pollock, Hedda Sterne was a Romanian - born painter and sculptor who made work that ranged from surrealism to expressionism between the 1940s and her death at 100 years old in 2011.

Representatives from the following organisations will be in attendance Art Fund / Artangel / Arts Council England / East Street Arts / Edinburgh Art Festival / Elephant Magazine / FACT Liverpool / Glasgow School of Art / Hiscox / Holden Gallery / Ikon Gallery / Iniva / Jupiter Artland / Leeds Beckett University / Leeds College of Art / London College of Communication / Magnum Photos / Max Mara Art Prize for Women / Nesta / Nottingham Contemporary / Open Eye Gallery / PHOTOFAIRS / Photomonitor / Royal British Society of Sculptors / Tate Liverpool / University of York / Visual Arts South West / Wellcome Trust / Whitechapel Gallery / World Photography Organisation / York St John University / Zabludowicz Collection

In this excerpt from Phaidon's Vitamin: 3D, an exhaustive compendium of today's most important sculptors, we take a closer look at three German women who are currently in the process of redefining the medium for the 21st centurIn this excerpt from Phaidon's Vitamin: 3D, an exhaustive compendium of today's most important sculptors, we take a closer look at three German women who are currently in the process of redefining the medium for the 21st centurin the process of redefining the medium for the 21st century.

1984 Dreams and Nightmares, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Crime and Punishment: Reflections of Violence in Contemporary Art, Triton Museum of Art, Santa Clara, CA American Women Artists: Part II: The Recent Generation, Sidney Janis Gallery, New York, NY About Face, Art Museum of South Texas, Corpus Christi, TX Pratt Invitational Alumni: A Multimedia Presentation of Outstanding Pratt Alumni, Pratt Institute and 469 Broome Street Gallery, New York, NY ID, Bette Stoler Gallery, New York, NY Modern Masks, Whitney Museum of American Art at Philip Morris, New York, NY Sculpture Exhibition, Gallery Moos Ltd., Toronto, Ontario, Canada Drawing: Works on Paper From the Past Five Years by Fifty Artists, Barbara Toll Fine Arts, New York, NY Sculptors» Drawings 1910 - 1980, Selections from the Permanent Collection, Whitney Museum of American Art, New York, NY

1957 The 25th Biennial Exhibition, Corcoran Gallery of Art, Washington, DC LXII American Exhibition: Painting & Sculpture, The Art Institute of Chicago, Chicago, IL Golden Years of American Drawing 1905 - 1956, The Brooklyn Museum, Brooklyn, NY; Sloshley Art Gallery, Brandeis University, Waltham, MA 46th Annual Exhibition of American Painting, Randolph - Macon Women's College, Lynchburg, VA Cinq Maitres de la Ligne, Henry Clews Memorial, Fondation d'Arte de la Napoule, Paris, France American Painting 1945 - 57, The Minneapolis Institute of Arts, Minneapolis, MN Pacific Northwest Painters & Sculptors, Ogunquit Museum of Art, Ogunquit, ME 20th Century Works of Art, Krannert Art Museum, University of Illinois, Champaign, IL The American Vision - Paintings of 3 Centuries, Wildenstein Gallery, New York, NY Art in Asia & The West: An Exhibition to Illustrate Varied Aspects of Asian Traditions & Their Importance for Art in the West, San Francisco Museum of Modern Art, San Francisco, CA Annual Exhibition of Contemporary American Painting, The Whitney Museum of American Art, New York, NY 8 American Artists for the United States Information Agency; Korea, Japan, Australia, Europe Carnegie Institute Collects, Cincinnati Art Museum, Cincinnati, OH Prints and Drawings: Mainly By Modern French Artists, Parke Bernet Galleries, INC., New York, NY Seattle World's Fair, Seattle, WA

1996 African - American Art: 20th Century Masterworks, III, Michael Rosenfeld Gallery, New York, NY The Countee Cullen Art Collection from the Hampton University Museum, California African American Museum, Los Angeles, CA Three Generations of African American Women Sculptors: A Study in Paradox, Afro - American Historical and Cultural Museum, Philadelphia, PA; The Equitable Gallery, New York, NY; Museum of African American Life and Culture, Dallas, TX; California Afro - American Museum Foundation, Los Angeles, CA; Museum of the National Center of Afro - American Artists, Boston, MA; Telfair Museum of Art, Savannah, GA; Center for the Study of African American Life and Culture, Smithsonian Institution, Washington, DC Woman's Work: A Century of Achievement in American Art, The Columbus Museum, Columbus, GA The Figure in American Sculpture: A Question of Modernity, National Academy of Design, New York, NY

In conjunction with the special exhibitions A New American Sculpture, 1914 — 1945: Lachaise, Laurent, Nadelman, and Zorach and Commanding Space: Women Sculptors of Texas, -LSB-...]

Nashville based sculptor and painter, Loretta A. Kaufman, is one of 37 artists selected to exhibit their work in the National Association of Women Artists» New Members Exhibition.

Perhaps most significant of all, the discreet human body, a central preoccupation of women abstract sculptors in earlier decades, has now disappeared.

Some, such as landscape painter Wogan Phillips, artist Clive Branson and sculptor Jason Gurney, joined some 40,000 men and women from 53 countries in the International Brigades, fighting for the democratically elected Republican government against General Franco's Nationalist rebels.

In celebration of the publication of Louise Nevelson: Light and Shadow, art historian and biographer Laurie Wilson discusses the remarkable life and art of one of the great sculptors of the 20th century in a presentation that considers the key elements of Nevelson's work, the links between her childhood experiences and adult life as an artist, the major influences on her evolving style, the challenges she faced to be taken seriously, and the relationship between her public face and the flesh - and - blood womaIn celebration of the publication of Louise Nevelson: Light and Shadow, art historian and biographer Laurie Wilson discusses the remarkable life and art of one of the great sculptors of the 20th century in a presentation that considers the key elements of Nevelson's work, the links between her childhood experiences and adult life as an artist, the major influences on her evolving style, the challenges she faced to be taken seriously, and the relationship between her public face and the flesh - and - blood womain a presentation that considers the key elements of Nevelson's work, the links between her childhood experiences and adult life as an artist, the major influences on her evolving style, the challenges she faced to be taken seriously, and the relationship between her public face and the flesh - and - blood woman.

The artist's Mother and Child is the first of her paintings to be acquired by the museum, and will feature prominently in an upcoming exhibition «Modern Scottish Women: Painters and Sculptors 1885 — 1965».

The exhibition «Ad Reinhardt and Tony Smith: A Dialogue» employs a formal comparison that Glimcher has used in preceding years to juxtapose, for example, representations of women by DeKooning and the French painter / sculptor Jean Dubuffet.

As the Amon Carter continues its commitment to featuring the work of regional artists, this exhibition is a destination for anyone interested in Texas art, especially that made by women sculptors working in the vanguard of three - dimensional creative expression.

The graphic work by Bourgeois presents isolated body parts, animal and insect imagery, breastfeeding women and anthropomorphic furniture in black and white as well as primary colors with mastery of line and a sculptor's sense of depth and gravity.

In 3 Dimensions: Women Sculptors of the 90's - Part II - Beyond Gender, Snug Harbor Cultural Center, Staten Island, New York.

Look out especially for the rough and tumble east end boys, Gilbert & George, sculptor Anish Kapoor's Adam (1988 - 9) and two paintings by Francis Bacon, Study of a Dog (1952) and Reclining Woman (1961), which Emin has specially selected in a dialogue with the tumultuous and emotionally raw bed.

«The art community in Texas at that time seemed exceptionally receptive to acknowledging women sculptors as having a prominent position in the field of sculpture.»

Sculptor Manuel Neri's work often depicted figures such as this woman in Untitled («Seated Woman»), 1979; collection of the Oakland Museum of California, gift of the Collectors Gallery and National Endowment for the woman in Untitled («Seated Woman»), 1979; collection of the Oakland Museum of California, gift of the Collectors Gallery and National Endowment for the Woman»), 1979; collection of the Oakland Museum of California, gift of the Collectors Gallery and National Endowment for the Arts.

Among her numerous awards and grants are a Guggenheim Fellowship, the American Academy of Arts and Letters Award in Art, the Anonymous Was A Woman Individual Artist Award, and the Joan Mitchell Foundation Painters and Sculptors Grant.

He was one of the more conservative artists who exhibited at the Armory Show in 1913 where he displayed eight drawings and sculptures [4] and was one of a dozen sculptors invited to compete in the Pioneer Woman statue competition in 1927.

Sculptor Petah Coyne's Daphne provides a contemporary counterpart to Alfred Maurer's Woman in a Black Dress.

It seems as if this spring is a moment for sculpture, and, in particular, women sculptors.

In addition to writing numerous pieces on glass and ceramic works, Netzer has been the subject of multiple publications, including In Three Dimensions: Women Sculptors of the»90s by Charlotte Streifer - Rubenstein and Ceramics: Mastering the Craft by Richard Zakin.

Modern stone carvers have included Jean - Baptiste Carpeaux (1827 - 1875), famous for his wonderfully animated Dance (1865 - 9, Musee d'Orsay); Constantin Brancusi (1876 - 1957), who produced The Kiss (1907, Kunsthalle, Hamburg); Jacob Epstein (1880 — 1959) responsible for the evocative Adam (1938, Harewood House); the Gothic - inspired German expressionist sculptor Wilhelm Lehmbruck (1881 - 1919), creator of Kneeling Woman (1911, MOMA); Henri Gaudier - Brzeska (1891 - 1915), noted for the Red Stone Dancer (1913, Tate Gallery); Henry Moore (1898 - 1986), noted for Mother and Child (1924 - 5, Manchester Art Gallery); the painters Andre Derain (1880 - 1954), famous for his Standing Nude (1907, Pompidou Centre) and Modigliani (1884 - 1920), who always preferred to carve directly in stone; and others.

cat., Tate Gallery Liverpool, 1994, p. 18), by another woman sculptor, Gertrude Hermes, is directly comparable with Infant in its isolation, but its foetal repose contrasts with the hierarchical confidence of Hepworth's work.

Women were lesser - known pioneers in the fields of photography and video, and the radically new methods and forms created by postwar women sculptors are just beginning to be studied collectiWomen were lesser - known pioneers in the fields of photography and video, and the radically new methods and forms created by postwar women sculptors are just beginning to be studied collectiwomen sculptors are just beginning to be studied collectively.

Untitled (Astronaut Tereshkova, First Woman in Space), 2015, from American painter / sculptor Robert Longo, aged 52, who first came to the fore in the 1980s with a series depicting sharply - dressed men and women writhing in contorted emotion, has contributed a piece made up of two huge monochrome panels (each 238.8 x 121.9 cm), executed in the age - old medium of charcoal.

• Gertrude Vanderbilt Whitney (1875 - 1942) American sculptor born in New York, studied in Paris, noted for her Washington Heights War Memorial, New York (1921), and her sublime Women's Titanic Memorial (1931) at Fort McNair, Washington DC.

And in the years following the release of their magnum opus, Henderson began working on a biography of Edmonia Lewis, the first African American woman to receive national and international acclaim for her work as a sculptor.

Although the sculptors Louise Bourgeois and Mary Callery were among the signers of the letter, Hedda Sterne was the only woman in the photograph.