Sentences with phrase «women in the patriarchal society»

Other rules were obviously nothing more than to subjugate women in a patriarchal society.

In addition to the inherently religious and spiritually transcendent depiction of Joan's (Renée Marie Falconetti) tragic and uncompromising ultimate sacrifice, Dreyer's humanist sentiment also transforms The Passion of Joan of Arc into a socially relevant and harrowing reflection of the senseless persecution of women in a patriarchal society.

Through various mediums, the exhibiting artists in the show have used the female body and femininity as a way to subvert the dominance often inflicted on women in a patriarchal society.

Not exact matches

However powerless the woman may be in relation to other social forces in a patriarchal society, she is powerful in relation to the fetus.

The accusation that the Church by the masculine nature of the language it has used of God has for centuries reflected and reinforced a patriarchal society, which has shut out female forms of self - representation and seen women in terms of male desire, is hard to refute.

The point is, our first glimpses into a patriarchal society, even one in which Yahweh is God, reveal inequity and violence against women.

No, because yesterday in the group discussion, women complained that all traditional societies were patriarchal in character and were oppressive of their personhood.

In the strongly patriarchal society of Islam, women don't really have a choice but to bend to the husbands desires and stay pregnant throughout the breeding years.

When I looked at his full ministry — how he praised and esteemed women in leadership in the Church, how he turned household codes within a patriarchal society on their head, how he used feminine metaphors, how he subverted the systems, how he passionately defended equality — the verses that used to clobber me began to embrace me.

The homes and family were basically that the only spheres were women could play significant roles in early judaism.4 The dominant impression left by our early Jewish sources is of a very patriarchal society that limited women's roles and functions to the home, and severely restricted: (1) their rights of inheritance, (2) their choice of relationships, (3) their ability to pursue a religious education or fully participate in the synagogue, and (4) their freedom of movement.5

It is evident from the history of Judaism that the society was always patriarchal in nature in which women were treated as subordinate beings.

The message of «sexual equality» and «woman power» is absolutely a message for the universe and has more relevance in the patriarchal and androcentric context of India to make a paradigm society.

It has supported the patriarchal structure of human society in ways that have dehumanized women, treating them as instruments for the satisfaction of men's desires and as responsible for men's sins.

In a patriarchal society, it is common that women are not allowed to have a personal sense of sexuality.

Zeckle asked: In Christianity, we have various views on women and their roles in society and faith — ranging from a very hierarchical, patriarchal view to egalitarian; does Islam have a wide range of views of women as Christianity doeIn Christianity, we have various views on women and their roles in society and faith — ranging from a very hierarchical, patriarchal view to egalitarian; does Islam have a wide range of views of women as Christianity doein society and faith — ranging from a very hierarchical, patriarchal view to egalitarian; does Islam have a wide range of views of women as Christianity does?

I suppose that is why the ordination of women is finally, for me, an, inadequate expression of the essence of feminine theology, just as obtaining the vote in patriarchal societies proved illusory in terms of granting women civil liberties at the beginning of the century.

Many women who espouse the prolife position do so, at least in part, because they have internalized patriarchal values and depend on the sense of identity and worth that comes from having accepted «woman's place» in society.

I understand that many Muslim women are not in my same position, and that there are large patriarchal undertones within Muslim cultures, but society evolves.

Men, especially in the MGTOW (men going their own way) movement, love to blast women for believing — they'd say demanding — a fairy - tale romance, forgetting that those fairy tales were written by men, turned into movies by men (hello, Walt Disney) and are stories that model what a patriarchal society expects from women — to be «good girls,» people - pleasers and dependent on men.

That's arguably the most prolific downfall of identifying as a woman in a predominantly patriarchal society: we can't just simply exist.

For far too long, women have been silenced by patriarchal societies in most cultures, if not all.

But it is needed to wish Russian women greater confidence in the forces and not only claimed by society of all various talents of the Russian women but also (in spite of patriarchal relapses) adequate high estimation of all these qualities.

Even Russian women that come from traditional and patriarchal society are shocked by male domination in Japan.

Delicately wrought yet impactful, she fully embodied the vulnerability and tenacity of a woman pushed to challenge status quo in a patriarchal society.

Winslet is wonderful as De Barra, a beautiful, plain - spoken woman quite able to hold her own in a male - dominated profession (and overwhelmingly patriarchal society) and unafraid to get down in the dirt and muck to make her own dreams happen.

Kira also gets to deliver a fiery speech to a group of women that feels right out a women's lib playbook of the early 1970s era, though, while an amusing scene, it feels wildly out of place for the character who had never shown an inkling of resistance to the patriarchal society of apes that takes place in the future (i.e., her past).

Hungry for Love / Adua e le compagne Antonio Pietrangeli, 1960, Italy, 35 mm, 106m Italian with English subtitles A trio of iconic European actresses — Simone Signoret, Emmanuelle Riva, and Sandra Milo — headline this potent, proto - feminist portrait of down - and - out women fighting to beat the odds in a patriarchal society.

The theme of illness in the film becomes a terrain on which to contest the function, desirability and validity of a woman's selfhood in a patriarchal society that constrains how she presents herself and processes her emotions.

While the society depicted in When She Woke is strongly patriarchal women still yield power.

Leni Zumas refers to her protagonists by these descriptors, invoking the reductive distance from which women are viewed in a patriarchal society: «That's someone's daughter.»

In their book Old Mistresses: Women, Art and Ideology (1981), Griselda Pollock and Rozsika Parker wrote that, «Women artists have always existed, but because of the economic, social and ideological effects of sexual difference in western, patriarchal culture, women have spoken and acted from a different place within that society and culture»In their book Old Mistresses: Women, Art and Ideology (1981), Griselda Pollock and Rozsika Parker wrote that, «Women artists have always existed, but because of the economic, social and ideological effects of sexual difference in western, patriarchal culture, women have spoken and acted from a different place within that society and culture&raWomen, Art and Ideology (1981), Griselda Pollock and Rozsika Parker wrote that, «Women artists have always existed, but because of the economic, social and ideological effects of sexual difference in western, patriarchal culture, women have spoken and acted from a different place within that society and culture&raWomen artists have always existed, but because of the economic, social and ideological effects of sexual difference in western, patriarchal culture, women have spoken and acted from a different place within that society and culture»in western, patriarchal culture, women have spoken and acted from a different place within that society and culture&rawomen have spoken and acted from a different place within that society and culture».

Feminist or not, the artists in Radical Women explored female subjectivity and subverted patriarchal ideology and culturally and biologically determined roles of women in socWomen explored female subjectivity and subverted patriarchal ideology and culturally and biologically determined roles of women in socwomen in society.

A white neon sculpture entitled Ring, reads «imprison her soft hands» in the shape of a circle, referencing an unbreakable bind, a wedding ring, and patriarchal society's expectations that women be pure and chaste.

She was dealing with coming out of this very patriarchal society, she was exorcising her personal demons throughout her life, and as a woman, more than many of the others, she achieved a great deal of success, but not until relatively later in life.

In the cleverly named piece, «Spit / Swallow» (2016), the flashing neon sculpture depicts how women vacillate between submission and rebellion in patriarchal societIn the cleverly named piece, «Spit / Swallow» (2016), the flashing neon sculpture depicts how women vacillate between submission and rebellion in patriarchal societin patriarchal society.

The terms «monster» and «madwoman» are semantically similar in that they both constitute the language of misogyny designed to denigrate women who rebel against the «strictures of patriarchal society.»