Sentences with phrase «women choreographers»
In a discussion about women choreographers, the Guardian describes «a gender imbalance so egregious, and of such long standing, that it shames the British dance establishment.»
https://blog.nmwa.org/
As the producer of this series which originated as a forum for the presentation of new work by women choreographers for the pointe shoe, it's exciting to see this new added element of collaboration with women artists within the realm of ballet.
Inaugurated in 2012 CounterPointe is focused on the presentation of new works by women choreographers for the pointe shoe.
For this, its fourth iteration, 7 women choreographers have been paired with 7 Brooklyn based women visual artists to collaborate and create both a new physical and visual work by each — investigating the process of creation, inspiration and development.
The Second Annual CounterPointe performances will feature the work of seven women choreographers, all who make work on pointe.
Norte Maar announces a call for choreographers for its 4th Season of CounterPointe: women choreographers making new work with the pointe shoe, April 8 - 10, 2016 at the Actor's Fund Arts Center, Brooklyn.
Norte Maar (Brooklyn, NY) joins forces with The Broadway (Barking, UK) to present the 2nd edition of CounterPoint an important series, which originated as a collaboration with Brooklyn Ballet to present a forum for women choreographers working with the pointe shoe to show and discuss their work.
Norte Maar in collaboration with Brooklyn Ballet opens a call for CounterPointe3 the returning performing series featuring emerging and established women choreographers making new work for pointe.
This annual curated performance series features new work by women choreographers for pointe.
Norte Maar in collaboration with Brooklyn Ballet presents CounterPointe a new performance series featuring emerging and established women choreographers making new work on pointe.
Norte Maar announces a call for choreographers for its 5th Season of CounterPointe: new work by women choreographers and their collaborations with artists, April 7 - 9, 2017 at the Actor's Fund Arts Center, Brooklyn.
Interested women choreographers should have a track record of presenting work and for this edition of CounterPointe, must have interest in collaborating with a visual artist.
The first woman choreographer to receive the coveted MacArthur «genius» grant (in 1991) Brown was honoured with nearly every award available to contemporary choreographers.
Not exact matches
When we sat down with the actress, dancer, and Emmy Award - winning choreographer at SpeakEndo — a campaign that provides women with much - needed info about endometriosis — to talk about how she's managing her symptoms, we were excited to hear that she's fascinated by natural medicine.
From Health magazine A wise woman (choreographer Martha Graham, actually) once said, «Dance is the hidden language of the soul.»
A young woman behind me said to a well - known choreographer: «I just wrote about you in my grad school application... I mean, I don't even know if I want to go to grad school, but it's, like, so hard out here.»
She is an advocate for women in ballet, producing annual CounterPointe performances in NY and London and mentors young choreographers each summer in Dance at Socrates in NYC.
Norte Maar in collaboration with Brooklyn Ballet announces an open call for choreographers for the return of CounterPointe, a new series presenting choreography by women dance makers working with the pointe shoe.
Previous winners of the Meadows Prize were Grammy - winning contemporary music ensemble eighth blackbird and New York - based public arts organization Creative Time (2010); playwright and performer Will Power and choreographer Shen Wei, artistic director of New York - based Shen Wei Dance Arts (2011); Tony - winning playwright and screenwriter Enda Walsh and choreographer Michael Keegan - Dolan, artistic director of Dublin - based Fabulous Beast Dance Theatre (2012); violist Nadia Sirota and socio - political artist Tania Bruguera (2013); and choreographer and founder of Urban Bush Women Jawole Willa Jo Zollar (2014).
In Peru she was gathering mushrooms from the ruins of Machu Picchu when she encountered a woman who turned out to be the founder of the New York Mycological Society; this led to an invitation to join the Society's next «mushroom walk» in upstate New York, on which Helene met the composer John Cage, the dancer and choreographer Merce Cunningham and the artist Jasper Johns.
The South - East Asian archipelago is a matrix of socio - political memory in the Batik works of Yee I - Lann, while the repetitive hand gestures of rural women ceramics - makers form a movement - score in the work of Tunisian choreographers Selma and Sofiane Ouissi.
Founded in 1984 by choreographer Jawole Willa Jo Zollar, Urban Bush Women (UBW) seeks to bring the untold and under - told histories and stories of disenfranchised people to light through dance from a woman - centered perspective and as members of the African Diaspora community.
Gaines subsequently tested the limits of representation by dropping the formulas to map tree growth, leaf accumulation, and kinetic motion with pencil - marked gridworks abstracted from portraits («Faces: Men and Women,» 1978) and photos of household objects («Shadows,» 1980), trees («Walnut Tree Orchard,» 1975 — 2014; «Falling Leaves,» 1978 — 79; and the flourescent acrylic paint and sheet series «Numbers and Trees,» 1986 — 89), even timed three - second intervals tracking the graceful turns of the iconic postmodernist choreographer and dancer Trisha Brown («Motion: Trisha Brown Dance,» 1980 — 81).
The annual series presents new work by women dance makers working with the pointe shoe; the choreographers are paired with a visual artist.
Past women to be honored by MOCA include art collector Beatrice Gersh, choreographer Twyla Tharp, actress Anjelica Huston and artists Barbara Kruger, Yoko Ono and Annie Leibovitz.