And speaking of the original, Charlton Heston pops up in
a wonderful cameo in this one, and utters a great dying line.
Not exact matches
Arsenal Almunia 7 — Had little to do, but what he did do he did well Sagna 7 — Lost the ball a couple of times but reliable as ever Gallas 9 — Excellent game, this season will be an important one for the Frenchman and this was a great way to start it Clichy 7 — Didn't put a foot wrong Fabregas 9 —
Wonderful performance capped with a brace (Ramsey) 7 — The Welsh Cesc is coming along nicely Vermaelen 9 — An assured debut that left me forgetting about the absence of Kolo Denilson 8 — Top notch display Song Billong 8 — Solid and measured Arshavin 8 — Kept going from the 1st to the final minute Van Persie 8 — No goals, but two assists and a hand
in an other (Eduardo) 7 — Lethal finisher showed what he is all about
in his
cameo Bendtner 8 — Really impressed me and is continuing to improve every game (Eboue) 7 — Helped close out the game.
There's fun to be had
in spotting Udo Kier, Ken Foree, and Brad Dourif
in cameo roles (meanwhile, Zombie's standard company returns, his wife Sheri Moon turning
in a
wonderful performance as our bogeyman's stripper mommy), but it's distracting as well, almost too much like a rib - chucker (think The Howling — and sure enough, there's Dee Wallace as the adoptive mother of hero girl Laurie (Scout Taylor - Compton, also attached to an upcoming April Fool's Day remake)-RRB- that only ever really worked when John Landis gave it a shot with An American Werewolf
in London.
Two
wonderful cameos by Jason Schwartzman as the owner of a high end North Beach gallery and Terence Stamp as New York Times art critic John Canaday reveal the gatekeepers to be exactly who they were — and primarily still are — self - important men who delight
in throwing their weight around.
The sword - and - sandals, «Jesus Picture» star, Baird Whitlock (George Clooney, sillier than ever — an injoke reminiscent of Steve Buscemi's ever decreasing mortal remains
in the Coenography) is missing, and the gossip columnists (both played by Tilda Swinton, both underused), the sailor tap - dancing musical has an alarming case of closeted gayness (and a
wonderful cameo from the Highlander frenchman, Christopher Lambert), the Busby Berkeley mermaid picture has a star (Scarlett Johannson,
in a glorious Noo Yawk accent) and whose fish tail is getting more ill - fitting by the hour due to a pregnancy scandal about to break, and a Euro - flavoured drawing - room melodrama has been saddled with an aw - shucks singing cowboy leading man (Alden Ehrenreich
in a breakout performance) who is far, far out of his depth.
Roger Spottiswoode Oh mate it's brilliant this one «cos it's got Jonathan Pryce chewing the scenery
in wonderful style and Michelle Yeoh rocks up as my favourite Bond girl and Gotz Otto as the villain's «heavy» is really good and Vincent Schiavelli has an hilarious and brutal
cameo and David Arnold's music is awesome and the real world analogies are more relevant today than ever and it's just brilliant
in fact it's my favourite Bond so there.
Throw
in a few
wonderful side characters, like Sgt. Bressman (Will Forte) and a great
cameo by R. Lee Ermey and you've ironed out a great ninety minutes of funny.
We've got much more piss your pants one liners and forth wall breaking tomfoolery from Wade, it's sweet sensitive and extremely emotional
in parts (not since the finale of T2 have I sobbed so much), the OTT action and gore makes a hatchet fight
in a Butcher shop look clean
in comparison with moments to make hardcore Gore - Geeks give a huge hooray, the cringe worthy «oh no he didn't» moments are rife, there's a touching subplot about what it really means to be Family and also we are treated to an array of colorful supporting characters including an excellent turn from Josh Brolin as futuristic super soldier «Cable», a
wonderful performance from upcoming young talented star Julian Dennison (hunt for the wilder people), the obligatory Hugh Jackman
cameo and a mega hard Super Villain who makes his previous onscreen incarnation seem like Vinny Jones
in a giant penis suit... Oh wait!
And I would be remiss if I did not mention a
wonderful cameo by Garry Shandling — the last performance before his death last month at age 66 — as a porcupine, Ikki, who appeared
in the Kipling stories but not
in Disney's earlier film.
Isaac,
in a
wonderful extended
cameo, makes a meal out of the character's deceptive decorum and deliciously wry dialogue; for a few minutes, you can almost pretend you're watching some lost Coens caper, not this awkward approximation of one.
In addition to blink - and - you'll - miss - them turns from Gluck muse Stone and Timberlake's «Saturday Night Live» pal Andy Samberg, Woody Harrelson has a blast turning gay stereotypes on their ear; snowboard god Shaun White
cameos as an evil version of himself; and Richard Jenkins does his normally
wonderful job as Timberlake's pantless father.