Not exact matches
Part of this
collection are the vibrant, vivid,
darker, and brighter tones as well as lighter, softer and pastel hues that make a
women fall in love with the treasury.
Mad Max: Fury Road has an eclectic
collection of keywords listed on its main IMDb page like: «desert,» «feminism,» «pregnant
woman,» «exploding car,» «peak oil,» and «
dark future.»
As a material «insensibl [e] to contradiction», wax's ability to take imprints of the unique landmarks of the skin connects it to strategies of surveillance and data
collection that measure visual, behavioural or chemical characteristics, connecting Hershman Leeson's hotel tableau to her later invented character.14 The artist described Roberta Breitmore as «my flippant effigy» and «a
dark, shadowy, animus cadaver».15 Similarly, The Dante Hotel was for the artist simultaneously a scene of death and «a means of survival».16 As such Thek's and Hershman Leeson's volatile effigies connect two very different bodies of work and different political movements — the counterculture, gay rights,
women's liberation — to make visible the restraints placed on the subject.
The works in this
collection are supremely imaginative in both form and content: from the semi-autobiographical novel painted by a young artist who died in the Holocaust (Charlotte Salomon) to Alison Knowles» computer - generated chance operation for «imagining» houses and their inhabitants; from the pseudo-scientific examination of a conversation between a mother and a daughter (Eleanor Antin) to the
dark, comic interrogation of violence against
women (Sue Williams); from the transformations of newspaper headlines (Suzanne Treister) to the probing of animal consciousness (Cole Swensen & Shari De Graw); from the body maps drawn by South African women with AIDS (Bambanani Women's Group) to the alchemical transformation of the pregnant body into an evolving landscape and philosophical meditation (Susan Hil
women (Sue Williams); from the transformations of newspaper headlines (Suzanne Treister) to the probing of animal consciousness (Cole Swensen & Shari De Graw); from the body maps drawn by South African
women with AIDS (Bambanani Women's Group) to the alchemical transformation of the pregnant body into an evolving landscape and philosophical meditation (Susan Hil
women with AIDS (Bambanani
Women's Group) to the alchemical transformation of the pregnant body into an evolving landscape and philosophical meditation (Susan Hil
Women's Group) to the alchemical transformation of the pregnant body into an evolving landscape and philosophical meditation (Susan Hiller).