Sentences with phrase «wood and stone sculpture»

Bad Paper has already published a small book by sculptor Daniella Mooney, whose wood and stone sculpture, Holy Water: A Study in Rainmaking (2014), may still be called upon to demonstrate its powers.

Not exact matches

Carving and sculpturing of wood, sandstone, stone and various other material are fascinating aspects of traditional Thai art; none more so than the art of carving beautiful floral designs out of soap!

At Sussex Sculpture Studios we continue to cater for all levels of experience and ability in a variety of media including wood, ceramics, stone, ciment fondue, plaster and resin.

Speidel's sculptures, which function as benches, stools and chairs, are constructed from wood, metal and stone.

The Carving Studio & Sculpture Center offers Artists in Residence comprehensive facilities for creating works in stone, metal, wood, ceramics, glass and more.

Explore Henry Moore's relationship with carving through sculptures in wood and stone, plus a fascinating display of archive material.

Barbara Hepworth was by then famous for her organic abstract sculptures, carved in wood and stone.

Presenting paintings from the 1930s and»40s as well as more figurative sculptures carved from wood and stone, «John Dunkley: Neither Day nor Night» opens at Pérez Art Museum Miami May 26, 2017.

From Trewyn Studio, with its sloping garden, she created sculptures in stone and wood, drawing inspiration from the undulating landscape of the coast.

Living and working at Trewyn Studio in Cornwall, she was at first largely preoccupied with stone and wood carving, but during the 1950s she increasingly made sculpture in bronze as well.

This exhibition will feature key works from the Museum's collection, including sculptures in stone, a selection documenting Noguchi's experimentation with stainless steel and aluminum sculptures from the 1950s, as well as rarely shown pieces from the early 1940s incorporating string and wood elements.

This revealing and complex exploration of Barbara Hepworth's work features her naturalistic carvings of the 1920s and increasingly abstract sculptures of the 1930s, the ambitious post-war works in wood, stone and bronze, her monumental public commissions and the strikingly diverse creations of her final years.

There are two large sculptures studios linked to two smaller project rooms, including a welding room, kiln and areas for plaster, stone, and wood working.

While the indoor galleries are devoted to her works in stone, wood and paint, the sculpture garden provides an ideal environment to view her magnificent bronzes in the context for which they were created.

An amalgam of artistic references and styles, her sculptures are composed of such varied materials as carved wood and stone; assembled plywood components; found objects such as clothing, televisions, and baby carriages; industrial materials such as neon, Astroturf, and mirrors; plaster casts; and drawn and painted elements.

Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.

Hepworth forged her sculptures — signature stone and wood pieces, and plaster casts for her bronzes — in the house's yard, in two outdoor studios, and in the house itself.

Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and 1952.

It will feature some of her rarer works alongside some of her most significant sculptures in wood, stone, and bronze.

Three Dimensional Design & Sculpture Including but not limited to: stone, glass, metal and wood work; ceramics, textiles.

«3 - Dimensional» Art is acceptable in this competition and is open to the following media: relief, pottery, sculpture, installation, kinetic, and conceptual 3 - D artworks created in metal, paper, wood, stone, fiber, plastics, glass, ceramics, or any other material which can be used to create 3 - dimensional art.

Recent bodies of work have included print editions as well as sculpture rendered with ceramic, metal, wood, stone, rubber and found objects.

The works of Christoforos Savva (1924 — 1968) Cube (Abstract sculpture)(1962/65), Nikos Kouroussis (b. 1937) Untitled (1970), Angelos Makrides (b. 1942) The Great Greek Encyclopaedia (1972), Aristidis Anastasiadis (1940 - 2014) Positive Space (1992), and Mary Plant (b. 1943) Anthograms (2004 - 2005) are studies of personal and interpersonal topographies embracing diverse materials and ranging from wood, iron, and paper to stone and gypsum.

In his first solo show in the region, Sculptures, Cragg is presenting 18 new works in bronze, stone, wood and glass.

In January 2015, the renowned American artist Ellsworth Kelly gifted to the Blanton Museum of Art the design concept for his most monumental work, a 2,715 - square - foot stone building with luminous colored glass windows, a totemic wood sculpture, and fourteen black and white marble panels.

A German 17th — century carved - wood skull, a recent sculpture by Enrico David, and a 19th - century Tibetan ritual vessel sit atop a table that Robert Adam made for Apsley House, the Palladian manse he designed in the 1770s that later became home to the Duke of Wellington, who is said to have replaced the stone top of Adam's table with granite he brought back from his campaign against Napoleon in Egypt.

After gradually moving toward working with three - dimensional forms, in 1970 she made the artistic changes in scale and material and began creating figurative and non-figurative sculptures from burlap and resin, eventually moving to bronze, wood, stone, and steel.

In the 1920s and 1930s, direct carving — cutting figures out of a block of stone or a lump of wood — was seen as the purest, most challenging way to make a sculpture.

In 1931 - 1932, as a member of the Abstraction - Création group, he made pictures out of bits of twine and torn paper and executed his first sculpture in the round of stone and wood.

Korean artist Lee Jae - Hyo works primarily with wood, steel, stone and nails to create these massive organic sculptures.

Louise Bourgeois (19112010) was a world - renowned modern artist noted for her sculptures made of wood, steel, stone, and cast rubber.

Jackson Jarvis works with natural materials, including clay, glass, wood, and stone, to create sculpture in the round, using traditional African dung firing and Japanese raku techniques.

His oeuvre comprises travels all over the world, in the course of which he creates fascinating, temporary art works from stones or wood, as well as sculptures as results of long walking tours, that appear calming and are seemingly guided by a great respect for nature and the structure of basic shapes such as circles.

Working in a stunning variety of materials — including wood, stone, metal, plaster, resin, acacia thorns — the artist makes palpable and present the analogous processes of nature and art: carving large trees along their growth patterns to reveal the sapling contained within; elaborating the interior space of his closed hand into a large - scale sculpture that both contains his hand and enlarges the space it contains; rendering the swirling mists of his breath in the cold in tactile clay forms that contain the impression of his body.

Walking in the landscape is the basis of Long's practice but over the past 40 years he has extended his concerns to encompass photographic and text - based work, sculptures made in stone and wood, small - scale works using handprints and fingerprints on paper and driftwood, and monumental wall drawings made using mud and clay.

Displays include sculptures in bronze, stone and wood, along with paintings, drawings and archive material.

Areas of instruction include painting (realism to abstract); drawing (life drawing, anatomy and design); sculpture (clay, wood carving, stone carving, assemblage and casting); printmaking (etching, wood block, silkscreen, lithography); mixed media (3D compositions); welding (plasma cutting, Oxy - acetylene, MIG and TIG welding); bronze casting (lost wax process) and literature of art.

Chochola's sculptures and installations are characterized by antagonistic forms that exploit a range of materials - wood, glass, rubber, ceramics, tin, feathers and stone.

Moore and colleagues at the Royal College of Art, late 1920s: (left to right) Barry Hart (stone carving instructor), Professor Garbe (sculpture), Jack Clarkson (student), Henry Moore and Alan Durst (wood carving).

Martin Puryear's sculptures — in wood, stone, tar, wire, and various metals — are a marriage of Minimalist logic with traditional ways of making.

>> > Until 25 October 2015 Barbara Hepworth: Sculpture for a Modern World Tate Britain London UK Retrospective of one of Britain's greatest artists, Barbara Hepworth (1903 > 1975), one of the few women artists to achieve widespread recognition and international prominence, featuring many of her most significant sculptures in wood, stone and bronze alongside her rarely seen works that exemplified modernism from the 1920s onwards.

The Tate Modern show features Ms. Choucair's early abstract paintings and her sculptures — created in wood, metal, stone and fiberglass — from the 1950s to the 1980s.

Its collection includes her sculptures in bronze, stone and wood, along with paintings, drawings and archive material.

A vestibule festooned with luminescent Akari paper sconces designed by Noguchi will open onto a loading dock transformed by sculptures echoing natural stone forms in bronze, granite, steel, wood and paper from the Noguchi Museum in Long Island City, Queens.

Free standing sculpture, in stone and wood begins to be seen, as well as bronze statuettes (notably by the Indus Valley Civilization, one of the early engines of painting and sculpture in India), primitive jewellery and decorative designs on a variety of artifacts.

Tony Cragg's first exhibition at the Lisson Gallery Milan consists of several new sculptures in bronze, wood and stone.

Whereas previously, most sculpture had been carved or cast from wood, stone, clay or bronze, Dada promoted the use of non-traditional materials, including various types of metal, cardboard, rubber, wire, textiles, concrete, glass and general refuse.

Inspired by his appreciation for African sculpture and introduction to ancient Cycladic and Minoane work from the region, Whitten made sculpture composed of a variety of materials including wood, marble, stone, copper, bone, fishing wire, and meaningful personal objects.

The show brings together several sculptures created early in the artist's career, including painted scrolls and performative objects, illustrating the artist's experiments with stone, ceramic, wood and paper, influenced by his time in Japan from 1958 onwards.

These small sculptures are installed outdoors on public streets and in nature, as well as in museums, where stones, wood, feathers, shells, and scraps of cloth are suspended in a delicate web, juxtaposed as visual metaphor.