Sentences with phrase «women at major museums»

Not exact matches

And to extend that conversation to the art world at large, how many women lead major museums?

Having held the first major museum survey of the artist earlier this year as part of its «Recognition of Art by Women» series, it was at the head of a queue of more than a dozen public institutions waiting to buy Ms Crosby's painstakingly crafted works.

How many women vs. men have had solo shows at major museums like MoMA or LACMA?

EXHIBITION Alma Thomas @ Tang Museum at Skidmore College, Sarasota Springs, N.Y. (Feb. 6 - June 5, 2016): This groundbreaking exhibition assembles major paintings from public and private collections including many rarely shown works by Alma Thomas (1891 - 1978), the first African American woman to have a solo exhibition at the Whitney Museum (1972).

With the showcase at the Whitney, she became one of the first women (along with Loren MacIver and Georgia O'Keeffe) to be given a retrospective at a major New York museum.

Major solo exhibitions include: Louise Bourgeois: Retrospective, Museum of Modern Art, New York, USA, touring (1982 — 1984); Louise Bourgeois: A Retrospective Exhibition, Frankfurter Kunstverein, Frankfurt, Germany, touring (1989 — 1991); American Pavilion, 45th Venice Biennale, Venice, Italy (1993); Louise Bourgeois: Memory and Architecture, Museo Nacional Centro de Arte / Reina Sofia, Madrid, Spain (1999 — 2000); Louise Bourgeois: I Do, I Undo, I Redo, inaugural installation in the Turbine Hall, Tate Modern, London, UK (2000); Louise Bourgeois, Guggenheim Museum Bilbao, Spain (2001 — 2002); Louise Bourgeois at the Hermitage, The State Hermitage Museum, St. Petersburg, Russia, touring (2001 — 2003); Louise Bourgeois: The Insomnia Drawings, The Whitney Museum of American Art, New York, USA (2003); Louise Bourgeois: Retrospective, Tate Modern, London, UK, touring (2007 — 2009); Louise Bourgeois: The Return of the Repressed, Fundación PROA, Buenos Aires, Argentina, touring (2011); Louise Bourgeois, National Gallery of Canada, Ottawa, Canada (2011 — 2013); Louise Bourgeois: Conscious and Unconscious, Qatar Museums Authority, QMA Gallery, Katara, Doha, Qatar (2012); Sammlungshangung Bourgeois, Fondation Beyeler, Basel, Switzerland (2013 — 2014); Artist Rooms: Louise Bourgeois, A Woman without Secrets, Scottish National Gallery of Modern Art, Edinburgh, Scotland (2013 — 2014); Louise Bourgeois: Petite Maman, Museo del Palacio de Bellas Artes, Mexico City, Mexico (2013 — 2014); and Louise Bourgeois: I Have Been to Hell and Back, Moderna Museet, Stockholm, touring (2015).

In 1993 she became the only German woman thus far to have a major show in the Guggenheim Museum; one year later she had a show in the Neue Nationalgalerie in Berlin, the city where she taught for 20 years at the Academy of Arts.

On the eve of the opening of the San Francisco Museum of Modern Art's «Robert Rauschenberg: Erasing the Rules» retrospective, supporters gathered at the museum to pay homage to the art, to the artist and to the woman instrumental in bringing some of the major works to the museum, which owns about 90 RauschenMuseum of Modern Art's «Robert Rauschenberg: Erasing the Rules» retrospective, supporters gathered at the museum to pay homage to the art, to the artist and to the woman instrumental in bringing some of the major works to the museum, which owns about 90 Rauschenmuseum to pay homage to the art, to the artist and to the woman instrumental in bringing some of the major works to the museum, which owns about 90 Rauschenmuseum, which owns about 90 Rauschenbergs.

Once dismissed as «women's work,» quilts made by women from Gee's Bend, now hang in major museums and «feel right at home next to great works of modern art.»

Awaking to the wafting scent of stale cigarette smoke, trembling personal finances, and displaced electrolytes the morning I visited Rochelle Feinstein's major museum retrospective, «In Anticipation of Women's History Month,» I felt it at least bore a resemblance.

Women's contributions in abstract art tend to be overlooked — only in 2016 did the first major exhibition on women in abstract expressionism open at the Denver Art MuWomen's contributions in abstract art tend to be overlooked — only in 2016 did the first major exhibition on women in abstract expressionism open at the Denver Art Muwomen in abstract expressionism open at the Denver Art Museum.

It features more than 100 major works by O'Keeffe, including Jimson Weed, below, from the Crystal Bridges Museum of American Art in Arkansas, which purchased it in 2014 for $ 44.4 million, the most ever paid at auction for the work of a woman artist.

Its timeline of directors includes not a single woman, raising questions about why, exactly, women have had a harder time getting to the top of the proverbial ladder at major museums than men.

This edited version of a mini-retrospective that was previously on view at Guild Hall in East Hampton as well as a trio of college art museums is a vibrant reminder of the major role played by Mercedes Matter, who — along with her friends Elaine de Kooning and Lee Krasner — was one of the pioneer women in the Artists» Club and the WPA movement.

Among the major group shows in which she has participated are Division of Labor: Women's Work in Contemporary Art at The Bronx Museum of the Arts; Bad Girls at the New Museum in New York; World Glass Now «94 at Hokaido Museum of Modern Art in Sapporo, Japan; American Dreams, American Extremes at The Kruithuis Museum in Hertogen Bosch, The Netherlands; and Surface and Structure: Beads in Contemporary American Art at Renwick Gallery of the National Museum of American Art in Washington, D.C..

Art and the Feminist Revolution» and «Global Feminisms») with major projects such as Hauser Wirth & Schimmel's «Revolution in the Making: Abstract Sculpture by Women, 1947 — 2016» (curated by Paul Schimmel and Jenni Sorkin), on view at the Los Angeles gallery through September 4, and «Radical Women: Latin American Art, 1960 — 1985» (curated by Cecilia Fajardo - Hill and Andrea Giunta), opening in 2017 at UCLA's Hammer Museum as part of the Pacific Standard Time: LA / LA initiative.

Women Art Revolution * in 2011 has been screened at major museums internationally, also The Digital Art Museum in Berlin and Siggraph recognized her work with the develop digital art award (d.daa), for Lifetime Achievement Awards.

Given that it is major exhibitions, museum collections and art publications that will define the historical record, it is clear that at the top level of the art world it is pretty much business as usual when it comes to women.

Major group exhibitions include Viva Arte Viva at the 2017 Venice Biennale; Soul of a Nation: Art in the Age of Black Power at Tate, London, and Crystal Bridges Museum of American Art; We Wanted a Revolution: Black Radical Women, 1965 — 85 at the Brooklyn Museum; Radical Presence: Black Performance in Contemporary Art at the Contemporary Art Museum, Houston, and the Studio Museum in Harlem; Now Dig This!

Although it builds upon key resources, such as Ann Eden Gibson's Abstract Expressionism: Other Politics and Marter's 1997 Women and Abstract Expressionism exhibition at the Sidney Mishkin Gallery at Baruch College, Women of Abstract Expressionism is the first exhibition at a major museum with the singular purpose of exploring the contributions women artists made to Abstract Expressionism in AmeWomen and Abstract Expressionism exhibition at the Sidney Mishkin Gallery at Baruch College, Women of Abstract Expressionism is the first exhibition at a major museum with the singular purpose of exploring the contributions women artists made to Abstract Expressionism in AmeWomen of Abstract Expressionism is the first exhibition at a major museum with the singular purpose of exploring the contributions women artists made to Abstract Expressionism in Amewomen artists made to Abstract Expressionism in America.

During her 7 - year tenure at the Virginia Museum of Fine Arts, Yount has brought a greater profile to the American art collection, strengthening it with major purchases and gifts that encompass a wide range of media and artists, especially women and artists of color.

Many one - woman exhibitions include the Museum of Modern Art, the Whitney Museum and a major retrospective at the Los Angeles County Museum of Art which traveled to St. Louis and toured the UK.

One of the Museum's first major purchases, Pablo Picasso's Femme Couchée Lisant (Reclining Woman Reading), 1960, remains as vital to the collection now as it was at the time it was acquired.

Untitled (1984), a remarkable early example of Jaramillo's work with paper - making, will be showcased in the Brooklyn Museum's major exhibition We Wanted a Revolution: Black Radical Women 1965 — 85 at Brooklyn Museum, New York.

She has contributed to multiple major catalogues, including Art of Two Germanys / Cold War Cultures (Los Angeles County Museum of Art, 2009), The Geometry of Hope: Abstract Art from the Patricia Phelps de Cisneros Collection (Blanton Museum of Art at University of Texas and Grey Gallery, NYU, 2007), Reality Bites: Making Avant - Garde Art in Post-Wall Germany (Mildred Lane Kemper Museum, Washington University, 2007), and Inside Out Loud: Visualizing Women's Health in Contemporary Art (Mildred Lane Kemper Museum, Washington University, 2005).

Women are gaining recognition from what Suzanne Gyorgy, head of art advisory and finance at New York - based Citigroup Inc.'s Citi Private Bank, called «thoughtful, groundbreaking exhibitions» at major museums.

During Art Basel she was selected to curate a major work at the prestigious Vizcaya Museum and Gardens, a National Historic Landmark in Miami, and chose to bring to life the its imagery by having live mermaids swim around the barge, as women dressed as their statuary sang to them.

When I spoke to Chicago last year, she pointed out: «The monographs on artists, permanent collections and major exhibitions are really the path into history, and that's what is important to look at, and not be deceived by the many women showing at entry level in smaller and regional museums and galleries.»

Woodman was given a major retrospective at the Metropolitan Museum of Art in New York in 2006, the first time a living woman and a working ceramicist had been so honoured.

In their first year, the Girls created tallied lists of critics who didn't write enough about women artists (including, at the time, Roberta Smith), and the amount of solo exhibitions of women at four major New York museums (one at the Museum of Modern Art, and none at the Guggenheim, Metropolitan or Whitney).

[4] In 1990, Simpson had one woman exhibitions at several major museums, including the Denver Art Museum, Denver, Colorado, the Portland Art Museum, Portland, Oregon, and the Museum of Modern Art, New York.

The Crystal Bridges Museum of American Art will soon announce major purchases that fill gaps in its collection and fulfill its mission to include more women in the canon of American art: Jasper Johns's renowned «Flag» painting from 1983, which the museum bought at Sotheby's in November for $ 36 million (outlasting three other ardent bidders), and four works by Louise Bourgeois, including her monumental bronze, steel and marble spider sculpture «Maman.&Museum of American Art will soon announce major purchases that fill gaps in its collection and fulfill its mission to include more women in the canon of American art: Jasper Johns's renowned «Flag» painting from 1983, which the museum bought at Sotheby's in November for $ 36 million (outlasting three other ardent bidders), and four works by Louise Bourgeois, including her monumental bronze, steel and marble spider sculpture «Maman.&museum bought at Sotheby's in November for $ 36 million (outlasting three other ardent bidders), and four works by Louise Bourgeois, including her monumental bronze, steel and marble spider sculpture «Maman.»

«If you look at local institutions for grad school, they're comprised mostly of women getting master's and Ph.D. s in art history, but as of 2014, women are running only 25 percent of major U.S. museums, according to U.S. News and World Report.

In 1999, Stevens had a major retrospective exhibition at the Museum of Fine Arts, Boston, entitled Images of Women Near and Far 1983 - 1997, the museum's first exhibition of its kind for a living female aMuseum of Fine Arts, Boston, entitled Images of Women Near and Far 1983 - 1997, the museum's first exhibition of its kind for a living female amuseum's first exhibition of its kind for a living female artist.

In 1972, Thomas - now deceased - became the first black woman to have her artwork displayed at a major museum with an exhibit at the Whitney Museum of American Art in New Yorkmuseum with an exhibit at the Whitney Museum of American Art in New YorkMuseum of American Art in New York City.

A major retrospective was held at the Museo Nacional Centro de Arte Reina Sofia in Madrid which was later exhibited at the National Museum of Women in the Arts in Washington D.C. the following year.

Huiles sur toile et Pastels Galerie Jean Fournier, Paris (catalogue) Joan Mitchell: Pastels Les Cordeliers Châteauroux Joan Mitchell: Selected Paintings and Pastels 1950 — 1990 Manfred Baumgartner Galleries, Inc., Washington, D.C. 1994 Pastels Galerie Jean Fournier, Paris Joan Mitchell»... my black paintings...» 1964 Robert Miller Gallery, New York (catalogue) Joan Mitchell: Oeuvres de 1951 à 1982Musée des Beaux - Arts de NantesJoan Mitchell: les dernières années, 1983 - 1992 Galerie Nationale du Jeu de Paume, Paris (catalogue) Works on Paper Montgomery — Glasoe Gallery, Minneapolis Joan Mitchell in Vétheuil Newport Harbor Art Museum, Newport Beach 1993 83rd Annual Exhibition: Joan Mitchell Maier Museum of Art, Randolph — Macon Woman's College, Lynchburg (catalogue) Galerie Ulrike Barthel, Bremen Joan Mitchell: 26 Farbige Radierungen, 1972 — 1989 Galerie Daniel Blau, Munich Joan Mitchell 1992 Robert Miller Gallery, New York (catalogue) Joan Mitchell Prints and Illustrated Books: A Retrospective Susan Sheehan Gallery, New York Joan Mitchell: Etchings and Lithographs Pace Prints, New York 1992 New Prints Bobbie Greenfield Fine Art, Venice Le Fonds Régional d'Art Contemporain (FRAC) de Haute - Normandie & l'Association des Amis du Château d'Etalan, Château d'Etalan, Saint - Maurice - d'Etelan Galerie Jean Fournier, Paris Trees & Other Paintings, 1960 to 1990 Laura Carpenter Fine Art, Santa Fe Joan Mitchell: Pastels Whitney Museum of American Art, New York Joan Mitchell: Recent Lithographs Susan Sheehan Gallery, New York Joan Mitchell: Sunflowers and Trees Series Tyler Graphics, Mt. Kisco 1991 Robert Miller Gallery, New York (catalogue) 1990 Joan Mitchell: Paintings and Drawings Barbara Mathes Gallery, New York Joan Mitchell: Champs Galerie Jean Fournier, Paris 1989 Robert Miller Gallery, New York (catalogue) 1988 Joan Mitchell: Selected Paintings Spanning Thirty Years Manny Silverman Gallery, Los Angeles (catalogue) The Paintings of Joan Mitchell: Thirty - Six Years of Natural Expressionism organized by Judith Bernstock and the Herbert F. Johnson Museum of Art, Cornell University, Ithaca; traveled to: Corcoran Gallery of Art, Washington, D.C.; San Francisco Museum of Modern Art, San Francisco; Albright Knox Art Gallery, Buffalo; La Jolla Museum of Contemporary Art, La Jolla (catalogue) 1987 Joan Mitchell: Peintures, 1986 et 1987 - River, Lille, Chord Galerie Jean Fournier, Paris (catalogue) 1986 An Exhibition of Paintings and Works on Paper Keny & Johnson Gallery, Columbus Joan Mitchell: New Paintings Xavier Fourcade Inc., New York (catalogue) 1985 Joan Mitchell: The Sixties Xavier Fourcade Inc., New York (catalogue) 1984 La Grande Vallée et autres peintures Galerie Jean Fournier at the Foire Internationale d'Art Contemporain, Grand Palais, Paris Joan Mitchell — La Grande Vallée Galerie Jean Fournier, Paris (catalogue) 1983 Joan Mitchell: New Paintings Xavier Fourcade Inc., New York 1982 Choix des peintures, 1970 — 1982 Musée d'Art Moderne de la Ville de Paris, Paris (catalogue) 1981 Paintings and Works on Paper Janie C. Lee Gallery, Houston Joan Mitchell: New Paintings Xavier Fourcade, Inc., New York Gloria Luria Gallery, Bay Harbor 1980 Galerie Jean Fournier, Paris Joan Mitchell: Major Paintings Richard Hines Gallery, Seattle Joan Mitchell: The Fifties, Important Paintings Xavier Fourcade Inc., New York 1979 Gallery Paule Anglim, San Francisco 1978 Galerie Jean Fournier, Paris Webb and Parsons Gallery, Bedford Village New Paintings and Pastels Ruth S. Schaffner Gallery, Los Angeles 1977 Joan Mitchell: New Paintings, 1977 Xavier Fourcade, Inc., New York 1976 Joan Mitchell: New Paintings, 1976 Xavier Fourcade, Inc., New York (catalogue) Galerie Jean Fournier, Paris 1974 Joan Mitchell: Recent Paintings The Arts Club of Chicago, Chicago Whitney Museum of American Art, New York (catalogue) 1973 Ruth Schaffner Gallery, Santa Barbara 1972 My Five Years in the Country: An Exhibition of Forty - Nine Paintings by Joan Mitchell Everson Museum of Art, Syracuse, New York (catalogue) My Five Years in the Country: An Exhibition of Forty - Nine Paintings by Joan Mitchell Martha Jackson Gallery, New York 1971 Galerie Jean Fournier et Cie, Paris 1969 Galerie Jean Fournier et Cie, Paris 1968 Joan Mitchell: Recent Paintings Martha Jackson Gallery, New York 1967 Galerie Jean Fournier et Cie, Paris 1965 Stable Gallery, New York 1962 Joan Mitchell: Ausstellung von Ölbildern Galerie Klipstein und Kornfeld, Bern Galerie Jacques Dubourg, Paris Galerie Lawrence, Paris Paintings by Joan Mitchell The New Gallery, Hayden Library, Massachusetts Institute of Technology, Cambridge (catalogue) 1961 Joan Mitchell: Paintings 1951 — 1961 Mr. and Mrs. John Russell Mitchell Gallery, Southern Illinois University, Carbondale Dwan Gallery, Los Angeles Recent Paintings by Joan Mitchell Stable Gallery, New York Holland - Goldowsky Gallery, Chicago 1960 Galleria dell «Ariete, Milan Gallery Neufville, Paris 1958 Stable Gallery, New York 1957 Stable Gallery, New York 1955 Stable Gallery, New York 1954 Stable Gallery, New York 1953 Stable Gallery, New York 1952 New Gallery, New York (catalogue) 1950 Paintings by Joan Mitchell St. Paul Gallery and School of Art, St. Paul Paintings by Joan Mitchell Bank Lane Gallery, Lake Forest Solo Exhibition Home of Mrs. George Roberts, Lake Forest, Illinois 1943 Solo exhibition Francis Parker School, Chicago

Like all black women making art at the time, Ringgold's work was excluded from the city's major galleries and museums and she responded by organizing protests against the Whitney Museum of American Art and the Museum of Modern Art.

Several major museum retrospectives of woman artists have recently been on view or are in the works in New York alone, including Elizabeth Murray at MoMA (last year); Kiki Smith (through February 11) and Lorna Simpson (March 1 through May 6) at the Whitney Museum of American Art; and Eva Hesse (last summer) and Louise Nevelson (May 5 through September 16) at the Jewish Mmuseum retrospectives of woman artists have recently been on view or are in the works in New York alone, including Elizabeth Murray at MoMA (last year); Kiki Smith (through February 11) and Lorna Simpson (March 1 through May 6) at the Whitney Museum of American Art; and Eva Hesse (last summer) and Louise Nevelson (May 5 through September 16) at the Jewish MMuseum of American Art; and Eva Hesse (last summer) and Louise Nevelson (May 5 through September 16) at the Jewish MuseumMuseum.