Sentences with phrase «women with ink»

Either way, I think women with ink are beautiful.

Not exact matches

If you're looking to ink a deal with a really wealthy individual (there are plenty of wealthy women, but I'll make this example male, because that's the universal pronoun), here are five rules to put you way ahead of your competition:

A British study found that women with visible tattoos were perceived as less attractive, heavier drinkers, and more promiscuous than females without any ink — which owes to stereotypes about women with tattoos.

Just two years ago, the Obama administration inked a $ 1 billion deal with CCA to build a facility in Dilley, Texas, that would detain women and children from Central America seeking US asylum, according to a Washington Post report earlier this week.

And lots of women choose to memorialize their breastfeeding relationship with some permanent ink.

I understand that this can be seen as retrogressive, but for those women who aspire to what used to be thought of as a traditional life with home and family, there is almost no ink addressing personal fulfillment outside of the workplace.

The students viewed pictures of a woman with and without the tats and their scores in [nine] areas indicate that they thought with skin [ink,] she would be a better teacher, she would be a more imaginative lecturer, and they would be more motivated and more likely to recommend her.

Basement shirts premium next level tri blend women's tank top printed with yellow ink.

Tattooed Personals is a dating site aimed towards men and women who are looking to meet other singles with interests in the ink art lifestyle.

I am a kind, generous, sensitive woman with a lot of love to give.To find a way to me use this id heartofgoldmw and add the following in capital letter Goat Mate Area ink Like.Cool Out More.

We gather women and men who love tattoos and want to date with people who love ink as much as they do!

To say she is only a woman is to say a violin is a piece of wood with strings, and Dante is mere ink printed on paper.

With the story's last page turn, the illustrations change from ink - and - watercolor scenes of Jane as a child, toting Jubilee, to a color photo of Jane Goodall as a young woman in Africa, extending her hand to a chimpanzee.

A USA Today Bestseller Winner of a National Jewish Book Award Winner of the Association of Jewish Libraries Jewish Fiction Award An Amazon Best Book of the Year One of Ms. Magazine's «Bookmark» Titles One of The Jewish Exponent's «2017's Top Reads» Set in London of the 1660s and of the early twenty - first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history.

With pen - and - ink illustrations and plenty of deadpan, highbrow humor à la Kate Beaton, Fleming explores how men have silenced, disregarded and dismissed women throughout the ages.

He steals the mother's milk and blackens it to make printer's ink to scoff at her and glorify ideal women with.

Four college grads, with ink still damp on their degrees, form an alliance with two mature women.

Alongside a series of abject ink - jet prints that looked as if they were plastered in bumper stickers purchased from an early 2000s Spencer Gifts and his 2012 video Raspberry Poser, in which animated renderings of a condom and the HIV virus dance through the streets of New York City while Beyoncé and Mazzy Star play at an intoxicating volume, he showed the animatronic sculpture (Female figure), a scuffed - up woman impaled on a stripper pole who speaks in Wolfson's voice and makes eye contact with viewers.

«Untitled - Locomotive,» along with other such small ink drawings in the exhibition as «Elizabeth at the Window» and «Seated Woman,» changed everything.

An assistant in a rubber mask doused Sexton with Wite - Out and black ink, the better to counter the invisibility of many women in a man's world.

Using his diaries as points of departure, Beard's complex process often involves incorporating newspaper clippings, dried leaves, feathers, insects, old sepia - toned photos, photographs of women, quotes and various found objects in conjunction with his working with ink and paint.

His gallery installations are cabinets of curiosities featuring intricate wall paintings of beautiful women, indigenous statues and deities, collages crafted from vintage magazines penned and inked by the artist, human - like insect heads encased in vitrines, dolls that have been transformed into gang members, and images of pin - up girls with full tattoo sleeves.

Mary Beth Edelson, «Winter Saga: Viking with Time on Her Hands (Woman Rising series)», 1973, Oil, ink, china marker, paper collage, and glitter on silver gelatin print, 10 x 8 inches, 25.4 x 20.3 cm, MBE491

In the nine - foot - high painting, the body of a naked woman is inked with preparatory marks from a plastic surgeon's pen.

Robert Henry takes the solo show a step further, by pairing its layered, cut, and knotted paper by Liz Jaff with a show of her ink silhouettes and drips back at the gallery — as two views of a woman's contours, craft, and surrender to chance.

Using his diaries as points of departure, his complex process often involves incorporating newspaper clippings, dried leaves, feathers, insects, old sepia - toned photos, photographs of women, quotes, and all sorts of found objects, in addition to working with ink and paint.

The New Jeff Koons 1980 duratran, fluorescent lightbox 42 x 32 x 8 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT New Hoover Celebrity IV, New Hoover Convertible, New Shelton Wet / Dry 5 - Gallon, New Shelton Wet / Dry 10 - Gallon Doubledecker Four vacuum cleaners, 1985 plexiglas, fluorescent lights 99 x 53 1⁄2 x 28 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Aqualung 1985 bronze Edition 1 of 3 27 x 17 1⁄2 x 17 1⁄2 inches Private collection One Ball Total Equilibrium Tank (Spalding Dr. J Silver Series) 1985 glass, steel, sodium chloride reagent, distilled water, basketball Edition 1 of 2 64 3⁄4 x 30 3⁄4 x 13 1⁄4 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Three Balls 50/50 Tank (Wilson Aggressor, Wilson Supershot, Dr. J Silver Series) 1985 glass, steel, distilled water, three basketballs Edition 2 of 2 60 1⁄2 x 48 3⁄4 x 13 1⁄4 inches Private collection Jim Beam - J.B. Turner Train 1986 stainless steel, bourbon Artist's Proof 11 x 114 x 6 1⁄2 inches Stefan T. Edlis collection I Assume You Drink Martell 1986 oil inks on canvas Edition 1 of 2 45 x 60 inches Private collection Italian Woman 1986 stainless steel Edition 1 of 3 30 x 18 x 11 inches Courtesy Leo Castelli Gallery Rabbit 1986 stainless steel Edition 3 of 3 41 x 19 x 12 inches Sonnabend collection Buster Keaton 1988 polychromed wood Edition 2 of 3 65 3⁄4 x 50 x 26 1⁄2 inches C&M Arts Michael Jackson and Bubbles 1988 porcelain / ceramic blend Edition 2 of 3 42 x 70 1⁄2 x 32 1⁄2 inches San Francisco Museum of Modern Art, purchased through the Marian and Bernard Messenger Fund and restricted funds Pink Panther 1988 porcelain Edition 3 of 3 41 x 20 1⁄2 x 19 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT St. John the Baptist 1988 porcelain Edition 3 of 3 56 1⁄2 x 30 x 24 1⁄2 inches Courtesy Sonnabend Gallery Ushering in Banality 1988 polychromed wood Edition 2 of 3 38 x 62 x 30 inches Private collection Vase of Flowers 1988 mirror 72 1⁄2 x 53 x 1 inches Collection of Michael Crichton, courtesy of Christie's Wild Boy and Puppy 1988 porcelain Edition 1 of 3 38 x 39 1⁄2 x 23 1⁄2 inches C&M Arts Winter Bears 1988 polychromed wood Edition 2 of 3 48 x 44 x 15 1⁄2 inches Anthony d'Offay, London Woman in Tub 1988 porcelain Edition 3 of 3 23 3⁄4 x 36 x 27 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Bourgeois Bust - Jeff and Ilona 1991 marble Artist's Proof 44 1⁄2 x 28 x 21 inches Anthony d'Offay, London Dirty - Jeff on Top 1991 oil inks silkscreened on canvas 60 x 90 inches Collection of Rachel and Jean - Pierre Lehmann Wall Relief with Bird 1991 polychromed wood Edition 2 of 3 72 x 50 x 27 inches C&M Arts Balloon Dog (Orange) 1994 - 2000 high chromium stainless steel, mirror - polished finish with transparent color coating 120 x 144 x 45 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Bread with Egg 1995 - 1997 oil on canvas 128 x 108 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Play - Doh 1995 - 2004 oil on canvas 131 5⁄16 x 111 1⁄16 inches Private collection Auto 2001 oil on canvas 102 x 138 inches Courtesy the Stephanie and Peter Brant Foundation, Greenwich, CT Lobster 2003 polychromed aluminum, steel, vinyl Edition 1 of 3 57 7⁄8 x 17 1⁄8 x 37 inches (plus variable length chain) Private collection, courtesy Thea Westreich Art Advisory Services Elvis 2003 oil on canvas 108 x 93 inches Stefan T. Edlis collection

Group Exhibitions 2018 Stretch / Pulled / Inked, Impact Arts, as part of the Glasgow International, Glasgow (upcoming) Glasshouse, Glasgow Botanic Gardens, Glasgow (upcoming) 2017 Amazing Perplexity, Curated by Nathalie Hoyos, Rainald Schumacher and Alevtina Kakhidze, Residents Group Exhibition of FACE — Artist Residence Program in Kiev 2016 Factually Real Illusions, curated by Lorna McDowell, Cookhouse Gallery Chelsea College of Art, London Semi-Gloss, Semi-Permeable, Glasgow International Festival 2015 International Women's Contemporary Art Forum — A Crossing Section of Art, BankART Studio NYK, Yokohama Finite Project Altered When Open, David Dale Gallery, Glasgow Abstraction from Architecture, Edinburgh Print Studio Hold, Sway, Generator Projects, Dundee 2013 Editionshow, Chert, Berlin You're my wife now, Infernoesque project space, Berlin Every Day, GoMA, Gallery of Modern Art, Glasgow 2012 Tintenfisch, CNEAI =, Paris, organized by Chert & Motto in the frame of Berlin - Paris exchange 2011 Industrial Aesthetics: Environmental Influences on Recent Art from Scotland, Times Square Gallery of Hunter College, City University of New York Annuale, Edinburgh 2010 Drinnen & Draussen, Chert, Berlin A man, some chickens and one corner, with Petrit Halilaj and Heike Kabisch, Berlin — Paris exchange, Galerie Carlos Cardenas, Paris, with Chert, Berlin 2009 Spacioux, curated by Michela Arfiero, Paola Gallio, Daniela Lotta, Lambretto Art Project, Milan Motto & Chert & Roses, Tulips & Roses, Vilnius 2008 You can't hide your love forever, LH Gallery, Paris And So It Goes, Art news Projects, Berlin MFA Degree Show, Tramway, Glasgow Flock, Bezalel Gallery, Tel Aviv 2007 MFA Interim show, Glasgow School of Art, Glasgow Devil Blue Dress, The Factory, Impact Arts, Glasgow 2005 Tercet, Intermedia, King Street, Glasgow 2004 Pieces, The Factory, Impact Arts, Glasgow

Her charcoal drawings serve as studies for the iconic 1970s floor sculptures, utilizing braiding and weaving, referencing women's traditional arts; her recent «Grommetypes» puncture and mold paper with ink and watercolor.

«He works with a mix of ink, colored pencil, paint and lacquer to create each artwork that can vary from anthropomorphic animals playing instruments to portraits of men and women inspired by Weimar - era German expressionism.

Hung Liu In Print Image: Hung Liu, Winter Blossom, 2011; Woodblock print with acrylic ink, 32 1/4 x 29 3/4 in.; National Museum of Women in the Arts, Promised Gift of Steven Scott, Baltimore, in Honor of Chief Curator, Kathryn Wat, and the Twenty - fifth Anniversary of the National Museum of Women in the Arts; © Hung Liu

- Street Noises Invade the House (1911, Private Collection)- Materia (1912, Peggy Guggenheim Collection, Venice)- Dynamism of a Cyclist (1913, Private Collection)- Dynamism of a Soccer Player (1913, Museum of Modern Art, NY)- Dynamism of a Man's Head (1914, Museum of Contemporary Art, Milan)- Dynamism of a Woman's Head (1914, Museum of Contemporary Art, Milan)- Still Life with Glass and Siphon (1914, gouache and ink, Yale University)- Interior with Two Female Figures (1915, Castello Sforzesco, Milan)- Charge of the Lancers (1915, Ricardo and Magda Jucker Collection, Milan)

Layering images of women and men culled from vintage Ebony and Jet magazines «with colorful ink washes, striking geological formations, and dreamy skyscapes, Simpson creates fantastical coiffures that pay homage to the beauty of Black hair.»

There are graphite, ink and watercolor portraits of women, images of heads with flourishes of gold embossing powder, and a recent series of collages — black and white photographs of faces cut from vintage Ebony and Jet magazines embellished with watercolor coifs and, in some instances, text.

In the late 2000s, Prince began a cycle of paintings which similarly corrupted Willem de Kooning's «Women» series — conflating the originals with pornographic ink - jet prints and sections of expressive, «painterly» brushwork.

Made from 100 percent organic cotton and printed with water - based inks, the shirts come in six different sizes, in both men's and women's styles.