Sentences with phrase «women artists from»

She points to such innovative social enterprises as the Council's Tjanpi Desert Weavers which represents more than 400 women artists from 26 remote communities and the Ngangkari program that melds traditional healers with the best of western medicine to maximise health outcomes and wellbeing.

A combination of solo and thematic exhibitions and installations intersect and deepen the conversation initiated by Elles: Women Artists from the Centre Pompidou, Paris.

2015 NO MAN»S LAND: Women Artists from the Rubell Family Collection, The Rubell Family Collection, Miami, FL Inside: Out UBS Art Collection, Curated by Jacqueline Lewis, Art Basel, Miami Beach, FL Self - Proliferation, Girls Club, Fort Lauderdale, FL Reality of My Surroundings: The Contemporary Collection, Nasher Museum of Art, Duke University, Durham, NC tête - à - tête curated by Mickalene Thomas, Galerie Nathalie Obadia, Brussels, BE If You Leave Me Can I Come Too?

Select group exhibitions featuring her work include Third Space / Shifting Conversations About Contemporary Art, Birmingham Museum of Art, AL (2017); Constructing Identity: Petrucci Family Foundation Collection of African - American Art, Portland Art Museum, ME (2017); The Color Line: African American Artists and the Civil Rights in the United States, Musée du quai Branly, Paris (2016); SHE: International Women Artists, Long Museum, Shanghai (2016); No Man's Land: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami, traveled to the National Museum of Women in the Arts, Washington, DC (2015); 30 Americans, Corcoran Gallery of Art, Washington, DC (2011), which has traveled extensively around the United States (2011 - 2017, ongoing); and Americans Now, National Portrait Gallery, Washington, DC (2010).

In 1936, Lundeberg became just one of three women artists from the region to make public art for the WPA.

«NO MAN»S LAND: Women Artists from the Rubell Family Collection,» Rubell Family Collection, Miami, FL, December 2, 2015 — May 28, 2016; travels to National Museum of Women in the Arts, Washington D.C., September 30, 2016 — January 08, 2017; catalogue

«Marking the Infinite: Contemporary Women Artists from Aboriginal Australia» is a major travelling exhibition featuring artists from remote communities across the continent.

exhibition at the Beirut Art Fair 2016 highlights women artists from the country's culturally rich modernist period.

The museum invited artists Rozeal, Analia Saban, Mira Dancy, and Suzanne McClelland for a series of three «Artists in Conversation» programs highlighting their respective works featured in the contemporary exhibition NO MAN»S LAND: Women Artists from the Rubell Family Collection.

In these small, text - based works, Lesperance attempts to merge her hand - writing with that of Sleigh's, a metaphor for these two women artists from different generations grappling with a very similar set of issues.

Featuring artists within Guggenheim's circle, 31 Women will combine work by women artists from the 1940s to the present day, including work by Eileen Agar, Rana Begum, Cornelia Parker, Bridget Riley, Gillian Wearing and Rachael Whiteread.

The workshop has brought women artists from diverse backgrounds to Mount Holyoke to create fine art limited edition prints, exposing students to highly successful women artists and the printmaking practice.

One of the high points in Wynwood is the sensational «No Man's Land» Women Artists from the prestigious Rubell Family Collection.

Raffaella Cortese is renowned for her rigourous exhibition program focused on international women artists from different generations who mainly work on critical issues such as feminism, national and p...

As a review, I AM is an East - West contemporary art exhibition featuring 31 premier Middle Eastern women artists from 12 countries that visually celebrate the rich, diverse and pivotal contributions that Middle Eastern women make to the enduring global quest for peace and harmony.

The Foundation's NO MAN»S LAND: Women Artists from the Rubell Family Collection exhibition is currently on view at Washington, D.C.'s National Museum of Women in the Arts and the Foundation's 30 Americans exhibition is currently on view at the Tacoma Art Museum in Washington state.

«A fascinating group of interviews with major women artists from around the world, Hugo Huerta Marin's thoughtful Portrait of an Artist explores in an intimate and compelling way each artist's practice and beliefs about power, celebrity, gender, and art.

But also whether or not the new wave of all - female shows (I'm thinking specifically of No Man's Land: Women Artists from The Rubell Family Collection) is liberating artwork by female artists from the burden of tokenism in otherwise male - dominated spaces.

Recent group exhibitions include The Noise of Art, Soccer Club Club, Chicago (2016); Accumulations: 5,000 Years of Objects, Fictions, and Conversations, Mead Art Museum, Amherst College, Amherst, Massachusetts (2016); NEON: The Charged Line, Grundy Art Gallery, Blackpool, England (2016); Grafforists, Torrance Art Museum, California (2016); NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami (2015); Pretty Raw: After and Around Helen Frankenthaler, Rose Art Museum, Brandeis University, Waltham, Massachusetts (2015); The Forever Now: Contemporary Painting in an Atemporal World, Museum of Modern Art, New York (2014); and California Landscape into Abstraction, Orange County Museum of Art, Newport Beach, California (2014).

SELECTED EXHIBITIONS 2018 In (di) visible, Station Museum of Contemporary Art, Houston, TX; Cameron Museum of Art, Wilmington, NC 2017 Translatio Imperii, Gutterbox Gallery, Raleigh, NC Digiscapes, Curated by Anthony Hamilton, Lump, Raleigh, NC Art on Paper, Curated by Emily Stamey, Weatherspoon Art Museum, Greensboro, NC Objectifying Myself: Works by Women Artists from the Pennsylvania Academy of Fine Arts, William Benton Museum of Art, Storrs, CT For Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles, CA Shimmer, Light and Design Gallery, Chapel Hill, NC 2016 Seeping of a Ghost, Gallery Bastejs, Riga, Latvia (solo) Musings on an Origin, Spectre Arts, Durham, NC Typecast, Hillyer Art Space, Washington, DC 2015 Heterotopias as Other, Nha San Collective, Hanoi, Vietnam (solo) 2014 The Orient, The Occident, Galerie Quynh, Ho Chi Minh City, Vietnam (solo) Summer Shuffle: Contemporary Art @ PAFA Remixed, Pennsylvania Academy of Fine Arts The Mother Load, The Center for Creative Connections, Dallas Museum of Art, TX 2013 Contemporary Vietnamerican Art, Maier Museum of Art, Lynchburg, VAThe Linda Lee Alter Collection of Art by Women, Pennsylvania Academy of Fine Arts, PA 2012 Alter / Altar: Meditations on the Past, The Morris and Gwendolyn Cafritz Foundation Art Center Collisions of Clamor and Calm, Galerie Quynh, HCMC, Vietnam Art HK 12, Hong Kong International Art Fair, with Galerie Quynh 2011 Bite Sized Monsters, Modern Eden, San Francisco, CA 2010 Twombly House / Ephemeral Museum, Portland, OR Outwin Boochever Portrait Exhibition, National Portrait Gallery, Smithsonian Institution, Washington D.C 2009 Family Pictures, Root Division, San Francisco, CA 2008 In Transition Russia, Municipal Centre for Contemporary Art, Yekaterinburg National Centre for Contemporary Arts, Moscow, Russia 2007 House of Adoration, Galerie Quynh Contemporary Art, HCMC, Vietnam (solo) House of Adoration, Ryllega Experimental Art Gallery, Hanoi, Vietnam (solo) Small Works, Morris Graves Museum of Art, Eureka, CA 2006 Portrait of a Contemporary Family, First Street Gallery, Eureka, CA Portrait of a Family, Southern Exposure, San Francisco, CA National Juried Exhibition, Marin Art Center, Marin, CA Juror: Rene de Guzman Small Works Invitational, Gallery Dog, Eureka, CA Out of Context, Huntington Beach Art Center, Huntington Beach, CA Face Paint, Bucheon Gallery, San Francisco, CA 2004 Monster Drawing Rally, Southern Exposure, San Francisco, CA Supernatural, Southern Exposure, San Francisco, CA Go West!

In 1994, she participated in the traveling exhibition «Forces of Change: Women Artists From the Arab World» in Washington.

Forthcoming and recent group exhibitions include Medusa, Musée d'Art Moderne de la Ville de Paris, France (2017); India's Search for Power 1966 — 1982 (Indhira Gandhi's Foreign Policy), Dak» Art 2016, Biennale de l'Art Africain Contemporain, Dakar, Senegal (2017); NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami (2015); Collection on Display: Experimental Arrangements, Migros Museum für Gegenwartskunst, Zurich (2015); Female Power, Museum voor Moderne Kunst Arnhem, The Netherlands (2013); Anti-Establishment, CCS Bard Hessel Museum, Annandale - on - Hudson, New York (2012); and ILLUMInations, International Pavilion, 54th Venice Biennale (2011).

Bridget Riley is included in the group exhibition NO MAN»S LAND: Women Artists from the Rubell Family Collection at the Rubell Family Collection, Miami

Mostre Personali 2016 «Drunk Brown House», Serpentine Sackler Gallery, Londra 2016 «Eucalyptus, Let us in», Greene Naftali, New York 2014 «Orchids, or a hemispherical bottom», Johann König, Berlino 2014 «Parrot Problems», Fridericianum, Kassel 2014 «Oreo St. James», Sadie Coles HQ, Londra 2013 «No borders in a wok that can't be crossed», CCS Bard, New York 2012 «Plank Salad», Chisenhale Gallery, Londra 2012 «Evian Disease», Palais de Tokyo, Parigi 2012 «Almost the exact shape of Florida», Kunsthalle Zurich, Zurigo 2011 «Park Nights», Serpentine Gallery, Londra 2011 «Fruits, Flowers, and Clouds» (con T293), Museum of Applied Arts, Vienna 2011 «Take a stick and make it sharp», Johann König, Berlino 2010 «I like my heroes marble chested», Carl Kostyál, Londra 2010 «Wicked patterns», T293, Napoli Mostre Collettive 2018 «Faithless Pictures», The National Museum of Art, Architecture and Design, Oslo 2018 «The Body Electric», The Walker Art Centre, Minneapolis 2017 «Suspended Animation», Les Abattoirs, Tolosa 2017 «made on the table», Sadie Coles HQ, Londra 2017 EuroVisions: COntemporary ARt from the Goldberg Collection, NAS gallery, Sidney, Australia (touring exhibition in Australia to 2019) 2017 «Second Nature», K11 Art Foundation, Hong Kong 2016 «The Hepworth Prize for Sculpture», The Hepworth Wakefield 2016 «NO MAN»S LAND: Women Artists from the Rubell Family Collection», National Museum of Women in the Arts, Washington 2016 «Turner Prize 2016», Tate Britain, Londra 2016 «OVERPOP: New Art from Yuz Collection and Beyond», Yuz Museum, Shanghai 2016 «The future is already here — it's just not evenly distributed», 20a Biennale di Sydney 2016 «THE NEW HUMAN: Knock, Knock, is Anyone Home?»

Solo Exhibitions 2016 «Drunk Brown House», Serpentine Sackler Gallery, London 2016 «Eucalyptus, Let us in», Greene Naftali, New York 2014 «Orchids, or a hemispherical bottom», Johann König, Berlin 2014 «Parrot Problems», Fridericianum, Kassel 2014 «Oreo St. James», Sadie Coles HQ, London 2013 «No borders in a wok that can't be crossed», CCS Bard, New York 2012 «Plank Salad», Chisenhale Gallery, London 2012 «Evian Disease», Palais de Tokyo, Paris 2012 «Almost the exact shape of Florida», Kunsthalle Zurich, Zurich 2011 «Park Nights», Serpentine Gallery, London 2011 «Fruits, Flowers, and Clouds» (with T293), Museum of Applied Arts, Vienna 2011 «Take a stick and make it sharp», Johann König, Berlin 2010 «I like my heroes marble chested», Carl Kostyál, London 2010 «Wicked patterns», T293, Naples Group exhibitions 2018 «Faithless Pictures», The National Museum of Art, Architecture and Design, Oslo 2018 «The Body Electric», The Walker Art Centre, Minneapolis 2017 «Suspended Animation», Les Abattoirs, Toulose 2017 «made on the table», Sadie Coles HQ, London 2017 EuroVisions: COntemporary ARt from the Goldberg Collection, NAS gallery, Sidney, Australia (touring exhibition in Australia to 2019) 2017 «Second Nature», K11 Art Foundation, Hong Kong 2016 «The Hepworth Prize for Sculpture», The Hepworth Wakefield 2016 «NO MAN»S LAND: Women Artists from the Rubell Family Collection», National Museum of Women in the Arts, Washington 2016 «Turner Prize 2016», Tate Britain, London 2016 «OVERPOP: New Art from Yuz Collection and Beyond», Yuz Museum, Shanghai 2016 «The future is already here — it's just not evenly distributed», 20th Biennale of Sydney 2016 «THE NEW HUMAN: Knock, Knock, is Anyone Home?»

McGrew and Geis's «Pandora Rising: José Clemente Orozco and Four Contemporary Women Artists from Mexico» provides an overview of the exhibition themes and situates the four contemporary artists and Orozco within a theoretical framework anchored by current studies of Orozco, contemporary art strategies, social protest, and the work of philosopher Ivan Illich.

If you think about the WACK show at P.S. 1 last spring, it was extraordinary in that there was such a rich variety of work and dialogue coming out of that period by women artists from all over the world.

She was one of the first women artists from Asia to exhibit in major international art museums during the Asian art boom of the»90s — a time when many Asian art biennales were being launched, and exhibitions focusing on Asian artists were still quite rare in Western art museums.

About The Artist Ruby Neri (b. 1970, San Francisco) has participated in numerous exhibitions, including most recently Villa of Mysteries, Los Angeles Museum of Art (2016); Napa Valley Collects, Napa Valley Museum, Yountville, California (2016); NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami (2015); Fertile Ground: Art and Community in California, Oakland Museum of California in collaboration with the San Francisco Museum of Modern Art (2014); The Oracle, The Underground Museum, Los Angeles (2014); Energy That is All Around: Mission School, Grey Art Gallery, New York University, and San Francisco Art Institute (2013 - 14); The Possible, Berkeley Art Museum and Pacific Film Archive, University of California (2014); Busted, High Line Art, New York (2013); and Made in L.A. 2012, Hammer Museum, Los Angeles (2012).

Body Talk addresses issues of feminism, sexuality and the body, as they play themselves out in the work of a generation of women artists from Africa active since the late 1990s.

Clara: database of Women Artists provides access through a user - friendly, searchable interface to biographic and demographic information on close to 18,000 historic and contemporary women artists from around the world.

There, in 2013, she curated «The Distaff Side,» a stellar exhibition of 100 women artists from the couple's vast collection of contemporary art.

The National Museum of Women in the Arts Presents NO MAN»S LAND: Women Artists from the Rubell Family Collection

In the new exhibition, Women House, women artists from the 1960s to today examine the persistence of stereotypes about the house as a feminine space.

No Man's Land: Women Artists from the Rubell Family Collection runs through January 8, 2017 at the National Museum of Women in the Arts.

Home» Gallery Openings and Events» The National Museum of Women in the Arts Presents NO MAN»S LAND: Women Artists from the Rubell Family Collection

No Man's Land: Women Artists from the Rubell Family Collection presents an intriguing conundrum wrapped in swirling colors: how to showcase the viewpoint of women artists without reflexively implying that gender is the sole, defining characteristic of their artistic identity.

Five women artists from the Electric Machete Studios collective locked themselves in their studio for 48 hours.

NMWA's collection galleries feature women artists from the 17th and 18th centuries who produced precise and imaginative flower paintings, as well as modern and contemporary artists who continue to draw inspiration from the natural world.

BROADWAY 1602 is a contemporary art gallery with a decade of expertise in introducing the pioneering work of women artists from the 1960s and 70s from the Pop Art, Minimal and Concept Art milieu.

Assemblage is a group of 17 women artists from the greater Philadelphia area.

This groundbreaking exhibition will illuminate the contributions of more than 100 women artists from 15 countries who pioneered experimental art forms to create a new emancipated female body.

NO MAN»S LAND: Women Artists from the Rubell Family Collection.

The gallery will also have a group show of four women artists from the West Coast addressing issues of imitation, fantasy and identity in their work.

Large - scale paintings and sculptural hybrids reveal the expressive range of women artists in NO MAN»S LAND: Women Artists from the Rubell Family Collection, on view from September 30, 2016, to January 8, 2017.

NO MAN»S LAND: Women Artists from the Rubell Family Collection, National Museum of Women in the Arts, Washington, DC.

Celebrate the opening of the Museum's Spring features, Hans Meyer Kassel: Artist of Nevada and Marking the Infinite: Contemporary Women Artists from Aboriginal Australia.

The exhibition brings together over 40 international, women artists from several generations who explore a diverse range of materials and techniques.

Chicago, Schapiro, their CalArts students, and women artists from the local community all participated.

Her participation in group shows includes Projeto Piauí (at Pivõ Arte e Pesquisa, São Paulo, 2016), Soft Power (Kunsthal KAdE Amersfoort, the Netherlands, 2016), Os Muitos e o Um (The Many and the One at Instituto Tomie Ohtake, São Paulo, 2016), and No Man's Land — Women Artists from the Rubell Family Collection (Contemporary Arts Foundation, Miami, 2015).