«Essaydi has used multiple artistic media to take on a central challenge: confronting deeply entrenched historical notions about femininity and
womanhood through images of the Muslim world.
At CAM through the end of 2017, Mickalene Thomas: Mentors, Muses, and Celebrities examines black
womanhood through a video entitled Do I Look Like a Lady?
Male artist explores journey to
womanhood through taboo subject of female bleeding in Malaysia.
While a resident, she will continue exploring the symbolism of
womanhood through installation, portraiture, and still life photography.
Not exact matches
Suzanne Collins» trilogy was the first foray into fiction I enjoyed after a year of research and writing for «A Year of Biblical
Womanhood», so I surrendered myself totally to the unfolding stories and, like so many others, lost a lot of sleep as I worked my way
through The Hunger Games, Catching Fire, and The Mockingjay.
One of my goals after completing my year of biblical
womanhood was to «take back» Proverbs 31 as a blessing, not a to - do list, by identifying and celebrating women of valor: women who are changing the world
through daily acts of faithfulness, both in my life and around the world.
I didn't write the book to point - by - point go
through Scripture's every mention of
womanhood in an effort to prove something.
I've sat
through church services or conferences or workplaces or public arenas where the only women who are visible are the ones who are extremely thin, who are white, who are blonde, who are American, who are fashionably dressed and professionally done - up, who are able - bodied, who are bright without being intimidating, who are pretty without being sexy, who are unthreatening to our status quo of appropriate, who are ticking every box for what our culture tells us is acceptable about
womanhood.
As part of the biblical
womanhood experiment, I've been cooking my way
through Martha Stewart's Cooking School and cleaning my way
through Martha Stewart's Homekeeping Handbook.
I'm halfway
through my year of biblical
womanhood, and so far I've done a good job keeping all of my self - imposed ten commandments, # 8 of which is «Thou Shalt Not Teach in Church.»
People often ask me what on earth was going
through my mind when I decided to try a year of biblical
womanhood.
Through and with Mary
womanhood enables God to give us the fullness of life.
During my yearlong experiment, I interviewed a variety of women practicing biblical
womanhood in different ways — an Orthodox Jew, an Amish housewife, even a polygamist family - and I combed
through every commentary I could find, reexamining the stories of biblical women such as Deborah, Ruth, Hagar, Tamar, Mary Magdalene, Priscilla and Junia.
Did your book club or discussion group work
through A Year of Biblical
Womanhood?
But I did just that in Seattle last week with Olivia Lenz, Lynn Russell, DeHeavalyn D. Pullium, Stephanie Rubesh, Hannah McMillen, Kali Wagner, Liza González, Sarah Kyle, Danni Reaves and Samantha Fisher — Seattle Pacific University grads who are working
through A Year of Biblical
Womanhood.
The problem, as many of you mentioned, is that «biblical
womanhood» includes both the Proverbs 31 Woman who rises before dawn each day to make breakfast, and Jael who drove a tent peg
through her enemies» chest.
As I said before, these are just general observations I've made about humor and satire
through the years, and some principles I worked really hard to incorporate into A Year of Biblical
Womanhood, which included quite a bit of both.
This may seem like an unremarkable turn of events, but according to Grant Castleberry of the Council on Biblical Manhood and
Womanhood (flagship organization for the complementarianism movement, which advocates hierarchal gender roles in the home, church, and society), it represents a severe «cultural capitulation» which, «instead of helping guide children towards embracing who they actually are, blurs reality,» «confuses them,» and «drags them
through the dark labyrinths» of their parents» gender - based delusions.
To love included not only the vagaries of circumstances — annoyance, anger, pleasure, laughter — but the growth from a childhood emotion,
through all the changing years of becoming
womanhood, to that which finally emerged in these last twenty years as an ever - deepening friendship.
Despite the dire consequences — having to squeeze babies
through an impossibly teeny orifice — she populated the earth, launching one of the greatest traditions of
womanhood: feminine determination.
Every ounce of your sparkling
womanhood shines
through.
We remind ourselves of our own inherent worth, and we push
through, and we change the face of
womanhood one woman at a time.
Take an empowering trip
through womanhood with indie pop duo Overcoats in our latest Bands + Brews session.
Consequently — crucially — this is not a film about the trials of
womanhood refracted
through a patriarchal prism.
Garance Marillier floats
through the coming - of - age story like a wide - eyed specter, grappling with her
womanhood while trying to satisfy her carnal lust for human flesh.
In fact, it makes the film overall slower, weighing the audience down with a fancy way of discussing
womanhood, which is essentially the steps that Lena is set to go
through as she chooses what type of person she wants to be for the rest of her life.
While I think some of those feelings are normal as a young person is going
through puberty and especially moving into young
womanhood — women get mixed messages about being «shadows» versus asserting their own will — I think for both Phoebe and Marithe this was exacerbated by their fragmented family situation.
Relayed in nonlinear vignettes, Clemmons» very personal debut considers questions of
womanhood and identity
through the story of Thandi, daughter of an American father and a South African mother, whose death spurs a heart - wrenching exploration into readjustment after loss.
As I scrolled
through our hashtag #femaletravelbloggers on Instagram today I saw that celebrating
womanhood was intimate, personal and different to each woman based on her own experience.
Amar's next exhibition sees their space filled with a representation of the Biblical character Eve,
through a celebration of all things women and
womanhood.
The exhibition extends a dialogue exploring
womanhood and femininity within the art world, developing this investigation
through an all - encompassing approach to the natural coalescing and cross over of what has been conventionally designated as «masculine» or «feminine» in artistic practice...
Depicting transitional moments of life, from young girlhood to middle age, Matar's works address personal and collective identity
through photographs mining female adolescence and
womanhood.
In the Women series, the artist simultaneously embraces the inherent sensuality of his models
through their graceful lines and gentle curves, while allowing his iconic drawings to be less about the individual woman and more about presentations of universal
womanhood.
Through a contemporary lens, Marilyn has become a symbol of not only sex appeal, but empowerment and
womanhood as she embraced the camera in a way that no celebrity had dared to do before.
At Lehmann Maupin, the exhibition «Big Girl Now» delved into Kristalova's ongoing exploration of female identities as they morph
through childhood, adolescence and
womanhood.
Addressing how femininity is outwardly performed or written into appearance, Kiki Smith's etching «Ballerina (Stretching Left)» (2000) draws on the long legacy of
womanhood as portrayed
through the dancerly physique, from Degas» 19th - century ruminations on dancing girls to Eleanor Antin's complex feminist performances as her alter ego Eleanora Antinova.
Through the 50's, Schwabacher developed the interconnected themes of
womanhood, childbirth and children.