Sentences with phrase «wondering about the paint»

(hopefully not the creepy kind though...:)-RRB- Anyway, I was wondering about painting your ceiling... I've been wanting to paint our bathroom ceiling for MONTHS now, but we have a vent and a fan on ours — one metal, one plastic, and I'm worried abotu getting the paint in the grooves evenly enough that there aren't white spots sticking out like a sore thumb.

Wondering about paint choices too:)

I was just wondering about the paint color?

Yes, I was wondering about this paint.

Matt wondered about painting the lowers white, but to be honest I don't know where I would use them in the future... and lowers face so much more traffic with 3 littles running around... ALL the drawers would have to come out to be painted and prepped, so it just wasn't worth the time to me.

Am wondering about the paint color name of your kitchen walls.

Not exact matches

Nature has just as much beauty, order, love, and wonder as it does death, blood, suffering, and murder, and Scripture has hundreds of dark and disturbing passages which seems to paint a different picture of God than we read about in the Gospels or in 1 John 4:8.

Before you start wondering what this writer is really jabbing about, let me paint some possible scenarios for you and maybe prepare your minds for the surprise of the season.

If you choose to paint every room in your house a particularly virulent purple, people may wonder about your choice, but are not really going to care much.

Thanks for the info, I have been wondering about this ~ as an artist I am very familiar with the characteristics of paint and how it would work on a chair.

I am just finishing another piece of painted furniture and want to finish it off the same way but wondered about your thoughts regarding my original question before I press go!

I'm happy the paint turned out so well, I have been wondering about Chalk Paint, I've used oil based and it covers beautifully, but it takes a bit to dry, I get impatient!!!

I have two comments about chalk paint: 1: it is not a one coat wonder... It is great but works best with several coats thinning each coat a bit until you have a nice finish.

The chalk paint is a new project, I love the idea of the wax but have been wondering as I'm doing this about the permant finish.

In case you were wondering, Marion (Miss Mustard Seed) is not paying me to write about her paint line.

UK About Blog Gemma Kenward's blog is all bout detailing special hand painted wedding shoes, wedding tips and general wonderings of an artist.

Finally, for those wondering about the «nude image» mentioned in the MPAA's rating descriptor, it refers to a fascination young Jane has for a painting of a reclining nude woman (the work of art is seen in close - up).

It's just that in «Southside With You,» instead of talking about infrastructure and drone - strikes, he's giving his opinions about Stevie Wonder albums, Spike Lee movies, and the paintings of Ernie Barnes (the man who did J.J.'s artwork on the»70s sitcom «Good Times»).

But one of the items was new to me, and I wondered what you thought about a Teflon paint - protecting product offered for $ 250.

I wonder if the painting would have the same effect if the viewer didn't know anything about anyone in the portrait.

And it made me think differently about other paintings i've seen, wondering the story behind each.

He continues to work hard for his success, but uses his head too - and needless to say his paintings are beautiful When the interview started I wondered about an Australian without an accent, then heard his explanation - but bits and pieces and phrases of Australia came through.

I wonder if more might have been said about paint and mediums?

He is wondering about art after conceptual art and wondering if he or anyone else should be painting.

I was wondering if you were thinking about a relationship to painting while making them, given your background as a painter?

I was wondering though if you could talk a little more about the Holbein painting.

Sitting in front of this impressive, large painting, I wondered about the implications of it as the path not taken.

In the catalogue accompanying Eva Hesse Spectres 1960, which is currently on view at The Brooklyn Museum, Louise S. Milne, Lecturer at the Edinburgh College of Art, wonders about the merits of the early paintings by Eva Hesse (1936 — 70).

You were supposed to wonder about the motives and feelings of people in a painting, because they could be your motives and your feelings as well.

We wondered, not just about the choice to paint the figure and landscape in the face of the abstract expressionist juggernaut, but, considering this crew, the essence of masculinity at this time in history.

This group, which had coalesced around an artist and Rutgers professor named Allan Kaprow, started to wonder about taking the painting out of «action painting» — to try doing what Jackson Pollock had done, but without a canvas.

LG: I'm curious about your mentioning your early figurative paintings, wonder if you could speculate about how painting the figure might differ from your still lifes?

But I also wondered about your position as a «woman painter» — someone who is making these paintings from the position of the woman artist.

And I'm wondering, now that we know that, what do we think about the painting?

On these grounds, the most introspective, serious and moving of all these posters has to be Fiona Banner's design for the Paralympics, a painted prose poem about the wonder of human, or superhuman, achievement.

Now that I am painting more directly I wonder if all the paintings that I've done, like the spin paintings, are about a sort of imaginary mechanical painter, like a machine that paints.

I started to wonder if you could make a painting about that.

I wonder if this type of painting or theory about making work is has developed into it's own set of rules or «formalism.»

Reading the statement for Joe Bradley's exhibition at Canada (which runs concurrently with the Ab Ex-y paintings on view at Gavin Brown's Enterprise that I wrote about yesterday), and looking at the goofy silhouetted images, I wondered if this was a script from Saturday Night Live.

It's not about whether I succeed in finding this new painting — the idea is that I'm trying to discover the possible resources of painting as a medium, wondering if I can still achieve that image, not necessarily shocking, but brand new» (Ibid.).

The title of this painting introduces a certain level of existentialism, implying that the figure reflected in the surface of the water is wondering about the nature of his own soul.

i was wondering about the procces, did you paint directly into the walls of the church?

Rail: From what I remember from Jeremy Gilbert Rolfe's favorable review of the Clocktower show in Artforum, in which he talked about the glitter being identified as color with planar adherence of the surface of a painting, I'm wondering whether artists including Joyce Kozloff, Miriam Schapiro, whom you already had contact with at CalArts, along with Betty Goodman, and Robert Kushner, had any dialogue with you or responded to that aspect of your work before creating their own Pattern and Decoration movement?

We see you in your films, but I wonder if you could talk about how you work with your paintings?

I've been a fan of Jeff Koons» for a long time but always wondered about his appropriation of copyrighted material — you can't be more blatant with his Popeye series even titling some of his paintings with the Popeye name.

There is much to wonder about here, and Youngerman's painting is the kind that provides the space to do so.

Rail: But as far as the relationship between photography and painting is concerned, particularly in the subject of portraiture, I wonder how you feel about the German photographers who've dominated contemporary photography in the last two decades?

Nadel: Trent, I wonder if you could talk about the difference between making a narrative with a series of paintings and wall text, and making a book, how language interacts in a book as opposed to the way it interacts in painting or on a wall?

A gentleman, Dan Tran, newly retired and pleased with how his life has worked out, came into our gallery recently and allowed he had been painting since retiring and wondered about a show.

Edith Newhall reports in the Philadelphia Inquirer: «Campuzano's paintings convey a sense of potential menace lurking in their background, and each is different from the other and vaguely reminiscent of the works of such painters as Jasper Johns, Frank Stella, Clyfford Still, and Piet Mondrian — enough so you wonder if Campuzano's project is actually about the viability of painting in the 21st century, and whether he has tweaked the «dead man» of the original note into a reference to famously groundbreaking artists, dead and alive....