Sentences with phrase «women on film sets»

Multiple people said he groped and harassed men and women on film sets.

Not exact matches

Plot: The film set in post-WWII Germany and focuses on a warcrime trial of the former lover of a law student Michael Berg nearly a decade after his affair with the older woman ended.

Just at the comfort of fingertips a cub or a sugar momma could find somebody to spend a good time with The celebrities popular and famous women in the film industry have set the precedence for the ordinary ladies to take on the dating of cubs.

Perhaps in the early 1930s when the film is set, things were not so radically different for women than they were in the early, pre-suffragette 1890s when Oscar Wilde wrote his play — but, without wishing to suggest that the battle of the sexes is now definitely over, things have certainly moved on, and the film's preoccupations with womanly virtue and womanly repute is of more historical interest than contemporary relevance, leaving the distinct impression that this «updating» of Wilde has been done only by half measures.

Set at the end of the 19th century, the film stars Kodi Smit - McPhee as Jay Cavendish, a 16 - year - old boy on a journey across the American frontier in search of the woman he loves (Caren Pistorius).

Enough Said is a unique film in that it isn't about the man having to overcome his foibles in order to be worthy of the woman he wants, it's about a woman who must look within and come to terms on whether she can accept someone else into her life who has a set of flaws that someone she regards highly finds unacceptable.

WFF, is a significant player within the Canadian film fest circuit, i known for its intimate, casual environment, set by Mishaw's loyal and tireless admin team, consisting mostly of women, most of whom have been with the festival for years, setting the stage for high - quality film - centric hospitality through which filmmakers and industry honchos mingle, and deals are made not only via scheduled one - on - one meetings, but also in the hot tub or on the ski slopes.

During this 1 - on - 1 phone interview with Collider, actress and filmmaker Heather Graham talked about wanting to make a movie celebrating women and friendship, the biggest challenges in getting this film going, having her voice heard, as a female filmmaker, what she most enjoyed about playing Honey, putting together this cast, funny moments on set, what she enjoyed about the experience of directing, her hope to do it again, juggling three different writing projects, and doing the British TV series Bliss, from David Cross.

«I love playing this character,» Johansson told Entertainment Tonight on the set of Avengers: Infinity War, before reports that a Black Widow film is in development, «and I think there is definitely an opportunity to explore the Widow as a woman who has come into her own and is making independent and active choices for herself, probably for once in her life.

THR is reporting that, in addition to Patty Jenkins not being set to direct Wonder Woman 2 just yet, the studio is currently focusing on putting together the Justice League Dark and Batgirl films, with the hopes of having them go into production next after Aquaman.

I've been enjoying a lot of the Trailblazing Women programming myself but since we're in the middle of Schocktober, I thought I'd set aside some time to highlight some of my favorite horror films and thrillers directed by women who have left their macabre mark on a genre that many mistakenly assume is not very female frieWomen programming myself but since we're in the middle of Schocktober, I thought I'd set aside some time to highlight some of my favorite horror films and thrillers directed by women who have left their macabre mark on a genre that many mistakenly assume is not very female friewomen who have left their macabre mark on a genre that many mistakenly assume is not very female friendly.

And while you can almost see the checklist that he's working from, dutifully crossing off items like «insane set - piece stunt that Cruise does himself», «tense infiltration hinging on a disguise powered by spotty tech» and «lovely, leggy woman in a tight evening gown», the result never quite gels the way it did in the previous films.

Director Daniel Barber's second film — after «OAP on the rampage» thriller Harry Brown — is a home - invasion tale, only it's set during the American Civil War when a trio of women on a farm in the Deep South are forced to fend off a pair of mercenary Union soldiers.

Discussions of mechanisms for allowing victims of sexual harassment to come forward, the drive for greater inclusion of women and persons of color, and the need for clear guidelines for behavior on film and TV sets were hot topics across the daylong series of panels.

Based on the iconic DC Comic book, Wonder Woman has earned more than $ 410 million in the U.S. and over $ 820 million worldwide, set numerous box office records, including becoming the highest - grossing film directed by a woman, the highest - grossing superhero origin film domestically, and the largest opening for a female - led comic - based Woman has earned more than $ 410 million in the U.S. and over $ 820 million worldwide, set numerous box office records, including becoming the highest - grossing film directed by a woman, the highest - grossing superhero origin film domestically, and the largest opening for a female - led comic - based woman, the highest - grossing superhero origin film domestically, and the largest opening for a female - led comic - based film.

Annihilation is a women - on - a-mission film — a five - strong team, each member with a different skill set (a biologist, a physicist, a geologist, a paramedic and a psychologist), are sent to investigate a meteor that's causing a strange phenomenon in an area of Florida.

She says she was inspired to helm her own film after talking to female directors Patty Jenkins (Wonder Woman), Dee Rees (Mudbound) and Valerie Faris (Little Miss Sunshine) and hopes in the near future it won't be a big deal at all for a woman to be in charge on aWoman), Dee Rees (Mudbound) and Valerie Faris (Little Miss Sunshine) and hopes in the near future it won't be a big deal at all for a woman to be in charge on awoman to be in charge on a set.

Wonder Woman 2 is set to begin filming on May 28th and we previously revealed that it would film in the United Kingdom and USA (Virgina/D.C.).

Although they do love each other, tensions between the two set in regarding the casting of the film adaptation of Joe's latest bestselling book, as Sally think she would be the natural woman for the role, since she believes it is based on her.

The film is a modern coming - of - age drama about a young woman named Maggie (Iseult Casey) who sets off on a road - trip from Ireland to London with her boyfriend Andy (Shane Murray - Corcoran) in order to have an abortion.

Don't miss: Extras include a featurette on the women in the movies, commentaries with director Tom Six, behind - the - scenes footage, an interview with Six, deleted scenes, casting tapes, a Foley sessions, a tour of the warehouse set, Laurence R. Harvey's audition tape, a featurette on the making of the third film and an alternate ending on the third film.

SKA: My first question is when you were directing Sharon Stone on set, did you ever have a moment where you just kind of thought, «Wow, this film is really breaking down ageism in Hollywood by focusing on a single woman who's in her late forties and going into her fifties?»

At the film's recent press day, Mirren revealed her approach to the role, what it was like having the opportunity to improvise on set, acting opposite the renowned Puri and what the two share in common, what she looks for in a project, why the director is an important consideration, why she likes to alternate between big movies and smaller low budget films, her lifelong attraction to French culture, her latest film that she's currently shooting with director Simon Curtis entitled «Woman in Gold,» and her upcoming biopic, «Trumbo,» with Bryan Cranston about blacklisted screenwriter Dalton Trumbo.

This film is a reflection of the times, telling a twisted coming - of - age story about a young woman who sets out on a crime spree that she broadcasts on social media.

Annette Bening - Actress Annette Bening wears a vintage jumpsuit for a late night scene on the set of» 20th Century Women» filming in Pasadena.

Atwood drew on Moodie's account when she drafted her novel, which has now been filmed by women and set to music that captures an oppressed woman's longing.

Set chiefly against vivid seasonal landscapes, his half dozen «Moral Tales» — a succession of jousts between fragile, mostly inwardly reflective men and the women who tempt them — unleashed upon the world of film a modern, liberating and nonjudgmental voice, one at once philosophical and liltingly insightful on sexual matters.

From director Sebastián Lelio («A Fantastic Woman») and based on Naomi Alderman's book, the film is a measured and sometime tedious character study set in a small Orthodox Jewish community in North London about a woman coming home after years Woman») and based on Naomi Alderman's book, the film is a measured and sometime tedious character study set in a small Orthodox Jewish community in North London about a woman coming home after years woman coming home after years away.

Everyone Else writer - director Maren Ade is underway on Toni Erdmann, another film about a strained relationship, this time focusing on woman whose father believes she has lost her sense of humor and proceeds to bombard her with jokes... John Travolta and Ethan Hawke will team with Ti West on In a Valley of Violence, «a revenge Western film set in the 1890s.»

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

This prequel film is expected to be the first under a new banner of DC Films that will focus on spin - offs, prequels, and other stories set outside the timeline established in movies like Man of Steel, Wonder Woman, and Justice League.

A coming of age story centering on a young woman's adventures in Northern California, the film is set to become one of this fall's most - talked - about releases.

The film, Kiarostami's follow - up to last year's Euro - set «Certified Copy,» centers on a young Japanese woman who finances her studies through prostitution, and her relationship with a brilliant, elderly academic, who is also one of her clients.

The film's opening moments are set in 1912 England on a busy city street, in broad daylight, full of passersby, when suddenly a woman picks up a rock and pitches it through a shop window.

The company has also sent its stars out on stilted PR stunts conducted mostly in character, hoping to widen the appeal of Batman v Superman beyond moviegoers who like stern superhero films set mostly at night, forgettable villains, a token woman.

a.) It starred a fresh - faced, pre-Freddie Krueger Robert Englund; b.) the sets and alien landscapes were done by a certain James Cameron (you might have heard of him), who served as production designer and second unit director on the film; and c.) a scene in which a woman is raped to death by a giant maggot space alien monster.

It co-stars John Krasinski from «The Office», Emily Blunt's real - life significant other, and while SHE isn't in the film, she was on set a lot, and she is a lovely, lovely woman.

INDEPENDENT & FOREIGN FILMS A Broken Sole (Unrated) Ensemble drama, set in Manhattan on 9/11, examines the fortunes of six souls that fateful day: a cabbie (Bob Dishy) with a passenger (Laila Robins), a shoemaker (Danny Aiello) whose customer (Judith Light) wants him to keep his shop open, and a woman (Margaret Colin) dating a dyslexic (John Shea).

The film is set in rural Maine on a bright and magnetic 20 - year - old woman named Michelle Smith who lives with her mother Julie.

She more than confirms buzz that she will be one of film's next major leading women, and she's working with a strong set - up for a thriller, in a community that couldn't be more relevant in the age of Occupy Wall Street, and which has lead to very mixed results on American screens (See: «Battle in Seattle»).

A large tableau of wooden structures, videos, projections and other mediums, Woman on the Run provides a film - noir - like setting for a crime story in which a mysterious woman is sought for questioning in a muWoman on the Run provides a film - noir - like setting for a crime story in which a mysterious woman is sought for questioning in a muwoman is sought for questioning in a murder.

Woman on the Run — a large tableau of architecture, sculpture, film, video, neon signs, audio and materials drawn from everyday life — provides a film - noir - like setting for a crime story in which a mysterious woman in Arizona is sought for questioning in the murder of her husWoman on the Run — a large tableau of architecture, sculpture, film, video, neon signs, audio and materials drawn from everyday life — provides a film - noir - like setting for a crime story in which a mysterious woman in Arizona is sought for questioning in the murder of her huswoman in Arizona is sought for questioning in the murder of her husband.

During the Winter Workspace, Wave Hill will be the set for a video piece filmed on location, inspired by the untold stories of women who lived in estates and their relationship to the gardens surrounding them.

Shot on a meticulously staged set, the film offers a glimpse into the tormented life of a young woman living in a trailer home.

During the early 1920s he collaborated with the writer Blaise Cendrars on films and designed sets and costumes for performances by Rolf de Maré's Ballets Suédois; in 1924 he completed his first film, Ballet mécanique, which was neither abstract nor narrative but a series of seemingly unrelated images (a woman's teeth and lips, machines, ordinary objects, and routine human activities).