Other rules were obviously nothing more than to subjugate
women in a patriarchal society.
In addition to the inherently religious and spiritually transcendent depiction of Joan's (Renée Marie Falconetti) tragic and uncompromising ultimate sacrifice, Dreyer's humanist sentiment also transforms The Passion of Joan of Arc into a socially relevant and harrowing reflection of the senseless persecution of
women in a patriarchal society.
Through various mediums, the exhibiting artists in the show have used the female body and femininity as a way to subvert the dominance often inflicted on
women in a patriarchal society.
Not exact matches
However powerless the
woman may be
in relation to other social forces
in a
patriarchal society, she is powerful
in relation to the fetus.
The accusation that the Church by the masculine nature of the language it has used of God has for centuries reflected and reinforced a
patriarchal society, which has shut out female forms of self - representation and seen
women in terms of male desire, is hard to refute.
The point is, our first glimpses into a
patriarchal society, even one
in which Yahweh is God, reveal inequity and violence against
women.
No, because yesterday
in the group discussion,
women complained that all traditional
societies were
patriarchal in character and were oppressive of their personhood.
In the strongly
patriarchal society of Islam,
women don't really have a choice but to bend to the husbands desires and stay pregnant throughout the breeding years.
When I looked at his full ministry — how he praised and esteemed
women in leadership
in the Church, how he turned household codes within a
patriarchal society on their head, how he used feminine metaphors, how he subverted the systems, how he passionately defended equality — the verses that used to clobber me began to embrace me.
The homes and family were basically that the only spheres were
women could play significant roles
in early judaism.4 The dominant impression left by our early Jewish sources is of a very
patriarchal society that limited
women's roles and functions to the home, and severely restricted: (1) their rights of inheritance, (2) their choice of relationships, (3) their ability to pursue a religious education or fully participate
in the synagogue, and (4) their freedom of movement.5
It is evident from the history of Judaism that the
society was always
patriarchal in nature
in which
women were treated as subordinate beings.
The message of «sexual equality» and «
woman power» is absolutely a message for the universe and has more relevance
in the
patriarchal and androcentric context of India to make a paradigm
society.
It has supported the
patriarchal structure of human
society in ways that have dehumanized
women, treating them as instruments for the satisfaction of men's desires and as responsible for men's sins.
In a
patriarchal society, it is common that
women are not allowed to have a personal sense of sexuality.
Zeckle asked:
In Christianity, we have various views on women and their roles in society and faith — ranging from a very hierarchical, patriarchal view to egalitarian; does Islam have a wide range of views of women as Christianity doe
In Christianity, we have various views on
women and their roles
in society and faith — ranging from a very hierarchical, patriarchal view to egalitarian; does Islam have a wide range of views of women as Christianity doe
in society and faith — ranging from a very hierarchical,
patriarchal view to egalitarian; does Islam have a wide range of views of
women as Christianity does?
I suppose that is why the ordination of
women is finally, for me, an, inadequate expression of the essence of feminine theology, just as obtaining the vote
in patriarchal societies proved illusory
in terms of granting
women civil liberties at the beginning of the century.
Many
women who espouse the prolife position do so, at least
in part, because they have internalized
patriarchal values and depend on the sense of identity and worth that comes from having accepted «
woman's place»
in society.
I understand that many Muslim
women are not
in my same position, and that there are large
patriarchal undertones within Muslim cultures, but
society evolves.
Men, especially
in the MGTOW (men going their own way) movement, love to blast
women for believing — they'd say demanding — a fairy - tale romance, forgetting that those fairy tales were written by men, turned into movies by men (hello, Walt Disney) and are stories that model what a
patriarchal society expects from
women — to be «good girls,» people - pleasers and dependent on men.
That's arguably the most prolific downfall of identifying as a
woman in a predominantly
patriarchal society: we can't just simply exist.
For far too long,
women have been silenced by
patriarchal societies in most cultures, if not all.
But it is needed to wish Russian
women greater confidence
in the forces and not only claimed by
society of all various talents of the Russian
women but also (
in spite of
patriarchal relapses) adequate high estimation of all these qualities.
Even Russian
women that come from traditional and
patriarchal society are shocked by male domination
in Japan.
Delicately wrought yet impactful, she fully embodied the vulnerability and tenacity of a
woman pushed to challenge status quo
in a
patriarchal society.
Winslet is wonderful as De Barra, a beautiful, plain - spoken
woman quite able to hold her own
in a male - dominated profession (and overwhelmingly
patriarchal society) and unafraid to get down
in the dirt and muck to make her own dreams happen.
Kira also gets to deliver a fiery speech to a group of
women that feels right out a
women's lib playbook of the early 1970s era, though, while an amusing scene, it feels wildly out of place for the character who had never shown an inkling of resistance to the
patriarchal society of apes that takes place
in the future (i.e., her past).
Hungry for Love / Adua e le compagne Antonio Pietrangeli, 1960, Italy, 35 mm, 106m Italian with English subtitles A trio of iconic European actresses — Simone Signoret, Emmanuelle Riva, and Sandra Milo — headline this potent, proto - feminist portrait of down - and - out
women fighting to beat the odds
in a
patriarchal society.
The theme of illness
in the film becomes a terrain on which to contest the function, desirability and validity of a
woman's selfhood
in a
patriarchal society that constrains how she presents herself and processes her emotions.
While the
society depicted
in When She Woke is strongly
patriarchal women still yield power.
Leni Zumas refers to her protagonists by these descriptors, invoking the reductive distance from which
women are viewed
in a
patriarchal society: «That's someone's daughter.»
In their book Old Mistresses: Women, Art and Ideology (1981), Griselda Pollock and Rozsika Parker wrote that, «Women artists have always existed, but because of the economic, social and ideological effects of sexual difference in western, patriarchal culture, women have spoken and acted from a different place within that society and culture»
In their book Old Mistresses:
Women, Art and Ideology (1981), Griselda Pollock and Rozsika Parker wrote that, «Women artists have always existed, but because of the economic, social and ideological effects of sexual difference in western, patriarchal culture, women have spoken and acted from a different place within that society and culture&ra
Women, Art and Ideology (1981), Griselda Pollock and Rozsika Parker wrote that, «
Women artists have always existed, but because of the economic, social and ideological effects of sexual difference in western, patriarchal culture, women have spoken and acted from a different place within that society and culture&ra
Women artists have always existed, but because of the economic, social and ideological effects of sexual difference
in western, patriarchal culture, women have spoken and acted from a different place within that society and culture»
in western,
patriarchal culture,
women have spoken and acted from a different place within that society and culture&ra
women have spoken and acted from a different place within that
society and culture».
Feminist or not, the artists
in Radical
Women explored female subjectivity and subverted patriarchal ideology and culturally and biologically determined roles of women in soc
Women explored female subjectivity and subverted
patriarchal ideology and culturally and biologically determined roles of
women in soc
women in society.
A white neon sculpture entitled Ring, reads «imprison her soft hands»
in the shape of a circle, referencing an unbreakable bind, a wedding ring, and
patriarchal society's expectations that
women be pure and chaste.
She was dealing with coming out of this very
patriarchal society, she was exorcising her personal demons throughout her life, and as a
woman, more than many of the others, she achieved a great deal of success, but not until relatively later
in life.
In the cleverly named piece, «Spit / Swallow» (2016), the flashing neon sculpture depicts how women vacillate between submission and rebellion in patriarchal societ
In the cleverly named piece, «Spit / Swallow» (2016), the flashing neon sculpture depicts how
women vacillate between submission and rebellion
in patriarchal societ
in patriarchal society.
The terms «monster» and «madwoman» are semantically similar
in that they both constitute the language of misogyny designed to denigrate
women who rebel against the «strictures of
patriarchal society.»