Sentences with phrase «women art collectors»

We know that there are few women art collectors, a fact which may have an impact on the market.

The mission of The Artinista Art Advisory is to increase number of professional women art collectors to close the gender gap in fine art collecting.

Not exact matches

Adapted from the Henry James novel, James Ivory's «The Golden Bowl» is the story of an American art collector (played by Nick Nolte) and his daughter (Kate Beckinsale) travelling throughout Europe, and the turmoil that ensues when the father weds a younger woman (Uma Thurman).

I closed my eyes and tried to picture the client to whom I was delivering the sculpture: Gabrielle Fonteneau, a Hai - tian American woman about my age, the star of a popular television series and an avid art collector.

The Italian - born, London - based collector Valeria Napoleone has spent the last two decades helping correct the gender - imbalanced art cannon by acquiring works exclusively by women artists.

Local art collector Adrienne Davis said Thomas» images of black women stand in stark contrast to those of Kelley Walker, a white male artist whose Sept. 2016 exhibition outraged many visitors.

In her second column on Artspace, the collector and art patron Maria Baibakova toured March's marquee art events around the world, and found strong women at the helm at each one.

Girls» Club engages Miami artist team TM Sisters — sisters Monica and Natasha Lopez de Victoria — to collaborate with the collection of contemporary art by women amassed by Fort Lauderdale collectors Francie Bishop Good and David Horvitz, for the this exhibition.

October 8, 2013 - Fort Lauderdale - For its 2013 - 2014 exhibition, Girls» Club engaged Miami artist team TM Sisters (Sisters Monica and Nathasha Lopez de Victoria) to collaborate with the collection of contemporary art by women owned by Fort Lauderdale collectors Francie Bishop Good and David Horvitz.

While works were loaned from a number of private collectors, HBCUs including the Howard University, Hampton University and Clark Atlanta University, Michael Rosenfeld Gallery, and institutions such as the Schomburg Center for Research in Black Culture, Art Institute of Chicago and Museum of Fine Arts Boston, Powell emphasizes that the exhibition required the cooperation of the two women.

ArtTable, a national leadership organization for women involved in the visual arts, has announced that its 20th annual award ceremony benefit luncheon will honor collector and philanthropist Patricia Phelps de Cisneros with its 2013 Distinguished Service to the Visual Arts Award and The New York Observer «s very own culture editor (and founder of this website), Sarah Douglas, with its 2013 New Leadership Awarts, has announced that its 20th annual award ceremony benefit luncheon will honor collector and philanthropist Patricia Phelps de Cisneros with its 2013 Distinguished Service to the Visual Arts Award and The New York Observer «s very own culture editor (and founder of this website), Sarah Douglas, with its 2013 New Leadership AwArts Award and The New York Observer «s very own culture editor (and founder of this website), Sarah Douglas, with its 2013 New Leadership Award.

The exhibition will feature over 100 contemporary artworks made by women artists and will represent the art collections of seven prominent female art collectors from London, Europe and North America.

Women Collectors in Britain and America c. 1880 - 1939 Chair: Dr. Frances Fowle, Ph.D., Reader in History of Art and International Director of Edinburgh College of Art, University of Edinburgh; Senior Curator of French Art at the Scottish National Gallery Speakers: MaryKate Cleary, Art Historian and Lecturer, Dr Margaret R. Laster, Ph.D..

Miami's most prominent collectors mount an all - female show during an Art Basel Miami Beach week that celebrates women, but will the market follow?

The project has engaged Miami artist team TM Sisters — sisters Monica and Natasha Lopez de Victoria — to collaborate with the collection of contemporary art by women amassed by Fort Lauderdale collectors Francie Bishop Good and David Horvitz.

The jury for the Max Mara Art Prize for Women 2009 — 2011 included Iwona Blazwick (Chair), artist Fiona Banner, gallerist Alison Jacques, art collector Valeria Napoleone and curator Polly StapArt Prize for Women 2009 — 2011 included Iwona Blazwick (Chair), artist Fiona Banner, gallerist Alison Jacques, art collector Valeria Napoleone and curator Polly Stapart collector Valeria Napoleone and curator Polly Staple.

The judging panel for the sixth Max Mara Art Prize for Women was chaired by Iwona Blazwick OBE, Director of the Whitechapel Gallery, joined by Fiona Bradley, Director of the Fruitmarket Gallery, Edinburgh; Sarah Elson, Collector and Founder of Launch Pad, a commissioning series supporting emerging artists; Helen Sumpter, Critic and Senior Editor / Web Editor at ArtReview; and Artist and Royal Academician Alison Wilding.

An influential patron of the arts, she founded the New York coalition of 100 Black Women and was an avid collector of African American art, assembling an extensive collection over the years.

The shortlist was selected by a panel of judges including: Iwona Blazwick OBE, Director, Whitechapel Gallery (Chair) Vanessa Carlos, Owner, Carlos / Ishikawa, London Laure Prouvost, Artist and previous recipient of the Max Mara Art Prize for Women (2011 — 2013) Marcelle Joseph, Collector Rachel Spence, Art Critic

Directed by Lisa Immordino Vreeland, the film dives into the life of a socialite, art patron, and collector Peggy Guggenheim, the woman who knew everyone who was someone in 20th - century art.

Through a series of interviews with friends, fellow dealers, artists who knew her, collectors and Guggenheim herself, we begin to compile a mental collage of this vivacious and colorful woman, who readily admitted to «rarely knowing what [she] was doing» when it came to art or collecting it.

Goldschmied & Chiari selected for The National Museum of Women in the Arts, Washington, D.C., biennial exhibition series «Women to Watch,» June 5 - Sept 13, 2015, http://nmwa.org/press-room/press-releases/national-museum-women-arts-announces-artists-featured-biennial-exhibition Rachel Higgins in group exhibition «Negative Space,» curated by Gabrielle Garland and Stacie Johnson, The Knockdown Center, Maspeth, NY, Feb 28 - April 12, http://knockdown.center/event/negative-space/ Rachel Higgins in group exhibition «I Serve Art,» curated by Sara Reisman, Richard & Dolly Maass Gallery, Visual Arts Building, SUNY Purchase, Feb 17 - Mar 27, https://www.purchase.edu/Departments/AcademicPrograms/Arts/artdesign/richardanddollymaassgallery.aspx Josh Slater film «A Short Coma,» and interview featured in The Creators Connect, http://www.thecreatorsconnect.com/meet-josh-slater/ Rachel Higgins in group exhibition «Flat by Fiat,» Brooklyn, Jan 31 - Feb 21, 2015, open by appointment Goldschmied & Chiari: Untitled Portraits listed in «Feature Shoot Recommends: Top 10 Photo Events and Happenings in New York (Jan. 19 - 25),» by Ellyn Kail, Jan 19, 2015 http://www.featureshoot.com/2015/01/feature-shoot-recommends-top-10-photo-events-happenings-new-york-jan-19-25/ Goldschmied & Chiari: Untitled Portraits reviewed in the New Yorker Jan 12, 2015 http://www.newyorker.com/goings-on-about-town/art/goldschmied-chiari Loring Knoblauch's review «Goldschmied & Chiari: Untitled Portraits @kristenlorello» in Collector Daily Jan 12, 2015 http://collectordaily.com/artists/sara-goldschmied-and-eleonora-chiari/ Giacinto Occhionero in group exhibition, «You Don't Bring Me Flowers (+ The Mistress Project), Jan 24 - Mar 7, 2015, http://www.68projects.com/category/exhibitions-future/ Goldschmied & Chiari in group exhibition «Florilegia,» at Grimaldi Gavin, London, Jan 16 - Feb 28, 2014, http://www.grimaldigavin.com/index.php?method=section&action=zoom&id=160&lng=1&forceID=1e3f75e0c66514dbd92d42cc43bbfd19

Marina Vaizey was art critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectoart critic for the Financial Times, then the Sunday Times, edited the Art Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women CollectoArt Quarterly, has been a judge for the Turner Prize, and a trustee of several museums; books include 100 Masterpieces, The Artist as Photographer and Great Women Collectors.

«As women in the art world rise up against abuse from collectors and others, will the culture that's protected predators shift?»

The show features 21st - century artworks by women borrowed from collectors in the art - rich homes of Fairfield and Westchester (N.Y.) counties.

2007 Visions: Selections from the James T. Dyke Collection of Contemporary Drawings, Naples Museum of Art, Naples FL & Arkansas Arts Ctr, Little Rock, AR 2006 cARTalog, University of Iowa Libraries, Iowa City, IA 2005 Holiday Group Show, George Billis Gallery LA, Los Angeles, CA 2005 Pulp Friction: New Takes on Paper, Betty Barker Gallery, New Canaan, CT 2005 Span, Collaborative Concepts, Beacon, NY 2005 Drawing National, Montgomery College, Rockville, MD 2005 Now: Here: This, Studio Gallery 88, New York, NY 2003 Cycles, Patterns, Intervals, Fredericksburg Ctr for the Creative Arts, Fredericksburg, VA 2002 Memory and Metaphor, Seton Hall University, South Orange, NJ 2001 Drawing National, Montgomery College, Rockville, MD 2001 Women and Books: Uncovered, Converse College, Spartanburg, SC 2000 The Collectors» Show, Arkansas Arts Center, Little Rock, AK 1999 From Hairbread to Wishing Machines, Art Gallery of Ontario, Toronto, Canada 1998 Priva B. Gross International, Works on / of Paper, City University of NY, Queensborough College, Queens, NY.

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

Girls» Club has engaged Miami artist team TM Sisters — sisters Monica and Natasha Lopez de Victoria — to collaborate with the collection of contemporary art by women amassed by Fort Lauderdale collectors Francie Bishop Good and David Horvitz, and curate the 2013/2014 exhibition, selecting works which spoke to the mysterious attraction the girls felt to each piece.

Emma Hart was selected as the winner of the sixth Max Mara Art Prize for Women by a panel chaired by Iwona Blazwick OBE, Director of the Whitechapel Gallery, joined by Fiona Bradley, Director of the Fruitmarket Gallery, Edinburgh; Sarah Elson, Collector and Founder of Launch Pad, a commissioning series supporting emerging artists; Helen Sumpter, Editor at Art Quarterly; and Artist and Royal Academician Alison Wilding.

His taste was broad and inclusive, and he promoted many artists and genres that had become unfashionable to collectors and academics, including colonial art, marine painting, women artists, sculpture and portraiture.

Girls» Club has engaged Miami artist team TM Sisters — sisters Monica and Natasha Lopez de Victoria — to collaborate with the collection of contemporary art by women amassed by Fort Lauderdale collectors Francie Bishop Good and David Horvitz, and curate the 2013/2014 exhibition.

Giacometti is a new favorite of Russian collectors like billionaire business magnate Roman Abramovich, but a person familiar with the matter said that Mr. Abramovich wasn't the buyer of «Walking Man I.» Mr. Abramovich caused a stir at the Swiss art fair Art Basel two summers ago when he bought one of the artist's 1956 bronze figures of a woman from New York gallery Jan Krugiart fair Art Basel two summers ago when he bought one of the artist's 1956 bronze figures of a woman from New York gallery Jan KrugiArt Basel two summers ago when he bought one of the artist's 1956 bronze figures of a woman from New York gallery Jan Krugier.

Valeria Napoleone, a London collector who vocally supports women artists, hopes this institutional attention leads to the writing and criticism — the documentation, in other words — that will firmly establish these artists as part of the art - historical canon.

To the past honorees, however, among whom I feel especially humbled and privileged to share this honor, I'd like to thank you for your example and achievements that have enriched us all: Andrea [Barnwell Brownlee], whose ambitious and inspired curatorial work gives voice to women artists of the African Diaspora; Jerry [Cullum], a visionary writer whose genius lies in his ability to synthesize the experience of art with poetic complexity; Louis [Corrigan], a trailblazing community leader whose innovative ethos and generosity has rekindled the boundless spirit of Nexus; Lisa [Cremin], a leader of responsible and responsive philanthropy who personifies the idiomatic true north for the arts in Atlanta; Lucinda [Bunnen], a brilliant artist and pioneering collector who established photography as an essential feature of contemporary visual culture in our city... and at the High Museum; and Susan [Bridges], den mother to us all, whose generosity of spirit is set off by her unshakable personal integrity.

Left: Henri Matisse, Femme au chapeau (Woman with a Hat), 1905; San Francisco Museum of Modern Art, bequest of Elise S. Haas; © Succession H. Matisse / Artists Rights Society (ARS), New York Right: Richard Diebenkorn, Seated Figure with Hat, 1967; National Gallery of Art, Washington DC, gift of the Collectors Committee and Mr. and Mrs. Lawrence Rubin; © the Richard Diebenkorn Foundation

2015 Wonder Women, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN Tchotchke: The Mass - Produced Sentimental Object in Contemporary Art, Gund Gallery, Kenyon College, Gambier, OH Represent: 200 Years of African American Art in the Philadelphia Museum of Art, Philadelphia, PA Letters and Shadows: African American Art and Literature Since the Harlem Renaissance, Bowdoin College Museum of Art, Brunswick, ME America Is Hard to See, Whitney Museum of American Art, New York, NY I Like It Like This: S 2 x Drake, Sotheby's Contemporary Art Gallery, New York, NY Collector's Legacy: Selections from the Lloyd and Sandra Baccus Collection, David C. Driskell Center, College Park, MD Marks Made: Prints by American Women Artists from the 1960s to the Present, Museum of Fine Arts, St. Petersburg, FL Take an Object, Museum of Modern Art, New York, NY A Constellation, The Studio Museum in Harlem, New York, NY

They had come to hear a lecture by Paul Hewitt, an expert from Christie's, on great women collectors in the history of art.

The New York Times reported today that Leon Black, the billionaire art collector, will now own the Pablo Picasso sculpture Bust of a Woman (1931) that has been at the center of a months - long legal battle.

Therefore, it is my personal hope, through this continued Women in Art series and highlighting exceptionally talented women artists, curators, collectors and creatives, we can collectively tilt and hopefully balance the scWomen in Art series and highlighting exceptionally talented women artists, curators, collectors and creatives, we can collectively tilt and hopefully balance the scwomen artists, curators, collectors and creatives, we can collectively tilt and hopefully balance the scales.

Stockman has been a passionate collector of contemporary art since 1990 and has served on various committees at MOMA, the Metropolitan Museum of Art, the Aspen Art Museum as well as founding the Bruce Museum Council in Greenwich, CT.. Stockman is the Chair Emeritus and former National Chair of the Republican Majority for Choice (RMC)-- regularly interviewed on national television, wrote and published opinion pieces for national syndications and lobbied the House and Senate for legislation pertaining to a woman's right to chooart since 1990 and has served on various committees at MOMA, the Metropolitan Museum of Art, the Aspen Art Museum as well as founding the Bruce Museum Council in Greenwich, CT.. Stockman is the Chair Emeritus and former National Chair of the Republican Majority for Choice (RMC)-- regularly interviewed on national television, wrote and published opinion pieces for national syndications and lobbied the House and Senate for legislation pertaining to a woman's right to chooArt, the Aspen Art Museum as well as founding the Bruce Museum Council in Greenwich, CT.. Stockman is the Chair Emeritus and former National Chair of the Republican Majority for Choice (RMC)-- regularly interviewed on national television, wrote and published opinion pieces for national syndications and lobbied the House and Senate for legislation pertaining to a woman's right to chooArt Museum as well as founding the Bruce Museum Council in Greenwich, CT.. Stockman is the Chair Emeritus and former National Chair of the Republican Majority for Choice (RMC)-- regularly interviewed on national television, wrote and published opinion pieces for national syndications and lobbied the House and Senate for legislation pertaining to a woman's right to choose.

Honors in Sculpture Skowhegan School of Painting and Sculpture 1982 Carnegie - Mellon University SELECTED SOLO EXHIBITIONS 2015 Les Guérillères, Sandra Gering Inc, New York, NY 2014 Julia Kunin & Jackie Gendel, Jeff Bailey Gallery, Hudson, NY 2013 Golden Grove, Barry Whistler Gallery, Dallas, TX 2012 Nightwood, Greenberg Van Doren Gallery, NY, NY 2002 Rotes Wildleder, Deutches Leder Museum, Offenbach, Germany 2000 Cephalopoden, Bellevuesaal, Wiesbaden, Germany 1999 Crimson Suede, Stefan Stux Gallery Project Room, New York, NY Rambling Conversation series, Four Walls, New York, NY Old Gallery, Tbsili, Georgia SELECTED GROUP EXHIBITIONS 2016 Dysfunction, BCA / Burlington City Arts, Burlington, VT In a Field with No Bounds, New City Galerie, Burlington, VT NY, NY: Clay, CAC / Clay Art Center, Port Chester, NY 2015 Who, Lesley Heller Workspace, New York, NY 2014 2Q13, Women Collectors Women Artists, Lloyd's Club, London, England The Body is Present: Women at Work, Ramapo College Art Galleries, NJ Cleaning House, MAMŰ Galéria, Budapest, Damjanich Zsolnay, Kapolna Gallery, International Ceramic Studio, Kecskemet, Hungary Natures Knot, Luise Ross Gallery, New York, NY 2013 Treasures for the German Leather Museum.

Documentary and portrait photography from the collection The Museum of Contemporary Art, Oslo The End of an Age Gemeentemuseum, The Hague 2016 West Concourse Gallery, National Gallery of Art, Washington D.C. Strange and Familiar: Britain as Revealed by International Photographers Manchester Art Gallery, Manchester Rudin Prize for Emerging Photographers Norton Museum of Art, West Palm Beach Nude: Art from the Tate collection Art Gallery of New South Wales, Sydney Intra-Action: Women Artists from the Harn Collection Harn Museum of Art, Gainesville Underway SKMU Sorlandets Kunstmuseum, Kristiansand First Light: Rineke Dijkstra / Nan Goldin ICA, Boston Who Shot Sports: A Photographic History, 1843 to the Present The Brooklyn Museum, New York Invisible Adversaries, Marieluise Hessel Collection Hessel Museum of Art, Annandale - on - Hudson, New York ENERGY FLASH: The Rave Movement MUHKA — Museum van Hedendaagse Kunst Antwerp, Antwerp Counterpoints: Photography Through the Lens of Toronto Collections Justina M Barnicke Gallery, University of Toronto, Toronto Art Alive Festival Louisiana Museum of Modern Art, Humlebæk Idiosyncrasy: Anchovies Dream of an Olive Mausoleum Centro de Artes Visuales - Fundación Helga de Alvear, Cáceres Portrait De L'artiste En Alter FRAC Haute - Normandie, Sotteville - lès - Rouen Private Exposure me Collectors Room, Berlin On Paper: Picturing Painting The Baltimore Museum of Art, Baltimore Strange and Familiar: Britain as Revealed by International Photographers Barbican Art Gallery, London Botticelli Re-imagined The V&A London Queensize Museum Arnhem, Arnhem A quoi tient la beauté des étreintes FRAC - Auvergne, Clermont Ferrand Fire under snow Louisiana Museum of Modern Art, Humlebæk 2015

Sculptor Manuel Neri's work often depicted figures such as this woman in Untitled («Seated Woman»), 1979; collection of the Oakland Museum of California, gift of the Collectors Gallery and National Endowment for the woman in Untitled («Seated Woman»), 1979; collection of the Oakland Museum of California, gift of the Collectors Gallery and National Endowment for the Woman»), 1979; collection of the Oakland Museum of California, gift of the Collectors Gallery and National Endowment for the Arts.

Her Crowd: New Art by Women from Our Neighbors» Private Collections will offer a glimpse into the exciting interchange between contemporary artists and their passionate collectors.

Initially intended to populate a large wall space in her personal home gallery, art collector, philanthropist, perennial board member, and museum docent volunteer Sara M. Vance Waddell began soliciting signs from artists as soon as she knew there would be a Women's march on Washington.

Image: Carrie Mae Weems, Kitchen Table Series: Untitled (Woman with Friends), Untitled (Man and Mirror), Untitled (Woman Feeding Bird), 1990, platinum prints, printed 2003, National Gallery of Art, Washington, Gift of the Collectors Committee, and Robert B. Menschel and the Vital Projects Fund © Carrie Mae Weems.

Art collector Barbara F. Lee granted the Institute of Contemporary Art in Boston a gift of 20 works of art — with an estimated worth of $ 42 million — by 12 women artists, including Eva Hesse, Louise Bourgeois, and Kara WalkArt collector Barbara F. Lee granted the Institute of Contemporary Art in Boston a gift of 20 works of art — with an estimated worth of $ 42 million — by 12 women artists, including Eva Hesse, Louise Bourgeois, and Kara WalkArt in Boston a gift of 20 works of art — with an estimated worth of $ 42 million — by 12 women artists, including Eva Hesse, Louise Bourgeois, and Kara Walkart — with an estimated worth of $ 42 million — by 12 women artists, including Eva Hesse, Louise Bourgeois, and Kara Walker.

The symposium will explore how exemplary women overcame the cultural assumptions and restrictions of their times to participate in the art world as active and influential collectors, shaping public taste and building important artistic legacies.

Displayed on their living room walls are exactly the sorts of contemporary art trophies ambitious collectors are competing for: a huge Warhol silkscreen of a.22 - caliber pistol; a sculpture of a dollar sign in shimmering lights by the British artists Tim Noble and Sue Webster; and a John Currin painting, «The Clairvoyant,» depicting a beautiful young woman with cloudy blue eyes.

Who: Mrs. Wilhelmina Cole Holladay, Founder and Chairman of the National Museum of Women in the Arts (NMWA) and a noted collector herself, will deliver the keynote address at a unique evening Symposium on British Women Collectors, to be held at the Royal Society for the Encouragement of Arts in London on 15 November 2007.