Sentences with phrase «women in this film do»

To be honest, I'm surprised more women in film don't do the same; the fact is, the roles just aren't out there -LSB-...]

Not exact matches

Certainly that difference doesn't work for everyone, the film pointed out in its profile of two other women.

Two years previously, he arranged and paid for, with what I guess counts as bohemian chivalry, a woman he impregnated to get an abortion (then illegal) from a competent doctor, and in the film we see him do the same for Jean.

After determining that I was not just another moralist who wanted to influence film content, but someone who was genuinely interested in film, Shurlock relaxed and asked me a question that was very much on his mind: «We are trying to determine what to do about a picture in which director Sidney Lumet wants to include a shot of a woman's bare breasts.

What people don't realize is that the women in these films have a family... and I wonder if I was a father of one of these women how I would feel knowing my daughter is doing this... I'm sure I would feel just like any other father would... very an - «gry... and up - «set that this ind - «ustry still exist's.

Baroness Kidron's 2013 documentary film InRealLife, in which she interviews several teenage porn users, offers a chilling insight into the entrenched depth of their engagement with porn and what it's doing to their views of relationships, women and the world.

We're sitting in the pub post Star Wars, discussing the film in minute detail as we are wont to do... AND THE WOMAN FROM THE NEXT TABLE TURNS TO US AND SAYS «OH HI, I»M ROSE FROM THE FILM AND I»VE LOVED LISTENING TO YOUR CONVERSATION FOR THE LAST HOUR.&rafilm in minute detail as we are wont to do... AND THE WOMAN FROM THE NEXT TABLE TURNS TO US AND SAYS «OH HI, I»M ROSE FROM THE FILM AND I»VE LOVED LISTENING TO YOUR CONVERSATION FOR THE LAST HOUR.&raFILM AND I»VE LOVED LISTENING TO YOUR CONVERSATION FOR THE LAST HOUR.»

While the media and the film industry would have women believe this tends to occur spontaneously in one big gush just before a woman goes into labor, the reality is that it usually doesn't happen until she's well into contractions.

If they were trying to empower women with that film - which is the claim - there are better ways to do so, in my opinion.

In a film dominated by men, she does her best to include the revealing glances of the women around them.

Former London fire authority chairman Brian Coleman has been fined after admitting he did assault a woman in north London as she filmed him parking illegally.

The garbled science in this film makes fusion power even more problematic, and the beautiful but ineffectual physicist Dr. Lily Sinclair (Rachel Weisz) doesn't exactly help the cause of women in science.

I did a film that's on YouTube of me reading hate mail with a woman playing the cello in the background.

«Secondly, don't believe everything that you read about movie stars because some of the women who've had kids in their late 40s, such as film stars, have used donor eggs, but they don't tell you that in the article because it's their own private business,» warns Prof Ledger.

Every time I said yes, amazing people who believed in me and who've had a bigger vision of what I could do in this world stepped forward — from my mom who went vegan with me after my fourth recurrence of bone cancer, to the yoga teachers who insisted I could become a yoga teacher too, to the talented woman who designed my website, to the director who brought together the crew for this film and made an idea a reality.

The actress, who is serving as a jury panelist for the 2017 Cannes Film Festival, spoke publicly about her disappointment at the depiction of women in this year's films, saying, «I do hope that when we include more female storytellers, we will have more of the women that I recognize in my day - to - day life.

Salma doesn't seem to have a film to promote this year, but she attended the CFF to speak about her industry experience during the festival's «Women in Motion» panel.

Taken in 1982, I love that this image is not the young Audrey Hepburn done up for her films, but the everyday woman walking street style with her lifelong friend - that is what I wanted to capture with the project.

Sadly, much of the film goes in circles as Jack floats between woman, his apartment, and the increasingly shallow conversations with Benedetto that don't even have the decency to pretend to be layered.

Preaching to the Choir seeds adequately in the very fertile genre of black films about redemption, but don't expect performances on the level of last year's Diary of a Mad Black Woman or The Preacher's Wife.

Perhaps in the early 1930s when the film is set, things were not so radically different for women than they were in the early, pre-suffragette 1890s when Oscar Wilde wrote his play — but, without wishing to suggest that the battle of the sexes is now definitely over, things have certainly moved on, and the film's preoccupations with womanly virtue and womanly repute is of more historical interest than contemporary relevance, leaving the distinct impression that this «updating» of Wilde has been done only by half measures.

Other than Graham, who doesn't really have much to do here, there's a surprising lack of women in the movie, which might make this as much of a guys» film as «Old School.»

«Clean» might be a film in code about the most infamous of all rock - and - roll widows, but I hope not, since Allison Anders» «Sugar Town» had already done a fine job of eviscerating (again, in code) this woman, who nevertheless, love her or hate her, arguably served the important and underrated function of muse for the troubled drug - addled musician.

If you don't believe in this stuff, then the film is exploiting a young woman with mental issues.

Many films in which characters are pregnant look exactly like what has been done to achieve this effect: an extremely thin actress has been fitted with a fake baby belly, which does not offer an accurate depiction of what happens to a woman's body when she's pregnant.

But the film does confront the fact that particularly for women, pursuing desire in middle age is a fraught path.

The young woman (Emma Bellomy) asking the question (as she did in the first film) has long stringy hair, but her face is hidden in the shadows.

Indeed, the non-Marvel films in these franchises that have done best more recently are the ones that stood out from the crowd, like Wonder Woman (which rejected the dark tone of other DC movies), Logan (which felt like a grown - up standalone film), and Deadpool (which loudly razzed the idea of being linked to X-Men movies).

Perhaps because it promotes traditional values - respect women, crime doesn't pay, family comes first - the film shines in those rare scenes when it plays with received wisdom.

Though he engages in an inappropriate relationship, the film doesn't portray Kirstin as a child but as an experienced woman.

Though it didn't bother me in this film, it is an annoying result that revisionism is only capable of giving us anachronistic women in the hands of the wrong writers.

In this spoof of adventure films, a trio of women prisoners must escape confinement in order to stop the Satan - worshipping Dr. Syn Do from world dominatioIn this spoof of adventure films, a trio of women prisoners must escape confinement in order to stop the Satan - worshipping Dr. Syn Do from world dominatioin order to stop the Satan - worshipping Dr. Syn Do from world domination.

Rarely are female leads given anything of substance to do in action films, so I applaud Besson for writing this role for a woman.

Your complaint not only casts your commanding officer in a bad light, but also may involve him; the film says «25 percent of women didn't report an incident — because their commander was their rapist.»

To its credit, the film doesn't sugarcoat its women too monstrously, and it lets real conflicts and opinions occasionally creep in.

In this film, Skogland, as Kathryn Bigelow does in «The Hurt Locker,» demolishes the notion that women can't direct actioIn this film, Skogland, as Kathryn Bigelow does in «The Hurt Locker,» demolishes the notion that women can't direct actioin «The Hurt Locker,» demolishes the notion that women can't direct action.

In one of the more clever twists, Enter the Dragon's sex slave scene tosses in a different spin — making the women into men — funny, and done with more subtlety than most other films would have showIn one of the more clever twists, Enter the Dragon's sex slave scene tosses in a different spin — making the women into men — funny, and done with more subtlety than most other films would have showin a different spin — making the women into men — funny, and done with more subtlety than most other films would have shown.

Refn has described the film as «beyond feminist», yet this is a movie in which things are done to women's bodies (there's a scene in which Fanning's character is deep throated with a knife) and which parades naked women around to be defined by their beauty.

Although we've seen the struggle for individualism and personal power done many times before, particularly in independent films, Real Women Have Curves never seems to lack for freshness despite it all.

We don't get a whole lot of the comedy in the trailer, which makes the film seem like a fairly straightforward drama about a woman's spiritual battles.

Although there have been many films about pregnancy and the fears involved in having a baby, there are angles here not often taken before in comedy, including what goes through a man's mind when having sex with a pregnant woman («I don't want that to be the first thing the baby sees», etc.) that is funny (because it probably actually does go through a man's mind).

Iannotta doesn't have a feature film to his name yet, but he's got a credit that isn't just handed to any man or woman with a movie camera — his documentary short, My Big Red Purse, was selected to play at last month's South by Southwest Film Festival, beating out hundreds of competitors in the process.

Philip Glass (The Illusionist, Undertow) coats the film with his usual whimsical style, and though the film might be deemed as too slight in its subject matter to merit such heavy - handed compositions, the music is actually completely in keeping with the tragic allusions underneath, with motifs based on magic (wizard hats, old cats, strands of hair, and gold stars tie in to the coven - like relationship of the women) as well as Biblical references (Sheba is short for Bathsheba, the Old Testament woman seduced; Barbara's last name is Covett, and covet she most certainly does).

They include an alternate opening of Carol doing an voice exercise with an annoyingly - voiced woman interviewing her in a bookstore, more of and on Dani and Moe's rocky marriage, a scene featuring an accomplished female voiceover artist (played by Melissa Disney), and a number of additional clips from the convincing fake reality dating TV show woven throughout the film,

Joachim Trier's Thelma has often been compared to Brian de Palma's Carrie, and although the films differ in many ways, both of them do focus on a young woman oppressed by the adults in her life, and without any friends.

The chatter of this strange assortment of upper - middle class Brits might work better in the theater, since the action takes place in real time set wholly in an extensively furnished London home (actually filmed in a West London studio), with the women doing most of the talk and much of the witty liftings.

His newest film sweeps the corners on the ages not covered by those two films, focusing on the unlikely friendship between a college freshman (Lola Kirke) and a woman hovering around 30 (Greta Gerwig)-- and in doing so, Baumbach and Gerwig cook up what may be his flat - out funniest movie of the past decade.

At the same time, his daughter (Chloe Grace Moretz), a minor who just turned 17, is starting an affair with a sixty - something film director (John Malkovich) who is legendary for his skill and productivity but also notorious for making films about older men having affairs with much younger women and doing the same thing in real life.

During this 1 - on - 1 phone interview with Collider, actress and filmmaker Heather Graham talked about wanting to make a movie celebrating women and friendship, the biggest challenges in getting this film going, having her voice heard, as a female filmmaker, what she most enjoyed about playing Honey, putting together this cast, funny moments on set, what she enjoyed about the experience of directing, her hope to do it again, juggling three different writing projects, and doing the British TV series Bliss, from David Cross.

In both films, the women have the power and the wisdom, while the men mostly don't.