Sentences with phrase «woman working solo»

The language of the Court of Appeal seemed to hint that while a woman working solo in her own residence could never run afoul of bawdy house legislation, the government might be able to draft non-offending legislation that targeted larger commercial operations and there is little doubt that where criminalization fails, municipal regulation enjoys a broad authority to fill the gap.

Not exact matches

Single men and women account for nearly 30 percent of all households in the United States, but yet the public perception of eating alone remains negative.I inadvertently tested the social reaction of being a solo diner at a local restaurant / bar this past weekend while waiting to meet friends after work.

Continuity of care is a key and deliberate feature of the model of midwifery care in BC and to achieve this, midwives work as solo practitioners or in teams of up to four midwives, each midwife can provide care for a caseload of up to 60 women each year, and each midwife is compensated per «course of care» through the province's universal health insurance (Medical Services Plan).

Covering about sixty years of music history, 20 Feet From Stardom comes to a bittersweet ending, as these women variously find success on solo terms, retire from singing altogether, or find that there simply isn't that much backing vocal work required in the new age of auto - tune and multi-tracking.

Although Wonder Woman 2 is yet to be officially announced, we've already heard that Geoff Johns and director Patty Jenkins are hard at work on the story for the sequel to this year's DC blockbuster, and now TV's Wonder Woman Lynda Carter has revealed that she's had talks about making a cameo in the Amazon Princess» next solo big screen adventure.

Travels with My Hat is about my adventures and misadventures as a solo woman writer and photographer working in the Arab world.

I believe in producing highly creative, passionate and thoughtful work for brands to help them achieve their marketing goals; promoting adventure, solo female travel and woman empowerment.

Museums are exhibiting an increased sensitivity to collecting and presenting works by women — through new acquisitions, solo shows, and a stronger focus on artists who were previously neglected.

The prize is open to women artists living and working in the United Kingdom who have not previously had a major solo survey exhibition.

Linder (b. 1954, Liverpool, U.K.), whose full name is Linder Sterling, has had numerous solo exhibitions of her work, including The Lives of Women Dreaming at the British Council, Prague (2004) and The Return of Linderland at Cornerhouse, Manchester (2000).

Her solo exhibition «American People, Black Light: Faith Ringgold's Paintings of the 1960s» was on view in 2013 at the National Museum of Women in the Arts in Washington, D.C., and last year her work «Groovin High» was featured on a billboard along New York City's High Line park.

Recent solo exhibitions include WOMEN Words, Phrases, and Stories, The FLAG Art Foundation, New York, NY (2016); Real Ersatz, FUG, The Bruce High Quality Foundation, New York, NY (2015); Art Basel Feature, Galerie Rodolphe Janssen, Basel, Switzerland (2014); Paintings & Works on Paper 1972 - 2013, Gavlak Gallery, Palm Beach, FL (2014); Woman Words, Dinter Fine Art, Project room # 63, New York, NY (2013); Fuck Paintings, Galerie Rodolphe Janssen, Brussels, Belgium (2012); among others.

The work of men chosen for the Biennial was acquired by the museum twice as often as the work of women chosen for the Biennial; More than 70 % of the acquisitions of art by women in the Biennials up until then had taken place in the 1970's; The museum already owned works by 12 of the 43 artists in the 1987 Biennial show; Between 1982 - 1987 there had been only one solo show of a woman artist at The Whitney.

Her work was the subject of the solo exhibition WOMEN Words, Phrases, and Stories at the FLAG Art Foundation, New York (2016), and Real Ersatz at the Bruce High Quality Foundation University, New York (2015).

Gavlak Los Angeles is pleased to present Sex Works / WOMEN Words, Phrases, and Stories, Betty Tompkins» second solo exhibition with the gallery and her first in Los Angeles.

It was inconceivable for the Getty curators not to have any women in their shows and, since I was one of the women working at that time who was taken seriously, I was suddenly in maybe eight museum shows and I had three solo shows.

She was also included in the 2014 Texas Biennial, had a solo show at Women and Their Work, and her mixed media installation, Paper City, is part of the Biennial: 600 Sculpture exhibition at the Amarillo Museum of Art.

EXHIBITION Alma Thomas @ Tang Museum at Skidmore College, Sarasota Springs, N.Y. (Feb. 6 - June 5, 2016): This groundbreaking exhibition assembles major paintings from public and private collections including many rarely shown works by Alma Thomas (1891 - 1978), the first African American woman to have a solo exhibition at the Whitney Museum (1972).

Statistics from 2012 reveal that 90 per cent of the visual artists featured in art books were men; work by women artists made up three to five per cent of major permanent collections in the US and Europe; artworks by female artists achieved none of the highest 100 auction prices; of The Art Newspaper's top 30 most visited exhibitions in New York, Paris, and London, only three were solo exhibitions featuring female artists.

Her own work challenges these boundaries, as seen in her solo show Revenge, featuring consecutive paintings of black women protagonists and memorials to the horrors of the transatlantic slave trade, at Rochdale Art Gallery and the South Bank Centre, London, in 1992, which contested the pictorial narratives so frequently repeated in art history.

She has had solo exhibitions at Finesilver Gallery Houston, TX (2007); Walter Maciel Gallery, Los Angeles, CA (2007); Sara Meltzer Gallery, New York, NY (2006, 03); and Women and Their Work, Austin, TX (2004).

Hammond has had over 40 solo exhibitions and her work has been shown internationally in venues such as: the New Museum, the National Academy Museum, the Downtown Whitney Museum, and White Columns in NYC; the Brooklyn Museum and Smack Mellon Studios in Brooklyn; the Bronx Museum; P.S. 1 MoMA Contemporary Art Center in Long Island City, Queens; the Museum of Contemporary Art and the Hammer Museum in Los Angeles; the National Museum of Women in the Arts, in Washington, D.C.; the Tucson Museum of Art and Museum of Contemporary Art in Tucson; the Walker Art Center in Minneapolis; the Phoenix Art Museum; Site Santa Fe, the Center for Contemporary Arts in Santa Fe; the Vancouver Art Gallery; the American Center, in Paris; the Neue Galerie, in Graz, Germany; the Gementemuseum Den Hague in The Hague, among others.

Lee's work has been exhibited widely in major solo and group exhibitions including MoCA Shanghai, Millennium Museum, San Jose Museum of Art, Museum of Contemporary Art Korea, 53rd and 54th Venice Biennale, Incheon Womens Art Biennale, and artfairs including Art Basel, FIAC, Frieze, Armory Show, Art Basel Miami, Art HK.

That same year, Michael Rosenfeld Gallery mounted a solo exhibition focused on a selection of Falkenstein's work from the years 1955 to 1975 and she was also included in the group exhibition Impact: The Legacy of the Women's Caucus for Art at the American University Museum of the Katzen Arts Center at American University in Washington, DC.

Her work was the subject of the solo exhibition Sex Works / WOMEN Words, Phrases, and Stories at Gavlak, Los Angeles (2016), WOMEN Words, Phrases, and Stories at the FLAG Art Foundation, New York (2016), and Real Ersatz at the Bruce High Quality Foundation University, New York (2015).

4 Arts + Literature Laboratory 2021 Winnebago St • 608.556.7415 • artlitlab.org SPOOKY BOOBS COLLECTIVE's solo exhibition The Pervasive Curse features installation, performance, and design - based work that draws attention to language that trivializes the experiences of women.

Her work has been featured in distinguished group exhibitions including Reactivation - the 9th Shanghai Biennale at the Shanghai Museum of Contemporary Art, N Minutes Video Art Festival, Shanghai, Decade of the Rabbit, White Rabbit Gallery, Sydney, and DAS ICH IM ANDEREN, Stiftung Mercator, Essen, in 2011; Double Act — 2010 Chinese Contemporary Art Exhibition, Red Town Warehouse, Shanghai, and Centennial Celebration of Women in Art, Shanghai Art Museum, in 2010; and in solo exhibitions at James Cohan Gallery, Shanghai, in 2012, and White Space, Beijing, in 2010 and 2013.

She has had solo shows at The Kitchen, New York; the Museum of Contemporary Art, Chicago; Threewalls, Chicago; and Women & Their Work, Austin, TX.

Exhibiting since 1992, Wilson's work has been the subject of eighteen solo shows from New York City to California; and she has exhibited in many museums including the National Museum of Women in the Arts, in Washington, DC.

at Fortnight Institute, New York, and Pictures of Women Working at Skibum MacArthur, Los Angeles, and she will present a solo exhibition at Cave in Detroit this year.

Lukova, whose work has been featured in solo exhibitions worldwide and in permanent collections at the MoMA, the Library of Congress, and the Bibliotheque Nationale de France, was listed as number one in a Huffington Post article related to the MoMa exhibition titled «15 Women Artists Who Have Left Their Mark on Modern Design.»

The section features nine solo presentations of women artists working at the extreme edges of feminist practice during the 1970s and «80s, all sharing a focus on explicit sexual iconography combined with radical political agency.

Some recent solo exhibitions of Kent's work include: Someday is Now: The Art of Corita Kent [24] at the Tang Museum at Skidmore College, There Will Be New Rules Next Week [25] at Dundee Contemporary Arts, and R (ad) ical Love: Sister Mary Corita [26] at the National Museum of Women in the Arts.

That said, the gender gap persists: since 2000, although fifty - one percent of working artists are women, only twenty - eight percent have had solo museum shows; and in a 2015 survey of leading contemporary galleries in Manhattan, only about twenty - five percent represent equal numbers of women and men (the majority show about thirty percent women or less).

Carmen Winant, Assistant Professor of Visual Studies and Contemporary Art History, has had solo exhibitions at Skibum MacArthur in Los Angeles and Fortnight Institute in New York, respectively titled Pictures of Women Working and Who Says Pain is Erotic?.

Continuing the concepts embedded in her recent solo exhibition, Smell the Roses at the California African American Museum in Los Angeles, Gaignard's new body of work employs exaggeration and camp to explore social constructions that relate to her identity as a biracial woman.

Recent solo exhibitions include Real Ersatz, FUG, The Bruce High Quality Foundation, New York, NY (2015); Art Basel Feature, Galerie Rodolphe Janssen, Basel, Switzerland (2014); Paintings & Works on Paper 1972 - 2013, Gavlak Gallery, Palm Beach, FL (2014); Woman Words, Dinter Fine Art, Project room # 63, New York (2013); Fuck Paintings, Galerie Rodolphe Janssen, Brussels, Belgium (2012); New Work, Mitchell Algus Gallery, New York (2009), among others.

WOMEN Words, Phrases, and Stories debuted at FLAG Art Foundation in New York City earlier this year, but in her first Los Angeles solo, they are uniquely exhibited together with several of Tompkins» famous Fuck Paintings, the hyperrealistic pornographic works she began in 1969 and still makes today.

Cabrera has had solo exhibitions at Finesilver Gallery, Houston; Walter Maciel Gallery, Los Angeles; Sara Meltzer Gallery, New York; Women and Their Work, Austin; the El Paso Museum of Art, the Southeastern Center for Contemporary Art (SECCA) in Winston - Salem, NC; and UC Riverside Sweeney Art Gallery, Riverside, CA.

While she never explicitly declared herself a feminist artist (she has described her work as being «pre-gender»), her explorations of unconscious sexual desires as a woman were pioneering and authoritative and in 1982, she became the first woman to receive a solo retrospective at the Museum of Modern Art.

The following year, the American Contemporary Art (ACA) Gallery in New York mounted his first solo exhibition, a series of works depicting the strength and beauty of real and archetypal African American women.

After her 2014 — 15 residency at Massachusetts Institute of Technology (MIT), where she worked with biologists to grow bacteria swabbed from 100 women in the art world (including artist Juliana Huxtable and gallerist Rachel Uffner), Yi debuted her cultures in a solo exhibition at Chelsea space The Kitchen in March.

The event kicked off with the heaving opening of «Room» at Sadie Coles HQ, an all - women show featuring sculptural installations and photographic works, juxtaposed with a solo presentation of Martine Syms by Bridget Donahue Gallery (New York).

Smith has had solo shows at The Kitchen, the Museum of Contemporary Art Chicago, Threewalls, Chicago, and Women & Their Work, Austin, TX.

Critic Clement Greenberg, a nonfan, was appalled when MoMA honored O'Keeffe with a retrospective in 1946 — one of its first solo shows for a woman; her work was «little more than tinted photography.»

Her work has been shown in numerous solo and group exhibitions at museums and galleries including Gavlak (New York, Palm Beach), Artists Space (New York), 10 Chancery Lane (Hong Kong), National Museum of Women (Washington D.C.), the Contemporary, David Heath and Fay Gold (Atlanta).

His recent exhibitions include The Interview: Red, Red Future, a solo exhibition with the artist MPA that addressed the impending human colonization of Mars; Double Life with artists Jérôme Bel, Wu Tsang, and Haegue Yang that considered possibilities for performance without live bodies; Parallel Practices: Joan Jonas & Gina Pane, which brought together multimedia works by two pioneering female performers based in New York and Paris, respectively; and LaToya Ruby Frazier: WITNESS, which documented, in the artist's own words, of «the rise of globalization and the decline in manufacturing as told through the bodies of three generations of African - American women.»

His most recent «World Stage» project was hosted in Jamaica and produced new work for his first solo exhibition at Stephen Friedman Gallery, London, England, featuring both black men and women assuming poses taken from 17th and 18th Century British portraiture.

Whitaker lived and worked in Chicago from 1991 until 2003, during which time she developed «Women in the City», a group of paintings observing the Chicago cityscape; and also, a series of large drawing / paintings on paper called «Ancestral Excavations» which have shown in solo venues around the country and now some of this work will be touring the United States in a group invitational, The Veiling: Visible and Invisible Spaces beginning in Colorado, the Spring of 2008, and traveling to Arkansas, Wisconsin, Connecticut, Indiana, SUNY in NY, California until 2010.

But a solo exhibition of Mann's work, titled Sally Mann: A Thousand Crossings, which opens at the National Gallery of Art (NGA) in Washington, D.C. March 4, considers her legacy not as a Southerner, or a Virginian, or even as a woman - artist, but as an internationally - important photographer who has worked tirelessly on her craft since 1969.