Unfortunately, current tropes seem to dictate that
women in the audience like love triangles (even when we all knew in the Twilight series, for example, that Bella Swan was always in love with Edward Cullen whereas Jacob Black was never more to her than just a very good friend).
Not exact matches
Staying authentic to that image — that of an entertainer, mother, and
woman of humble beginnings
in a struggling Puerto Rican family from the Bronx — is important, much
like for any product, and it's key to reaching a bigger
audience of potential customers.
Naturally, when you preach a sermon
like this to a group of people who think God hates filthy Gentile
women and leprous enemy soldiers, and that God's ultimate goal for such people is to kill them and send them to burn forever
in hell, you will not be the most popular teacher that this particular
audience has ever had.
It tempts the
audience in the best way possible, and Donnelly has overheard them debating whether or not to give
in: «These two
women were
like, «Oh.
NOW WE CLEARLY UNDERSTAND THE EXTENT OF DEMENTIA
IN AMERICA Dale Benjamin Drakeford 8-31-12 When Clint Eastwood, a self - proclaimed «conservative» (who has lived more like a Joseph Smith liberal spurning nine children with four different women, sporting a clinch fisted personae in his private exenterates over public exhibitions) talks vulgar to an empty chair, Marco Rubio (a small government advocate who loss his roots somewhere between caffeine - free tea and a caffeine rich Cuban cigar) slips Freudian to advocate «large government» in a failed attempt to wax brilliant but came off bane (pun intended) to the capitalization of the nation, Paul Ryan can lie and demonize his role against the truth until his nose is a foot long and not one member of his audience will notice, and Mitt Romney can anecdote on his personal family, business and church goings on as oppose to his solutions for unemployment, banking corruption, housing displacement, militarism, planetary illness and international human rights unrest, we can clearly understand the extent of dementia in Americ
IN AMERICA Dale Benjamin Drakeford 8-31-12 When Clint Eastwood, a self - proclaimed «conservative» (who has lived more
like a Joseph Smith liberal spurning nine children with four different
women, sporting a clinch fisted personae
in his private exenterates over public exhibitions) talks vulgar to an empty chair, Marco Rubio (a small government advocate who loss his roots somewhere between caffeine - free tea and a caffeine rich Cuban cigar) slips Freudian to advocate «large government» in a failed attempt to wax brilliant but came off bane (pun intended) to the capitalization of the nation, Paul Ryan can lie and demonize his role against the truth until his nose is a foot long and not one member of his audience will notice, and Mitt Romney can anecdote on his personal family, business and church goings on as oppose to his solutions for unemployment, banking corruption, housing displacement, militarism, planetary illness and international human rights unrest, we can clearly understand the extent of dementia in Americ
in his private exenterates over public exhibitions) talks vulgar to an empty chair, Marco Rubio (a small government advocate who loss his roots somewhere between caffeine - free tea and a caffeine rich Cuban cigar) slips Freudian to advocate «large government»
in a failed attempt to wax brilliant but came off bane (pun intended) to the capitalization of the nation, Paul Ryan can lie and demonize his role against the truth until his nose is a foot long and not one member of his audience will notice, and Mitt Romney can anecdote on his personal family, business and church goings on as oppose to his solutions for unemployment, banking corruption, housing displacement, militarism, planetary illness and international human rights unrest, we can clearly understand the extent of dementia in Americ
in a failed attempt to wax brilliant but came off bane (pun intended) to the capitalization of the nation, Paul Ryan can lie and demonize his role against the truth until his nose is a foot long and not one member of his
audience will notice, and Mitt Romney can anecdote on his personal family, business and church goings on as oppose to his solutions for unemployment, banking corruption, housing displacement, militarism, planetary illness and international human rights unrest, we can clearly understand the extent of dementia
in Americ
in America.
I also
like the fact that this pretty young
woman looks completely natural and I don't believe she was thinking about an
audience when she got ready
in the morning.
All the
women in the
audience unanimously agreed that they
like a man with a plan.
While apps
like Tinder may be associated with younger
audiences, there are plenty of options for those
in search of mature... think both men and
women make...
Its story of a sadistic plutocrat who
likes to punish
women in his sex dungeon and insist that they sign nondisclosure agreements accounts for millions of book sales and a billion - dollar movie franchise, consumed eagerly by an enthusiastic female
audience.
It's maybe not the movie for
audiences who absolutely insist on a plot — The Guardian,
in a 4/5 review, calls it «a film about nothing specific» — but if you're willing to just give yourself over to the experience, 20th Century
Women looks
like a warmhearted dramedy.
Of course, as The A.V. Club reported last year,
women made up the majority of movie
audiences for the fourth year
in a row
in 2013, and they
like action - packed superhero movies, though they prefer them with female protagonists.
Warners is hoping that more of those older female Wonder
Woman fans come out, just
like they did for her June solo outing: Females over 25 are giving Justice League its best grades at 90 %, but they're still
in the minority among the pic's headcount repping only 18 % of the
audience.
The best is a hallucinogenic striptease (by «veteran con» Rosalba Neri) before a high society crowd that plays
like how a lot of Eyes Wide Shut probably should have played: erotic, charged with class schisms and the toll of exploitation on all
women, even those
in the
audience.
Female - fronted comedies have been big business
in recent years, with movies
like Bridesmaids pulling
in huge box office and a new generation of comedy stars
like Melissa McCarthy redefining what
audiences expect from
women comedians.
But
in an industry that believes, against a continuously growing mountain of recent contradictory evidence, that
women are not a significant enough portion of the
audience for the action genre to pander to or even acknowledge, statements
like these are very easily twisted to support the status quo.
The fact that films
like «Get Out,» «Wonder
Woman,» and «Call Me by Your Name» struck such powerful chords with
audiences and critics alike — and are
in the awards mix — speaks to a hunger for the kind of inclusion Hollywood has been sorely lacking for, well, ever.
SPC is looking to
women across age ranges to form the film's core
audience,
in addition to people who «
like traveling abroad or aren't able to travel abroad,» according to Barker who added: «You're on this trip step by step... and Diane Lane is just luminous.»
«Because the love story here is between two
women, I think the
audience feels
like they're seeing something dangerous and uncharted,
in the same way that anyone — whether they're transgendered, bi, straight, lesbian, gay — does when they fall head over heels for someone for the very first time,» Blanchett told Rolling Stone.
I do nt (sic) know what type of
audience she was writing to but I was not
in it... It was
like I was reading a vocabulary section from the SAT... No plot, no character development...» The, presumably, young
woman is right, The Maytrees is not for her nor for anyone else who is young enough to be always looking forward and never looking back, who has never spent moments lost
in bitter - sweet memories of times past or wondered how life might have turned out if a different path had been taken; nor is it for someone who has never stopped to wonder what the point of life is
in the first place.
With no cohesive plan or desire to actively expand that
audience by advertising outside of the comic world (
like perhaps an ad
in women's magazines about female centric characters might reach, you know,
women), an unwillingness to grow a new crop of fans by maintaining a consistent product for kids and a host of other issues
like the economy and increasing competition form other areas of entertainment, it's no wonder things are
in such disarray.
Atmospheric exploration titles and puzzle games,
like Monument Valley, come
in close behind —
women gamers make up about half of these genres»
audience.
While the aristocracy has always provided the lion's share of the patronage and the
audience for art — as, indeed, the aristocracy of wealth does even
in our more democratic days — it has contributed little beyond amateurish efforts to the creation of art itself, despite the fact that aristocrats (
like many
women) have had more than their share of educational advantages, plenty of leisure and, indeed,
like women, were often encouraged to dabble
in the arts and even develop into respectable amateurs,
like Napoleon III's cousin, the Princess Mathilde, who exhibited at the official Salons, or Queen Victoria, who, with Prince Albert, studied art with no less a figure than Landseer himself.
Wile the aristocracy has always provided the lion's share of the patronage and the
audience for art — as, indeed, the aristocracy of wealth does even
in our more democratic days — it has contributed little beyond amateurish efforts to the creation of art itself, despite the fact that aristocrats (
like many
women) have had more than their share of educational advantages, plenty of leisure and, indeed,
like women, were often encouraged to dabble
in the arts and even develop into respectable amateurs,
like Napoleon III's cousin, the Princess Mathilde, who exhibited at the official Salons, or Queen Victoria, who, with Prince Albert, studied art with no less a figure than Landseer himself.
The theme of femmage work always addresses itself to the
audience in a
woman -
like context.
For a
woman like Eunice Foote — who was also active
in the
women's rights movement — it could not have been easy to be relegated to the
audience of her own discovery.