Sentences with phrase «women saw the exhibition»

Instead of paying attention to the paintings on the walls, the powdered beaux and magnificently coiffed women saw the exhibition, critics complained, as one huge pick - up opportunity.

Not exact matches

Seeing a lucrative opportunity in challenging King to a one - off, winner - take - all, televised exhibition match, Riggs» public performance as a «male chauvinist pig» (putting the «show back into chauvinism») made it difficult, if not impossible, for King to reject Riggs offer without compromising her public persona as a women's rights advocate and a feminist icon.

Harriet Baxter is a sprightly young creature, a woman of generous means alone in Glasgow during the 1888 International Exhibition, when the city bustled with newcomers and there was something spectacular to see every day.

Romero said she felt unable to take her young daughter to the exhibition, which sees many of the biggest game industry announcements each year, because the booth babes made her and other women feel uncomfortable and «gazed upon».

And I currently have work in the Woman's Hour Craft Prize exhibition which runs at the V&A until 5 February 2018 and my exhibition, Rooted in Instinct can be seen at the National Centre for Craft and Design until 14 January 2018.

In the wake of protests in Charlottesville, Va., and Boston earlier this month — and the Women's March in January — the size of which have not been seen since the Vietnam War era of the Seventies, the Whitney Museum's latest exhibition takes a creative approach to political and social activism, and how the past can inform the present.

I especially can't wait to see Objection, a collaborative exhibition uniting two emerging women artists, Michal Cole Israel / UK and Ekin Onat Turkey / Germany, at the -LSB-...]

I especially can't wait to see Objection, a collaborative exhibition uniting two emerging women artists, Michal Cole Israel / UK and Ekin Onat Turkey / Germany, at the Pavilion of Humanity during the 57th Venice Biennale.

Matisse achieves this most characteristically with flat, unmodulated (or flatly patterned) planes of colour, to be seen everywhere in this exhibition, but perhaps most obviously in the «Seated woman with a vase of Amaryllis» (1941) and «Asia» (1946), accompanied where necessary with a strategic contradiction of the prevailing perspective as in the left - hand picture / window / doorway in «Large Red Interior» (1948).

Mind and Matter and these other exhibition and incidental installations of individual works are part of an ongoing initiative among women curators at MoMA to delve deeply into the permanent collection in order to find out what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's women curators at MoMA to delve deeply into the permanent collection in order to find out what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's Women's Fund.

It is slowly changing, but you only have had to go the Abstract Expressionism exhibition at the Royal Academy, to see all the women who were left out — it was absolutely shocking, and of course it continues to portray this notion that it is only men that can make art that is to be lauded and seen as forging new ideas.

As one women photographers exhibition draws to a close (see the review of Feminist Avant - Garde of the 1970s at The Photographers» Gallery and our take on its undebated Eurocentric perspective), the Whitechapel Gallery opens Terrains of the Body.

«On the micro level, we are three women from an abandoned community, but on the macro level, I see us as symbolic of state oppression and neglect,» she is quoted as saying in the exhibition brochure.

Nearly all the posters and projects that this group of women have produced, since it was founded in 1985, can be seen on the walls of the AlhóndigaBilbao Exhibition Room.

Amar's next exhibition sees their space filled with a representation of the Biblical character Eve, through a celebration of all things women and womanhood.

Her work has been seen in one - person exhibitions at numerous galleries and museums, including the Metropolitan Museum of Art; the Parrish Art Museum; The Museum of Fine Arts, Houston; the National Museum of Women in Art, Washington, DC; and the Philadelphia Museum of Art.

This display highlights works in The National Museum of Women in the Arts collection — the only international museum dedicated to the exhibition, preservation, and acquisition of works by women artists of all nationalities and periods - as part of the Whitechapel Gallery's programme of opening up rarely seen collections from around the wWomen in the Arts collection — the only international museum dedicated to the exhibition, preservation, and acquisition of works by women artists of all nationalities and periods - as part of the Whitechapel Gallery's programme of opening up rarely seen collections from around the wwomen artists of all nationalities and periods - as part of the Whitechapel Gallery's programme of opening up rarely seen collections from around the world.

«The more I see these women, the more I love them,» Bronstein said, before I slipped into the 2016 Turner Prize exhibition and found ICA curator Matt Williams

Other main group exhibitions include The King and the Mockingbird, Vermillion Sands, Copenhagen, Denmark, 2016; Yinchuan Biennale 2016 — For an Image, Faster Than Light, Museum of Contemporary Art Yinchuan, Ningxia, China, 2016; SHE — International Women Artists Exhibition, Long Museum, Shanghai, China, 2016; Tutorials, Pino Pascali Foundation Museum, Polignano, Italy, 2016; Bentu, Chinese Artists in A Time of Turbulence and Transformation, Foundation Louis Vuitton, Paris, 2016; Unordinary Space, Aurora Museum, Shanghai, 2015; CAFAM Future, Central Academy of Fine Art Museum, Beijing, 2015; Now You See, Whitebox Art Center, New York, 2014; 7th Shenzhen Sculpture Biennale, OCT - Contemporary Art Terminal, Shenzhen, 2012; stillspotting nyc, Solomon R. Guggenheim Museum, New York, among others.

I also went to see Brooklyn's Seductive Subversion about women Pop artists and saw LACMA's consideration of Surrealist women artists in the exhibition In Wonderland.

With some of my daughter's heartbreaking reproaches about my art practice seared in my brain, I ventured out this week to see «To Be A Lady: Forty - five Women in the Arts,» a superb exhibition, curated by Jason Andrew, that features work by many legendary artist mothers, including Louise Nevelson and Grace Hartigan who famously left their offspring to be raised by others, and Alice Neel, an unconventional mother whose grandson Andrew's documentary reveals his father's deep resentment about Neel's choices.

It will be wonderful to see the day when the inclusion of women in art exhibitions, particularly those focused on the mid-20th century, attracts no special notice.

One can see those twin aims in everything from the deadly 2010 renovation to extended hours and curatorial changes — and from the permanent display of Judy Chicago to socially aware exhibitions of Jean - Michel Basquiat, Lorna Simpson, the Civil Rights movement, Wangechi Mutu, women in Pop Art, «Global Feminisms,» gay artists, SWOON, Mickalene Thomas, El Anatsui, and Ai Weiwei.

When Linda Nochlin asked Georgia O'Keeffe to take part in an all - women exhibition, she declined because she wanted to be seen solely as «one of the best painters.»

In Paris, Nicholas Ghesquière showed silk - embroidered frock coats comparable to those seen in 18th - century portraiture for his women's Spring 2018 Louis Vuitton collection; in New York, the Metropolitan Museum's recent Michelangelo show was the tenth most visited exhibition in its history, outstripping even the Alexander McQueen blockbuster in 2011; in London, renowned contemporary British artist Glenn Brown is presenting his reinterpretation of the Old Masters at the Gagosian Gallery (until 17 March), while at Victoria Miro (until 7 April), Mark Wallinger's Italian Lessons exhibition takes inspiration from the Italian masters and masterpieces in Italian collections.

Several of Wilson's artworks can be seen in the current exhibition: Women's Work: Feminist Art from the Collection, on view September 11, 2015 — January 3, 2016.

You don't often see all the artists listed together especially the line up for Black Woman Time Now, its not in Passion: Discourses on Black Womens Creativity (1990) and its not in The Companion to Contemporary Black British Culture (2002) even though the exhibition is mentioned, or Shades of Black (2005), or the catalogue for Transforming the Crown (2007).

Notably, 1953 was also a pivotal year for de Kooning, who finally found staunch critical support and solid financial success following the exhibition of paintings and drawings from his Woman series at the Janis Gallery that spring.22 By then, Rauschenberg had known de Kooning for a year or more and had seen him on occasion, often through their mutual friend Jack Tworkov (1900 — 1982), who sublet studio space from de Kooning.23 Even as other details of the Erased de Kooning Drawing story changed, Rauschenberg always insisted that he chose de Kooning out of deep respect for his work and because there was no question that a drawing of his would be considered art — and this was more true than ever in 1953.24 Critic Leo Steinberg later reported asking Rauschenberg whether he would have erased a drawing by Rembrandt, to which he replied no.

At her recent solo exhibition at Cheim & Read, big - breasted women display spread legs and vulvas; two women clutch each other passionately as one penetrates the other with a dildo; a single woman is seen from behind in -LSB-.....]

The insistent way in which Wilke challenged received notions of the profanity and secrecy of women's sex organs, repeating with unswerving commitment the folded labial and vaginal form, can be seen in a number of other key works in the exhibition.

In addition to presenting important artworks, the exhibition will convey the political foment of an era that saw both the emergence of Conceptual art and the rise of the Women's Rights, Civil Rights, and anti — Vietnam War movements, and will illustrate the period's experimental impulses through catalogues, artist publications, periodicals, photographs, and ephemera from key exhibitions and events.

While individual expression is key, several themes recur in works by the women artists seen in this exhibition.

From Linder at the Women's Library to rare paintings by Serge Charchoune, the exhibitions to see outside of the main programme

Other lectures and exhibitions include a Women's department, headed by Julia Ward Howe, to encourage women to see new roles for themseWomen's department, headed by Julia Ward Howe, to encourage women to see new roles for themsewomen to see new roles for themselves.

Now, over 40 years later, Yoko Ono: One Woman Show, 1960 — 1971 surveys the decisive decade that led up to Ono's unauthorized exhibition at MoMA, bringing together approximately 125 of her early objects, works on paper, installations, performances, audio recordings, and films, alongside rarely seen archival materials.

Her work has been seen in group exhibitions in the UK and the annual exhibitions of the Society of Women Artists and the Royal Society of Portrait Painters.

This exhibition catalog doubles as a catalogue raisonné of Hosmer's art as seen through the eyes and hand of another woman and artist.

These women can be seen as new colored statues, votive images or protagonists in the «landscape» of the exhibition.

Roberta Smith described the experience of viewing Four New Clear Women in her review of Rosenquist's exhibition for The Village Voice: «Walking into Castelli's Green Street and seeing for the first 17 - by - 46 foot Four New Clear Women is like encountering the Columbia or Hoover Dam of paintings — for the first few seconds all you see is size, as well as an art so all - American, familiar, and public that it doesn't quite seem to be the work of only one person, but rather the expression of some more diffuse national self.

, ArtPharmacy (Blog), June 12 Elisa della Barba, «What I loved about Venice Biennale 2013», Swide, June 2 Juliette Soulez, «Le Future Generation Art Prize remis a Venise», Blouin Artinfo, May 31 Charlotte Higgins, «Venice Biennale Diary: dancing strippers and inflatable targets», The Guardian On Culture Blog, May 31 Vincenzo Latronico, «Il Palazzo Enciclopedico», Art Agenda, May 31 Marcus Field, «The Venice Biennale preview: Let the art games commence», The Independent, May 18 Joost Vandebrug, «Lynette Yiadom - Boakye», L'Uomo Vogue, No. 441, May / June «Lucy Mayes, «Lynette Yiadom - Boakye», a Ruskin Magazine, Vol.3, pp. 38 - 39 Rebecca Jagoe, «Lynette Yiadom - Boakye: Portraits Without a Subject», The Culture Trip, May Lynette Yiadom - Boakye, «Lynette Yiadom - Boakye on Walter Richard Sickert's Miss Gwen Ffrangcon - Davies as Isabella of France (1932)», Tate etc., Issue 28, Summer, p. 83 «Turner Prize - nominated Brit has art at Utah museum», Standard Examiner, May 1 Matilda Battersby, «Imaginary portrait painter Lynette Yiadom - Boakye becomes first black woman shortlisted for Turner Prize 2013», The Independent, April 25 Nick Clark, «David Shrigley's fine line between art and fun nominated for Turner Prize», The Independent, April 25 Charlotte Higgins, «Turner prize 2013: a shortlist strong on wit and charm», guardian.co.uk April 25 Charlotte Higgins, «Turner prize 2013 shortlist takes a mischievous turn», guardian.co.uk, April 25 Adrian Searle, «Turner prize 2013 shortlist: Tino Sehgal dances to the fore», guardian.co.uk, April 25 Allan Kozinn, «Four Artists Named as Finalists for Britain's Turner Prize», The New York Times, April 25 Coline Milliard, «A Crop of Many Firsts: 2013 Turner Prize Shortlist Announced», Artinfo, April 25 Sam Phillips, «Former RA Schools student nominated for Turner Prize», RA Blog, April 25 «Turner Prize Shortlist 2013», artlyst, April 25 «Turner Prize Nominations Announced: David Shrigley, Tino Sehgal, Lynette Yiadom - Boakye and Laure Prouvost Up For Award», Huffpost Arts & Culture, April 25 Hannah Furness, «Turner Prize 2013: a dead dog, headless drummers and the first «live encounter» entry», Telegraph, April 25 Hannah Furness, «Turner Prize 2013: The public will question whether this is art, judge admits», Telegraph, April 25 Julia Halperin, «Turner Prize shortlist announced», The Art Newspaper, April 25 Brian Ferguson, «Turner Prize nomination for David Shrigley», Scotsman.com, April 25 «Former Falmouth University student shortlisted for Turner Prize», The Cornishman, April 29 «Trickfilme und der Geschmack der Sonne», Spiegel Online, April 25 Dominique Poiret, «La Francaise Laure Prouvost en lice pour le Turner Prize», Liberation, April 26 Louise Jury, «Turner Prize: black humour artist David Shrigley is finally taken seriously by judges», London Evening Standard, April 25 «Turner Prize 2013: See nominees» work including dead dog, grave shopping list and even some paintings», Mirror, April 25 Henry Muttisse, «It's the Turner demise», The Sun, April 25 «Imaginary portrait painter up for Turner Prize», BBC News, April 25 Farah Nayeri, «Tate's Crowd Artist Sehgal Shortlisted for Turner Prize», Bloomberg Businessweek, April 25 «Turner Prize finalists mix humour and whimsy», CBC News, April 25 Richard Moss, «Turner Prize 2013 shortlist revealed for Derry - Londonderry», Culture24, April 25 «David Shrigley makes 2013 Turner Prize shortlist», Design Week, April 25 «The Future Generation Art Prize@Venice 2013», e-flux.com, April 21 Skye Sherwin, «Lynette Yiadom - Boakye», The Guardian Guide, March 2 - 8, p. 36 Amie Tullius, «Seasoned by Whitney Tassie», 15 Bytes, March «ARTINFO UK's Top 3 Exhibitions Opening This Week, ARTINFO.com, February 25 Orlando Reade, «Whose Oyster Is This World?»

Fall into Art is a group exhibition featuring artworks by ARTsisters, a Philadelphia area - based group of 25 professional women visual... See Full Post

She had seen an exhibition in New York that included men of color and women — people whose works are rarely seen in Ab - Ex exhibitions.

Meet 10 of the incredible women artists you need to see at this year's exhibition:

It will be impossible to see the entire exhibition at once, just as there is something in the woman's nature, the object of desire, that forever eludes the protagonist's grasp.

See the thru line of the exhibition, a joke that according to the gallery text inspired the artist: «Everybody wan na be a black woman but no one wan na be a black woman.»

The exhibit, which the art website Hyperallergic described as «perhaps the most important exhibition New York has seen in recent years,» highlights the work of Black women during a period of tremendous cultural and sociopolitical upheaval.

Her most recent exhibitions include LANDMARK, Socrates Sculpture Park, (2016), Only When It?s Dark Enough You Can See The Stars, The Contemporary, (2016), Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016.

The exhibition was inspired by seeing the work and words of women artists, in galleries and on social media, in the lead - up to Election Day, and after.

However, through collaging the women together — women she personally knows as well as women she admires — the exhibition can be seen as a portrait of the artist's personal world, literally and physically showing the artist alongside her own mentors, muses and celebrities.

12.12.17: Kathleen White at Martos Gallery, «Exhibitions To See: 8 - Bit Reality, Kathleen White, Immigrant Women,» Bedford + Bowery