Sentences with phrase «women artists whose»

Featuring 5 black women artists whose works use the image and the idea of nature to address the innermost self, «Gardens of the Mind: Echoes of the Feminine View» is on view through January 18, 2018.

In honor of National Women's History Month, Los Angeles Modern Auctions (LAMA) spotlights five stellar women artists whose potent work and individual practices celebrate womanhood and female autonomy, call into question responses to gender parity, and transcend traditional conceptions of gender identity to address broader issues surrounding diversity, inclusion, and tolerance for all humans.

We Wanted a Revolution highlights, with few exceptions, Black women artists whose work addresses the axis of racial and gendered social experiences.

These two had brilliantly brought together other women artists whose work reflected on feminist investigations of mystics and rituals, violence and delicacy, the body and the spiritual.

«I am honored and delighted to be the first recipient of the 100K Prize from The New Foundation Seattle, an award instituted in recognition of women artists whose work has shown a commitment to social justice,» Ms. Rosler said in a press release.

Although a work by Andreas Gursky, a German photographer, has since displaced Ms Sherman's picture from the top spot, she is still one of the few women artists whose auction prices are in the same ballpark as her male peers.

Fluidity presents 42 works by Carla Lombardi, N. Sarangoulis, Libbie Soffer, and Valetta, women artists whose paths have intertwined in various artistic collaborations.

Representing a generation of artists active since the late 1990s, Body Talk foregrounds six African women artists whose artistic practice is concerned with past and current iconography of social protest and resistance.

Curated by Dr. Michelle Joan Wilkinson, the museum's director of collections and exhibitions, Material Girls celebrates accomplished women artists whose sculptures, installations and mixed - media assemblages incorporate both traditional and unexpected art - making materials.

Chicago, ILL. - September 29, 2015 - Visitors to EXPO Chicago 2015, the International Exposition of Contemporary & Modern Art presenting artwork from 140 leading galleries from around the world that drew thousands to Chicago's Navy Pier earlier this month, had a rare opportunity to view a selection of significant modern and contemporary art by 10 women artists whose work is in the Union League Club of Chicago's private art collection.

Bringing together artists from different parts of the continent, this group exhibition strives to define and articulate notions of feminism and sexuality in the work of women artists whose body (their own or that of others) serves as a tool, a representation or a field of investigation.

[8] Fight Censorship was composed of several women artists whose work focused on eroticism, including Joan Semmel, Judith Bernstein, Hannah Wilke, Juanita McNeely, Barbara Nessim, Eunice Golden, and Joan Glueckman.

This exhibition celebrates accomplished women artists whose works incorporate both traditional and unexpected materials.

Now, Deitch has included a number of younger women artists whose careers have emerged since the last show, like Jamian Juliano - Villani and Chloe Wise.

Leigh A. Arnold curates this group show of «of women artists whose work focuses on challenging traditional gender expectations, role - reversal, and Feminist / post-Feminist sensibilities.»

Women Artists and Surrealism, the show gives a long - overdue recognition to women artists whose work stood out on the Surrealist landscape.

Like many women artists whose careers took off in the 1960s, before second wave feminism had fully taken hold, to a certain extent she suffered from a rather cruel type of double invisibility, overlooked in relation to her male peers — particularly those associated with Pop art — but also not slotting in easily to the politicised feminist networks of the 1970s.

This UK touring exhibition, opening in October 2017, will bring together major women artists whose practice focuses on sound art and music.

Beneath the Surface features Sui Park and D.C. - based Nara Park, two remarkable women artists whose deceptively life - like organic and physical installations bend our perceptions of nature, reality, and human beingsâ $ ™ place in an increasingly superficial world.

«I am honored and delighted to be the first recipient of The 100K Prize from The New Foundation Seattle, an award instituted in recognition of women artists whose work has shown a commitment to social justice,» says Rosler.

This exhibition will include women artists whose work portrays a world of fantasy, fairytales or legends.

Thornton watches a painting by Marlene Dumas climb over the $ 1 million mark — at that point, Dumas was only the third living woman artist whose work had broken the million - dollar ceiling at an auction.

Established in 1993 in recognition of artist Maud Morgan (1903 — 1999), the Prize honors a Massachusetts woman artist whose creativity and vision has made significant contributions to the contemporary arts in the Commonwealth and beyond.

Michael Rosenfeld Gallery is also showcasing a pioneering woman artist whose work has only gained in gusto: its booth of metal and textile sculptures by Barbara Chase - Riboud is not to be missed.

Not exact matches

But new was the artist's social justice embrace of the Black Lives Matter movement — several videos on Lemonade and her song Formation prominently feature black women whose loved ones were killed by police — and thinly - veiled, sordid details of the singer's apparent marital strife.

Solomon is Rihanna's personal chef — yes, that Rihanna: RiRi, island queen, Puma designer, and multiplatinum - selling artist whose most recent album, Anti, had her hailed as one of three black women who radicalized pop in 2016.

Makeup artist James Kaliardos believes that a strong set of arches creates an automatic air of confidence, and a 2013 study seemingly backs up his claims: Scientists discovered that women with «greater facial contrast» — specifically in the eyebrow region — were perceived as «younger» than those whose arches were not cosmetically enhanced.

As Brown's aged, long - estranged mama, Davis — with the aid of terrific star Chadwick Boseman and some pretty expert makeup artists whose numbers Clint Eastwood should find immediately — manages to reinvigorate a set - up familiar from any number of tortured artist - biopics (i.e. absentee parent comes groveling years later to abandoned child - turned - superstar at the peak of his fame) with the same smart, electrifying clarity of character and tender yet tough - minded emotionalism that should be long - recognizable by now to anyone who has seen Doubt or Antwone Fisher or Solaris or Won't Back Down, or else Fences, King Hedley II, or Seven Guitars on Broadway, or, more likely, witnessed Davis» extraordinary, one - woman rescue job on Taylor's The Help.

THE DANISH GIRL, directed by Academy Award winner Tom Hooper, is the remarkable love story inspired by the lives of artists Einar and Gerda Wegener (being portrayed, respectively, by Academy Award winner Eddie Redmayne and Alicia Vikander), whose marriage and work are cast into the unknown when Einar begins a groundbreaking journey to become one of the world's first transgender women, Lili Elbe.

The Danish Girl is the remarkable love story inspired by the lives of artists Einer and Gerda Wegner (portrayed by Eddie Redmayne and Alicia Vikander respectively) whose marriage and work are cast into the unknown when Einer begins a groundbreaking journey to become one of the world's first transgender women, Lili Elbe.

11 Minutes (11 Minut)-- Jerzy Skolimowski, Poland / Ireland North American Premiere A jealous husband out of control, his sexy actress wife, a sleazy Hollywood director, a reckless drug messenger, a disoriented young woman, an ex-con hot dog vendor, a troubled student on a mysterious mission, a high - rise window cleaner on an illicit break, an elderly sketch artist, a hectic paramedics team and a group of hungry nuns: a cross-section of contemporary urbanites whose lives and loves intertwine.

Or one woman, anyway: blue - haired bohemian artist Emma (Léa Seydoux), whose seductive sidelong stare stirs in Adèle a mighty tempest of desire, at once liberating and a little scary.

Tulip Fever (R for nudity and sexuality) Romance drama, set in 17th Century Amsterdam, chronicling an artist's (Dane DeHaan) passionate affair with a married woman (Alicia Vikander) whose portrait he's been commissioned to paint.

Stop me when Lucy Ribchester's debut catches your attention, because it had me from the opening scene, in which trapeze artist Ebony Diamond crashes the Royal Albert Hall in London with a banner that reads, «Votes for Women» — but whose daring act is overshadowed in the newspapers by the sinking of the Titanic.

The Velveteen Daughter reveals for the first time the true story of two remarkable women: Margery Williams Bianco, the author of one of the most beloved children's books of all time - The Velveteen Rabbit - and her daughter Pamela, a world - renowned child prodigy artist whose fame at one time greatly eclipses her mother's.

In a similar spirit, Thorn also posted an article celebrating the first generation of postwar shojo manga artists, the men and women whose work profoundly influenced such Magnificent 49ers as Keiko Takemiya and Moto Hagio.

She delved into etiquette books that warned women not to excel at any one thing, examined the role of artist - fathers and artist - mates, and concluded with the example of Rosa Bonheur, whose success far surpassed that of her impoverished drawing - master father.

The Wein Prize, one of the most significant awards given to individual artists in the United States today, was established in 2006 by jazz impresario, musician and philanthropist George Wein to honor his late wife, a long - time Trustee of the Studio Museum and a woman whose life embodied a commitment to the power and possibilities of art and culture.

From early photo - text pieces, where Wilson dressed as a man who is impersonating a woman, to her performances as First Ladies Nancy Reagan and Barbara Bush, to her most recent works, in which Wilson revisited the framework of her early photo - texts to investigate the role of a woman over 60, Wilson stands as an artist whose strong and humorous voice has endured and remained current through many waves of feminism.

Gestures of cultural understanding are performed by a number of artists whose images reveal complex narratives: Kent Monkman's alter ego Miss Chief Eagle Testickle reclaims a controversial headdress; Aida Muluneh speaks to the struggles and achievements of the African diaspora across history; and Caroline Monnet's scene of women in the film industry highlights an emerging sense of power and self - determination.

This year's turnout of women artists, though, is definitely worth paying attention to, from retrospectives of stalwarts like Louise Bourgeois, Betty Tompkins, and Joyce Pensato to rising stars like Deana Lawson and Nikki Maloof (whose newer work is joined by that of Yayoi Kusama, she of eternal youth).

The artist described how she put herself into the body of each woman whose name appears in the paintings, and in the case of Angry Razel, she said, «I started to see the anger that Razel was not able to take on herself.»

Johnston, the heart of the exhibition, was a geographically sequestered yet ambitious painter whose renderings of life on the homestead embody aspects of the Canadian canon and the peculiar sensitivity of women artists who practiced outside of established norms.

Often nicknamed Mimi Appleseed, after Johnny Appleseed whose dream was for a land where blossoming apple trees were everywhere (even more often just Mimi), Schapiro has opened paths previously closed and unknown to women artists, past and present, trained and untrained.

Women in Holocaust and Genocide» features 30 artists whose art portrays the legacy of the Shoah for Jewish women, as well as female suffering in the former Yugoslavia, Rwanda and DaWomen in Holocaust and Genocide» features 30 artists whose art portrays the legacy of the Shoah for Jewish women, as well as female suffering in the former Yugoslavia, Rwanda and Dawomen, as well as female suffering in the former Yugoslavia, Rwanda and Darfur.

In the spring of 1985, seven women launched the Guerrilla Girls in response to the Museum of Modern Art's exhibition «An International Survey of Recent Painting and Sculpture» [1984), whose roster of 165 artists included only 13 women.

In honour of International Women's Day last month, Invaluable invited seven members of AWAD to choose their favourite artists whose work addresses issues of feminism.

Despite her tragically short life and career, Modersohn - Becker is an artist whose work remains ever - powerful, in particular in relation to the difficulties often faced by women artists in combining a family life with an artistic one.

Ground Floor Gallery's «Women at Work» features three Brooklyn - based woman artists — Natalie Baxter, Paola Citterio, and Leslie Tucker — whose work questions traditionally masculine or feminine labor roles and materials by reinterpreting family histories, consumer culture and politics.

Another woman artist happily gaining more recognition next year is Tacita Dean, whose work is being shown across three London galleries working in collaboration: the National Gallery, National Portrait Gallery, and the Royal Academy of Arts.