Sentences with phrase «women artists in»

Select group exhibitions featuring her work include Light and Space, Seattle Art Museum, Seattle, WA, (2015); Reductive Minimalism: Women Artists in Dialogue, 1960 — 2012, University of Michigan Museum of Art, Ann Arbor (2014); Venice in Venice, a collateral exhibition curated by NYEHAUS in association with the J. Paul Getty Museum at the 54th Venice Biennale (2011); Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950 - 1970, J. Paul Getty Museum, Los Angeles (2011); What's New, Pussycat?

Established in 2005 to promote and nurture women artists in the UK and celebrate the contribution they make to contemporary art, the Prize is collaboration between the Collezione Maramotti, Max Mara and the Whitechapel Gallery.

The Tate is planning to focus on women artists in the coming year.

We'll discuss works by Louise Bourgeois, Elizabeth Catlett, the Guerrilla Girls, and others, as well as the larger issue of the underrepresentation of women artists in arts institutions.

A group exhibition, open this weekend at London's LSE Library, explores what it means to be a British BME woman today, with artworks by 22 British BME women artists in response to the term «modern day suffragette»...

Making Space: Women Artists in Postwar Abstraction has work by many of the same artists as its 1995 predecessor Elizabeth Murray, Modern Women (1914 — 73)-- work by seventy women from the MoMA collection.

Teaching fellow Aliza Shvarts will lead seminar discussions focusing on women artists in the Whitney's collection who have used their practices to challenge relationships of subjecthood and objecthood in both art and politics.

We'll discuss works by Louise Bourgeois, Elizabeth Catlett, and the Guerrilla Girls, and others, as well as the larger issue of the underrepresentation of women artists in arts institutions.

In 1972 Grigoriadis was a founding member of A.I.R. Gallery, the first gallery for women artists in the United States.

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Most recently, Alice Hope was selected as a «Women to Watch» by the National Museum for Women Artists in Washington, DC and included in their fifth exhibition «Heavy Metal - Women to Watch 2018» at the museum.

In May 2016, she gave a keynote address, along with Catherine de Zegher, at the international conference «Penetrable / Traversable / Habitable: Exploring spatial environments by women artists in the 1960s and 1970s,» held in Lisbon, Portugal, at the Centro de Arte Moderna, Fundação Calouste Gulbenkian.

For nine years, art critic Jerry Saltz has taken New York's Museum of Modern Art to task for its deplorable representation of women artists in its permanent collection of painting and sculpture on display.

The mission of the Asian American Women Artists Alliance (AAWAA) is to support and promote Asian American Women artists in the visual, literary and performing arts.

Born out of the Women's Liberation movement, feminist art aimed to give more prominence to women artists in history and to achieve better treatment for female artists in the art world.

Along with fellow artists Sheila Levrant de Bretteville, Ruth Weisberg, and others, Wayne was a founding member of the Los Angeles Council of Women in the Arts, which sought the equal representation of women artists in museum exhibitions.

In 1969, Women Artists in Revolution (WAR) formed in response to the inclusion of «only 8 women among the 143 artists shown» at the Whitney Museum's 1969 Annual.

Galleria Raffaella Cortese was the first gallery to show the works of a number of critically acclaimed American and Latin American women artists in Italy, and has continued collaborating with many of its artists over the years, supporting the work of younger artists alongside that of older ones, with special interest for pioneering artists who defy facile and fashionable trends.

Artists also began to critique their own microcosms, calling attention to the non-representation of black artists and women artists in the art world itself.

Rice Pereira, along with Rebay, Trumbull Mason, and Mattern, all render this exhibition also a subtle exposition of the power and importance of the female quotient in both the curatorial and creative vision of women artists in the history of the movement and Museum of Non-Objective Painting.

I would also like to underline the importance of women artists in the programme, with substantial mid-career retrospectives of the work of the Americans Laurie Anderson and Catherine Lee, and of the Irish artist Dorothy Cross.

Among others, Jaffe's work is in the collection of the Museum of Modern Art, New York and the Centre Georges Pompidou, Paris, where one of her paintings was recently included in the exhibition «elles@centrepompidou - Women Artists in the Collections of the Centre Pompidou.»

Three artists from the exhibition visited Korea including 2017 Turner Prize winner Lubaina Himid who gave a lecture Black Women Artists in the 1980s, Then and Now, and Alan Kane and Ed Hall and Alan Kane who gave a walk through the exhibition.

An exhibition showcasing gender difference in revolutionizing ways of «making» sculpture does not mean ghettoizing women artists in a separate history or making outmoded hierarchical judgments between feminine and masculine approaches.

Marguerite also served as the president of the modernist New York Society of Women Artists in the mid-1920s.

The positioning of women artists in relation to their male counterparts, and the largely male institutions both inhabited, was the subject of another iconoclastic performance by Smith: Birthdaze (1981), staged on her 50th birthday at the Tortue Gallery in Los Angeles.

WALTHAM — In May 1957, Life magazine published a photo spread headlined «Women Artists in Ascendance.»

Entering the recent exhibition «Vanishing Points» at James Cohan Gallery in New York, one was confronted with a large wall text — visible from the street through the gallery's glass doors — penned by a group of black women artists in the name of the Black Lives Matter movement.

I contributed a commentary on the abysmal representation of women artists in contemporary institutions, and the widespread artist activism mobilizing for change.

Some museums have initiatives dedicated to increasing the number of women artists in their collections, including the Moderna Museet in Stockholm, the Tate Modern in London, and Paris» Centre Pompidou.

To this end, a variety of women's groups were formed, including Women Artists in Revolution (WAR) and the AIR Gallery, to address feminist artists» concerns in the art community.

This summer, Pussy Galore, inspired by the Guerrilla Girls, reprised the group's original gallery report card, finding that the Mary Boone Gallery, for example, which showed zero women artists in 1985, had upgraded slightly, to 13 percent women.

This shift is due greatly to the tenacious efforts of black women artists in the «60s and «70s — like Emma Amos, Camille Billops, and Faith Ringgold and many more — who simply would not be ignored, and as a response, created their own spaces for visibility like Where We At and The Hatch - Billops Collection.

The 10 most subversive women artists in history in the Guardian.

For example, in the newly installed Museum of Modern Art, there are very few women artists in the early galleries.

In 1978, she joined Artists In Residence, Inc. (A.I.R. Gallery), the first gallery dedicated specifically to women artists in the U.S..

I want there to be equal opportunity for women artists in galleries, biennials, magazine ads, articles, art fairs, private collections and museums.

ArtSlant and The Art Newspaper discuss that the representation of women artists in Art Dubai is up to 45 % this year.

One museum told us that art by women was very important to them but then revealed that they only had 12 % women artists in their collection!

The exhibition entitled Her Paris: Women Artists in the Age of Impressionism, which debuted recently at the Denver Art Museum, is long overdue.

Rebecca Fortnum, Contemporary British Women Artists in Their Own Words, London 2007, pp. 34 — 6.

Amy Tobin's research at the Henry Moore Institute is focused on the archive collection of Helen Chadwick, but is part of a longer project on sculpture by women artists in the 1980s.

Valeria Napoleone discusses collecting women artists in her new «art cookbook» in «Home is Where the Arts Is» in the Times 6 Oct 12 (Hilary Rose)

To create greater opportunity for professional women artists in a male - dominated art world, on January 31, 1889, five innovative women, Anita C. Ashley, Adele Frances Bedell, Elizabeth S. Cheever, Grace Fitz - Randolph and Edith Mitchill Prellwitz met to discuss the formation of a women's art organization.

For example, a recent survey conducted by the U.S. collective Guerrilla Girls found that only two European museums out of 101 respondents have 40 percent or more women artists in their collections, while 21 have fewer than 20 percent.

Grosenick, Uta, and Ilka Becker, Women Artists in the 20th and 21st Century, published by Taschen, Cologne, Germany, 2001

Yet proceeds on all the works by women artists in the Christie's sale tallied up to a mere $ 17m — less than 5 % of the total and not even half the price achieved that night by a single picture of two naked women by Yves Klein.

Large - scale paintings and sculptural hybrids reveal the expressive range of women artists in NO MAN»S LAND: Women Artists from the Rubell Family Collection, on view from September 30, 2016, to January 8, 2017.

While the statistics reveal that women artists in London are still outnumbered by their better - paid male counterparts, there is at least an improvement on the situation for women artists forty years ago.

Tuesday, September 12, 12 pm Associate Curator Sarah Montross leads an outdoor tour of abstract works by women artists in the Park.