Sentences with phrase «women in this film shows»

Each of the three women in this film shows a tendency to kill their human lovers, and two of them evince a sexual attachment to their pets.

Not exact matches

She has a keen understanding of her place in Hollywood, right now — as one of the breakout stars of a beloved sitcom; as the most fascinating character on Legion, one of current TV's most fascinating shows; as a high - profile woman in an industry currently under an enormous amount of scrutiny for how it treats women; and as an actress building a singularly astonishing resume of excellent, low - flying indie oddball films like Ingrid Goes West and Safety Not Guaranteed.

The study shows that in film, women made up only 3 percent of film directors, and 10 percent of film writers.

On Thursday, «Donor Milk: The Documentary,» a film that explores the health benefits of donor milk for premature babies like Jayden through the stories of women who donate it, will be shown at the York Theatre in Elmhurst.

I'd love to see the «natural» birth craziness and bullying of women / C - sections / medicated births / lactivism shown in this film.

The film then shows Farage defending the using the word «chinky», targeting migrants with HIV and suggesting that breastfeeding women should «sit in a corner».

So launches a memorable journey, both in Sweeney's life and in the new film of her one - woman stage show, Letting Go of God, an extraordinarily engaging account of her walk across the religion - science divide.

Despite having her eyes open throughout, the young woman showed no brain activity in response to the film, Naci says.

In order to show the film noir themes and works of reference Hitchcock strong and rich women attractive image, the photographer Mikael Jansson Nicole Kidman will portray a sexy protagonist, embodies the brand has always been confident ornate style.

They've taken one of the most glamorous actresses of the modern era — a woman whose looks have been abstracted into hubba - hubba caricature in most films, and on awards shows — and ironically restored her earthliness by having her play a creature not of this earth.

Oscar Isaac is predictably reliable in a smaller role, but it is really the women who get to show off throughout the film.

To hell with the first movie's thoughtful consideration of a young woman's new political power or that a good second film would show how well she's been marinated in authority over the past 23 years: Let's rip some bodices.

The film, based on the novel by Gayle Forman, is an almost deliberate confirmation of Alison Bechdel's claim that women in film are so often shown only in relation to men.

Later, when she pulls the same stunt in a swimming pool, we recognize the show for what it is — a male fantasy film in which the women are little more than rag dolls.

Sally Hawkins took part in a hilarious sketch with James Corden on The Late Late Show on Monday night (January 9) parodying her Golden Globe - winning film The Shape of Water — in which she plays a woman who falls in love with a mer - creature.

In one of the more clever twists, Enter the Dragon's sex slave scene tosses in a different spin — making the women into men — funny, and done with more subtlety than most other films would have showIn one of the more clever twists, Enter the Dragon's sex slave scene tosses in a different spin — making the women into men — funny, and done with more subtlety than most other films would have showin a different spin — making the women into men — funny, and done with more subtlety than most other films would have shown.

They include an alternate opening of Carol doing an voice exercise with an annoyingly - voiced woman interviewing her in a bookstore, more of and on Dani and Moe's rocky marriage, a scene featuring an accomplished female voiceover artist (played by Melissa Disney), and a number of additional clips from the convincing fake reality dating TV show woven throughout the film,

Paul Gratton, a long - time industry veteran and an undeniable movie lover is WFF's artistic director, and shows a high degree of awareness of women's accomplishments in film.

In Karel Reisz's 1981 film of «The French Lieutenant's Woman,» two stars, played by Meryl Streep and Jeremy Irons, are shown having a love affair off the set that parallels the one their characters are having in the 19th centurIn Karel Reisz's 1981 film of «The French Lieutenant's Woman,» two stars, played by Meryl Streep and Jeremy Irons, are shown having a love affair off the set that parallels the one their characters are having in the 19th centurin the 19th century.

In this film you really have to buy the fact that a woman would actually rent an apartment that shows obvious signs of being run by a slumlord before she ever signs the lease.

For 2009, we again honor men who've consistently and generously supported AWFJ during the past year, as well as men who've shown extraordinary support for women who are working in the film industry.

While neither film set the box office alight, they were both successful in their own way and they showed that Clooney was an actor who could appeal to both men and women.

The film, a first produced effort by young screenwriters Andrew Logan and Taylor Allen, shows he did call close friends and colleagues Joe Gargon (Ed Helms) and Paul Markham (Jim Gaffigan), who go to the bridge and dive in, attempting to rescue the young woman.

In the middle of George Cukor's 1939 film The Women, the ladies attend a fashion show.

He would return to the era in later films, most notably his hugely successful drama Twenty - Four Eyes (1954), but immediately after Morning for the Osone Family, he dived into escapist fare that better showed off his range, from the poetic romance The Girl I Loved (1946) to the noirish thriller Woman (1948) to the comedy Here's to the Young Lady (1949) to the ghost story Yotsuya kaidan (1949).

This film is a sequel in theory, as it does take a step forward in showing Norman Bates trying to live the semblance of a normal life today, finally in a relationship with a woman, with a baby on the way.

Whereas Hitchcock's films put his sympathetic blonde women in peril and appeared to punish them for their apparent «transgressions» (particularly for asserting their independence), as in late period Hitchcock films like Psycho (1960), The Birds (1963) and Marnie (1964), Verhoeven seems to revel in showing the Blonde women in his films command the screen, dictate the narrative and overcome their persecutors.

Also on this podcast you'll also hear Karina Longworth talking about the Golden Age of Hollywood, Slate culture writer Aisha Harris (host of the show Represent) on the importance of representation of women and people of color in Hollywood and film awards, actor Paul Scheer on some of the worst movies ever made (which he talks about on his own podcast that he co-hosts with his wife, actress June Diane Raphael, and their pal and fellow actor, Jason Mantzoukas.

The highest percentage was interestingly in 2015, when Open Roads: New Italian Cinema had 16 films shown that year and five of them were represented by women filmmakers, a 31 percent representation.

The Square, Call Me By Your Name, The Florida Project, Mudbound and A Fantastic Woman are just some of the early announced films hitting the Mill Valley Film Festival The Venice and Telluride Film Festivals are just kicking off but the Mill Valley Film Festival, now in its 40th season, is set to show off some of the fall and...

Kat Brown Despite the recent directing achievements of Angelina Jolie and Golden Globe nominee Ava DuVernay, research shows that women are less represented in the film industry than ever before.

The Dora Milaje are made up of multiple women, but in the film, its most notable members are its leader Okoye, T'Challa's former lover Nakia, and Ayo, the latter of whom showed up previously in 2016's Captain America: Civil War.

In fact, a couple of Hou's finest early films actually had been acquired in the mid -»90s by a very small company called the International Film Circuit, founded by an intrepid one - woman show named Wendy LidelIn fact, a couple of Hou's finest early films actually had been acquired in the mid -»90s by a very small company called the International Film Circuit, founded by an intrepid one - woman show named Wendy Lidelin the mid -»90s by a very small company called the International Film Circuit, founded by an intrepid one - woman show named Wendy Lidell.

There are at least eight masterpieces (Chungking Express, Pulp Fiction, Sátántangó, Three Colors: Red, Drunken Master II, Fist Of Legend, Ashes Of Time, Quiz Show) with another four films that arguably belong in that category (The Shawshank Redemption, Eat Drink Man Woman, Clerks and Ed Wood).

Most of the women winners — most prominently among them Nicole Kidman and Laura Dern for their performances in Big Little Lies, and Reese Witherspoon for her producing — spoke about the issues at hand when up on stage, many of them having brought women's rights advocates who work outside of the film industry with them to the show, as a sign of solidarity and support.

Here are a few of the recent films and TV shows that have pushed the envelope in terms of pop - culture perception of women.

«Baby Face,» one of the most outrageous pre-Code films, will be shown in its original uncut form, with Stanwyck as a woman from the wrong side of the tracks — her father was her pimp — who decides to sleep her way to the top in the New York business world.

Chopra is an actress and singer renowned for her roles in Bollywood films; more recently, she's been starring in ABC's Quantico, and is the first South Asian woman to ever headline an American network show.

Unemployed art school graduates Mingming and Yue take turns filming each other with a small camera, exploring a range of issues rarely shown in any national cinema with such deadpan accuracy — from the complex waters of female friendship to «pussy» as a commodity, from the desire to use filmmaking as a weapon to the decision to make a baby — an up - in - your face, playful, sassy deconstruction of what it means to be a young woman now.

Finally, writer - director Kate Barker - Froyland will make her feature film debut with «Song One,» also showing in the U.S. Dramatic Competition at Sundance and starring Anne Hathaway as another young woman with some growing up to do.

Showing in the out - of - competition Premieres section, the film is described in the official Sundance announcement as «a coming - of - age story about a 28 - year - old woman stuck in permanent adolescence.»

Lelio's film is as much a ghost story and a tale of lost love as it is a cry for humanity and empathy; by showing Marina in all her beauty and fragility, A Fantastic Woman demands that we recognize her, accept her, and love her.

You'd think a proven, previously - awarded commodity bearing the full weight of a ginormous one - woman show, weaving in and out of hangovers and maternal instincts for well over two hours, would delight both the Oscar voters who slipped Gena Rowlands into the 1980 lineup for Gloria (to which director Erick Zonca's gutsy melodrama is obviously indebted) as well as the voters who have actually seen a film by Derek Jarman.

Nevertheless, the film (which played at the New York and Toronto film festivals last year) isn't opening commercially in Chicago but is showing only twice at the Film Center, as the opening attraction in the tenth annual Women in the Director's Chair film and video festival.

That Hashtag Show claims the film is looking to cast a European actress in her 20's to play an undisclosed «femme fatale,» which they go on to wildly speculate the character could either be Black Cat or Silver Sable, given the fact that Sony has a movie planned for both characters, or even some version of Jessica Drew, a.k.a. Spider - Woman.

Recently, when asked about the on - going debate surrounding opportunities for women in film, Meyers responded saying, «There was some research that just came out that showed there were more opportunities for women in 1998 than today.

Sexual Content: The theme of this film is centered on a woman who leaves her husband to pursue her own desires, which include a sexual affair (the clothed couple are seen kissing and in bed together) while she is still married and a second relationship with another man (again kissing is shown but no other details) after her divorce.

«The Dancers of Nine» (4:35) shows us video of the men and women auditioning to play background dancers in the film, gleaming comments from some hopefuls and crew members.

This is what prevents the film from being rewarding or satisfying in the end, as it mostly amounts to a collection of sequences showing «nice» women behaving poorly.

The «Academy Originals» videos highlight women filmmakers — including Ava DuVernay and Aileen Brosh McKenna — and other women working in film to show how their considerable contributions inspire young girls to become filmmakers.