Sentences with phrase «woman studying art»

Not exact matches

No big surprise there, she went to a liberal arts college and studied women's rights.

A minority of cultivated men (and a few women) went on from grammar to rhetoric, to the «encyclical studies» which included arithmetic, music and other «liberal arts», and some ventured into philosophy.

I have Bachelor of Arts degrees in Communications (Hons) and Women's Studies from the University of North Carolina at Chapel Hill, hold a Diploma of Counselling, am a certified Full - Circle Learning educator and assistant trainer, and am also a certified parent educator for Positive Discipline and Tuning in to Kids.

She graduated from the University of Florida in 2015 with a Bachelor of the Arts in English and a minor in Women's Studies.

She graduated from the University of Michigan in 2015 with a Bachelor of the Arts in Biopsychology, Cognition, and Neuroscience and a minor in Women's Studies: Gender and Health.

The study compares the prevalence of ART usage across 35 European countries since 2010, which is the number of ART cycles, per million women of reproductive age (15 - 44 years).

These included the fact that the studies analysed were often quite different and that vitamin D was assessed before ART was started in some studies and at the time that eggs were retrieved from the women in other studies.

The researchers analysed data from 11 published studies that included 2,700 women who were undergoing ART (in vitro fertilisation (IVF), intracytoplasmic sperm injection (ICSI) and / or frozen embryo transfer) and whose vitamin D status had been checked through blood tests.

«Surface water samples collected on the disposal facility site and immediately downstream exhibited considerably greater EDC activity than surface water samples collected immediately upstream and in a nearby reference stream» said Susan C. Nagel, director of the study and an associate professor in the Department of Obstetrics, Gynecology and Women's Health in the School of Medicine, and an adjunct associate professor of biological sciences in the MU College of Arts and Science.

Some of her colleagues at Emory — where she taught in sociology and women's studies — «seemed incapable of not mentioning the difference between me and them,» she recalls, adding that her last job at Emory was glorified clerical work for the Institute of Liberal Arts.

«Our results show that the vocal fry fad is a hindrance to young women who are trying to find work,» said Klofstad, associate professor of political science in the University of Miami College of Arts and Sciences and corresponding author of the study.

The researchers looked at first - trimester exposures to ARVs in a group of 2,580 HIV - exposed, uninfected children enrolled between 2007 and 2012 in an ongoing U.S. study that follows HIV - infected pregnant women and their children — the Pediatric HIV / AIDS Cohort Study (PHACS) Surveillance Monitoring of ART Toxicities (SMARTT) sstudy that follows HIV - infected pregnant women and their children — the Pediatric HIV / AIDS Cohort Study (PHACS) Surveillance Monitoring of ART Toxicities (SMARTT) sStudy (PHACS) Surveillance Monitoring of ART Toxicities (SMARTT) studystudy.

An international partnership of the Northwestern University / Art Institute of Chicago Center for Scientific Studies in the Arts (NU - ACCESS), the Art Gallery of Ontario (AGO) and the National Gallery of Art, Washington, has used multiple modes of light to uncover details hidden beneath the visible surface of Pablo Picasso's painting «La Miséreuse accroupie» (The Crouching Woman), a major work from the artist's Blue Period.

As a physician who interviewed women who had survived breast cancer for my art project The Woman Inside and who studied patients who experienced...

As a physician who interviewed women who had survived breast cancer for my art project The Woman Inside and who studied patients who experienced spontaneous remissions from cancer as part of the research for my book Mind Over Medicine: Scientific Proof That You Can Heal Yourself, I discovered that those who had overcome cancer shared one remarkable thing in common.

She's received several writer - in - residency posts around the world, including the Hosking Houses Trust with an appointment at The Shakespeare Birthplace (Stratford - Upon - Avon, UK), Paris Lit Up (Paris, France), the Women's International Study Center (WISC) Acequia Madre House (Santa Fe, NM), and a Writer in the Schools (WITS) residency at Literary Arts (Portland, OR).

One 2006 study, for example, found that mindfulness art therapy for women with cancer helped to significantly decrease symptoms of physical and emotional distress during treatment.

A prospective cohort study looked at the relation of soy phytoestrogen intake in 315 women undergoing infertility treatment with assisted reproductive technology (ART) at Massachusetts General Hospital.

Charly holds her B.A. in Theater and Literary Arts from Brown University and a master's in Women's Studies from University of Oxford, New College.

Students may undertake theoretical and practical study in such areas as community and environmental health, women's health and midwifery, men's health, botanical medicine and ethnobotany, nutritional health, expressive arts, body and movement therapies, integrative health systems, integrative nursing, mind - body studies, ecopsychology, and cross-cultural healing.

Gal Gadot calls «Wonder Woman» a «coming - of - age» story; «Iron Fist's» Finn Jones is studying martial arts and mediation and more.

A new study, released by the Women's Media Center in time for the 67th Primetime Emmys (Sept. 20), shows that the Academy of Television Arts and Sciences has a tarnished record when it comes to gender parity in the creative categories of writing (6), directing (8), editing (10), and producing (20)-- categories that cover jobs that have the most influence on what is depicted on the small screen.

The arts can also be a useful gateway into careers not in the creative industries — for example, the engineering sector has shown that women are likely to find their way to engineering through studying design and technology and art and design, rather than just through mathematics or science.

(Women's History) 3/6/2000 [Language Arts, Social Studies Grades 6 - 8, 9 - 12 Submitted by Terrie Lynn Bittner] Students learn about women who fought for change and explore the current status of the battles they foWomen's History) 3/6/2000 [Language Arts, Social Studies Grades 6 - 8, 9 - 12 Submitted by Terrie Lynn Bittner] Students learn about women who fought for change and explore the current status of the battles they fowomen who fought for change and explore the current status of the battles they fought.

(Women's History) 3/6/2000 [Social Studies, Language Arts Grades 6 - 8, 9 - 12 Submitted by Terrie Lynn Bittner] In this introductory lesson, students will recognize the importance of understanding how the separate powers of the three branches of government work together, in a checks and balances system, to form a single unit of government.

Carrie also earned a Bachelor of Arts from Beloit College with a major in women's studies and a minor in Latin American studies.

Students with undergraduate majors in other areas, including but not limited to International Relations, Economics, Anthropology, Geography, Sociology, Art History and Women's Studies, are encouraged to request a transcript review to see if their coursework meets prerequisite requirements.

Erin has a bachelor's degree in women's studies and liberal arts from McNeese State University and an MFA in creative writing from Rosemont College.

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If your dream is to major in Photographic Arts or Philosophy or Women's, Gender and Sexuality Studies, your friends may tell you to pursue it.

She excelled in academic, athletic and language arts: she was co-captain of the Ripon College Women's Varsity soccer team; she majored in German and Biology in school and received numerous scholarships for her studies over the years.

Cat has over 10 years experience in communications, marketing and publishing, she's studied anthropology, art history, woman & gender studies, botany, ethnobotany, and herbology and she is a graduate of the Rising Tide Capital Community Business Academy.

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I've never studied martial arts before and have spoken about how important it is for women to learn self defense techniques whilst travelling.

While the aristocracy has always provided the lion's share of the patronage and the audience for art — as, indeed, the aristocracy of wealth does even in our more democratic days — it has contributed little beyond amateurish efforts to the creation of art itself, despite the fact that aristocrats (like many women) have had more than their share of educational advantages, plenty of leisure and, indeed, like women, were often encouraged to dabble in the arts and even develop into respectable amateurs, like Napoleon III's cousin, the Princess Mathilde, who exhibited at the official Salons, or Queen Victoria, who, with Prince Albert, studied art with no less a figure than Landseer himself.

was the cover story, written by Linda Nochlin, a professor of art history at Vassar College who had become interested in feminist studies in the fall of 1969 (after returning from a Fulbright fellowship in Italy) and had changed the subject of her Vassar seminar to women in art.

Wile the aristocracy has always provided the lion's share of the patronage and the audience for art — as, indeed, the aristocracy of wealth does even in our more democratic days — it has contributed little beyond amateurish efforts to the creation of art itself, despite the fact that aristocrats (like many women) have had more than their share of educational advantages, plenty of leisure and, indeed, like women, were often encouraged to dabble in the arts and even develop into respectable amateurs, like Napoleon III's cousin, the Princess Mathilde, who exhibited at the official Salons, or Queen Victoria, who, with Prince Albert, studied art with no less a figure than Landseer himself.

Such attempts, whether undertaken from a feminist point of view, like the ambitious article on women artists which appeared in the 1858 Westminster Review, 2 or more recent scholarly studies on such artists as Angelica Kauffmann and Artemisia Gentileschi, 3 are certainly worth the effort, both in adding to our knowledge of women's achievement and of art history generally.

1996 «Modern Masters», Salander - O'Reilly Galleries, New York, NY 1988 «Art for All», Edmonton Art Gallery, Edmonton, Alberta 1988 «Studio Watch», Edmonton Art Gallery, Edmonton, Alberta 1987 «Modern Masters», Salander - O'Reilly Galleries, New York, NY 1986 «Gender & Gesture», Women's Studies Symposia, Picker Art Gallery, Colgate University, Hamilton, NY 1986 «The Mid Year Show», Butler Art Institute, Youngstown, OH 1985 «Pre Post Modern», curated by John Link, Richard R. Brush Art Gallery, St. Lawrence University, Canton, NY 1985 «Two Americans», an exhibition with Keiko Saito, Nicola Jacobs Gallery, London, Eng 1982 «10 Years of Acquisitions», The Hirshhorn Museum and Sculpture Garden, Washington, DC 1983 «Selection from the Collection», The Hirshhorn Museum and Sculpture Garden, Washington, DC 1982 «The Syracuse Show» juried by Lawrence Alloway, Everson Museum of Art, Syracuse, NY 1978 «New Acquisitions», Boston Museum of Fine Arts, Boston, MA 1977 «The Syracuse Show», juried by Clement Greenberg, Everson Museum of Art, Syracuse, NY 1976

She studied animation at the School of Visual Arts 1970 — 72 and joined a working collective, Women Artist Filmmakers, although she was at least 10 years older than the other women and already had a significant history in the European art wWomen Artist Filmmakers, although she was at least 10 years older than the other women and already had a significant history in the European art wwomen and already had a significant history in the European art world.

Born in Manchester in 1844, she began her artistic training at the Manchester School of Art, where women were still banned from drawing nude models, before travelling to Paris and Rome, where she was able to study life drawing.

I muse about how art education and painting came to this country and to Canada as an activity for women to practice at finishing school, which was the reason the institutions where I studied were founded.

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe,Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

She graduated with a BA from Columbia University in Art History, French and Women's Studies.

She has received fellowships for performance art from the National Endowment for the Arts and the New York Foundation for the Arts; Bessie and Obie awards for commitment to artists» freedom of expression; a Yoko Ono Lennon Courage Award for the Arts; a Richard Massey Foundation - White Box Arts and Humanities Award; a Lifetime Achievement Award from Women's Caucus for Art; and the Audrey Irmas Award for Curatorial Excellence from the Center for Curatorial Studies, Bard Colleart from the National Endowment for the Arts and the New York Foundation for the Arts; Bessie and Obie awards for commitment to artists» freedom of expression; a Yoko Ono Lennon Courage Award for the Arts; a Richard Massey Foundation - White Box Arts and Humanities Award; a Lifetime Achievement Award from Women's Caucus for Art; and the Audrey Irmas Award for Curatorial Excellence from the Center for Curatorial Studies, Bard ColleArt; and the Audrey Irmas Award for Curatorial Excellence from the Center for Curatorial Studies, Bard College.

A graduate of Columbia University with a triple major in Art History, French and Women's Studies, she additionally studied art and photography at Parson's School of Design, International Center of Photography, School of Visual Arts, The Art Students League and New York Academy of AArt History, French and Women's Studies, she additionally studied art and photography at Parson's School of Design, International Center of Photography, School of Visual Arts, The Art Students League and New York Academy of Aart and photography at Parson's School of Design, International Center of Photography, School of Visual Arts, The Art Students League and New York Academy of AArt Students League and New York Academy of ArtArt.

The Guerrilla Girls release a study revealing that of all the artists represented by thirty - three of the top New York City art galleries, only 16 percent are women.

Lee Krasner studied at the Women's Art School of The Cooper Union, 1926 - 29; The Art Students League, 1928; National Academy of Design, New York, 1929 - 32; City College and Greenwich House, 1933.

She has a B.A. in Women Studies and B.A. in Art History from Purchase College and an M.A. in Art History from Hunter College

Hughes is a professor at the University of Michigan, with appointments in Art and Design, Theatre and Drama, and Women's Studies.