The Guardian writes about the need for awards for
women authors of color, stating that the prizes «provide a platform on which to unite and force change.»
Not exact matches
It is this combination
of structural and cultural supports for child - rearing that the
authors wish to recover, without losing the gains won in the past 30 years for
women and people
of color.
Directed by Marie Fortune, a pastor and
author of Sexual Violence, The Unmentionable Sin: An Ethical and Pastoral Perspective (Pilgrim Press, 1983), the Center has developed resources for congregational study and action, including a study guide for teen - agers on preventing sexual abuse, a monograph on violence against
women of color, and a manual for congregational use in discovering and developing community resources on family violence.
In Forgive Us,
authors Soong - Chan Rah, Mae Elise Cannon, Lisa Sharon Harper, and Troy Jackson provide historical information, reflection, and prayers around Christianity's complicity in sins against God's creation, indigenous people, African Americans and people
of color,
women, the LGBTQ community, immigrants, Jews and Muslims.
The finding prompted the
authors to launch plans to establish a forum on diversity and inclusion that includes leadership roles for LGBT individuals, people
of color,
women, and people with disabilities — and recognizes the role
of overlapping identities.
With the magic
of photoshop, the
authors changed the
color of the clothed chest area in the
women's photos every 12 weeks, rotating randomly through the
colors red, black, white, yellow, blue or green.
In 2015, only 15 %
of children's books were written by African - American or Latino
authors, or focused on African - American or Latino characters» Over 80 %
of public school teachers nationally are White
women, though a majority
of public school students are people
of color.
Paulette Jiles is a poet and the
author of Cousins, a memoir, and the bestselling novels Enemy
Women, Stormy Weather, and The
Color of Lightning.
This volume features 20 self - identified female
authors writing about intersectionality, including
women of color, disabled, transgender, and GLB / GSD (Gender and Sexual Diversities).
Knowing that there are people out there who are going to not only sneer at anything I write just because I'm female (and prone to writing heroines
of color,
women in positions
of power, and queer people), but who will actively work to shout down anything I and
authors like me try to do.
Appearances: Willow Books
Authors on Tour (nationwide); Furious Flower Conference, James Madison University; George Mason University; Associated Writing Programs (AWP); Midwest Modern Language Association (MMLA); Society for the Study
of Midwestern Literature (SSML) / Michigan State University; Split This Rock; Poets House; Pratt
Women of Color collection; University
of New Haven Reading Series; Winter Wheat Festival, Grand Valley State U. (w / Aquarius Press); Carr Center, Detroit; Annual LitFest (nationwide) Recent Special Appearances: Cave Canem / Willow Books New York Reading; Thurgood Marshall Ctr.
Mosaics Volume One features twenty self - identified female
authors writing about Intersectionality, including
women of color, and members
of the disability, trans, and GLB / GSD * (Gender and Sexual Diversities) communities.
We strive to publish quality writing, focusing on
authors and subjects historically neglected by mainstream publishers, including
women, people
of color,
authors with disabilities, and LGBT
authors.
Multiple
women came forward about each
author to share sordid stories
of sexual harassment, inappropriate remarks aimed at and in front
of children, and racist remarks about fellow
authors who happen to be people
of color.
- Kirkus «This new novel by the
author of the popular debut Hotel on the Corner
of Bitter and Sweet paints a many -
colored entangled double portrait
of a young boy and a
woman.
Cynthia Simmons,
author of Anything, My Love, worked with Lorenz and received nearly a two page write up and
color photo in
Women's World.
When female
authors write under male pen names (or just use their gender ambiguous initials); when you call grown
women girls; when you describe a medical procedure in sensational and inaccurate language; when you write about people
of color using only food - based descriptors you're doing your audience a disservice and, in the end, damaging our society as a whole.
In the 1980s, just as
women and artists
of color were starting showing more, the big new theory
of the day proclaimed that the
author was dead.
Glenn is
authoring and editing a fully - illustrated catalog to accompany the exhibition, which features an intergenerational selection
of 24 artists,
women of color whose works stray from traditional interpretations and expectations
of abstraction.
They include Paulette Brown
of Edwards Angell Palmer & Dodge, who co-authored the landmark 2006 report, Visible Invisibility:
Women of Color in Law Firms; R. Ted Cruz
of Morgan, Lewis & Bockius, the first Hispanic to be Texas solicitor general and
author of more than 70 Supreme Court briefs; John W. Daniels
of Quarles & Brady, one
of the first African - Americans to lead a top U.S. firm; Keith M. Harper
of Kilpatrick Stockton, a Cherokee who heads his firm's Native American affairs practice group; Patricia Menendez - Cambo, co-chair
of Greenberg Traurig's global practice group; General Mills GC Roderick A. Palmore, who, as GC at Sara Lee, spearheaded the Call to Action urging corporate law firms to diversify; and Anthony D. Romero, executive director
of the ACLU.