Sentences with phrase «wood cut by»

Kerfs are grooves in a piece of wood cut by a saw.

On its cover was a wood cut by Cranach showing the Pope in the jaws of hell.

Not exact matches

Meanwhile, hanging out in the living room of your one - story, wood - frame house will only cut down the radiation by half, which — if you are next to a nuclear explosion — will not do much to help you.

First, you may find immediate cost savings by switching from a conventional system to an alternative one like cutting down the energy demands on your furnace by heating your home with your wood - burning fireplace.

Cutting boards are made from pecan, walnut, teak, and cherry, but by far the most popular type of wood is maple.

In a pot place a part of the wild berries and add the orange's juice, the sugar and the corn flour, cook slow heat and stirring with a wood spoon, cook by 5 minutes or until is thick, add the other part of berries and cut the fire.Let chill and reserve.

To make the pasta dough, start by combining the flours and salt, turning it out onto a large (preferably wood) cutting board.

But then, the next day rolls around and the kids are more than happy to ride into the woods on the trailer of the tractor while we haul more firewood up to be cut and stacked, and before we know it, a whole morning has gone by and so much has been done.

In Liming, local communities used to harvest wood on a rotational basis, assigning mature trees by lottery and strictly policing how much could be cut, even as other cultural practices — such as cooking the fodder for pigs — added more pressure.

Each one promises to cut wood consumption by half to two - thirds, preventing up to 2 tons of carbon dioxide emissions each year and reducing the number of dangerous wood - collecting trips Sudanese women must make.

The wood was also cut thicker, with enough extra width to compensate for damage by shipworms.

And much of the technology needed to cut the world's black carbon output already exists, including pollution traps that can be installed on diesel engines and solar cookstoves that replace models powered by burning wood or dung.

Materials • Rubbing alcohol (70 percent isopropyl alcohol) • Measuring spoons • Small bowl • Three long strands of human hair (about 20 centimeters long) • Cotton swabs • Measuring tape or ruler • Thin, flat piece of plastic that can easily be cut (about 8.0 cm long and 8.0 cm wide), such as from the lid of a disposable deli container • Scissors (strong enough to cut the plastic piece) • Dime • Tape • Two small nails • Glue • Scrap piece of wood or flat Styrofoam (about 25 cm long and 10 cm wide) • Hammer • Pencil or pen • Hair dryer • Plastic box that can be sealed and is large enough to fit the wood or Styrofoam piece inside of it • Wet sponge or small towel (either paper or cloth) Preparation • Make a solution of 25 percent rubbing alcohol and 75 percent water by mixing one tablespoon of water with one teaspoon of rubbing alcohol in a small bowl.

In their 50 - page report to MLB, the researchers, led by U.S. Forest Service engineer Dave Kretschmann, pinned blame squarely on two culprits: the type of wood (maple) and the cut of the grain.

According to the lecturer Emilia Gutiérrez, from the Department of Evolutionary Biology, Ecology and Environmental Sciences of the UB, «the data from these trees that grow in heights over 2,000 metres represents the global changes, since their growth is not influenced by the effects of the local human activity (wood cutting, industry).»

Craft these pieces by cutting a thin sliver in a small piece of wood; place atop wood round and add moss and eggs.

Instead, the movie plays safe by cutting every theme down the middle - a swing that's effective when splitting wood or vampire skulls, but dull when applied to filmmaking.

Nestled in a bamboo shoot, she is discovered one day by Okina, an old man who makes his living cutting bamboo in the woods near to his humble home.

The scenes run the gamut from skillful (a ghost story told by one of the townsmen) to cringeworthy (Ivy shouting in the woods about love — a scene that the director thought inconceivable to cut) to short and unimportant (Adrien Brody's character defacing decorations).

Helander pads out the action in the woods by cutting frequently to a cavernous Pentagon control bunker, where an impressive supporting cast — including Felicity Huffman, Victor Garber, Jim Broadbent, and Ted Levine — use spy satellites to track what's going on, while debating an extraction plan.

To preserve the number of oak trees from being cut for lumber, wood was priced quite high by the government.

Broad, bare, glaciated valleys are replaced by cozy, wooded ravines after we cut west at Dalwhinnie, where a cluster of whitewashed buildings topped with copper roof caps turn out malt whisky.

A unique Light Linen over Cocoa interior is distinguished by olive ash burl wood with decorative inlay; semi-aniline-dyed Tuscany leather upholstery and hand - cut - and - sewn leather on the instrument panel, console and door trim.

Cadillac's limited - edition Platinum models feature ultra-premium details such as a generous use of chrome, authentic wood and luxurious upholstery, as well as Cadillac's precision hand - crafted interiors, executed by craftsmen who cut, wrap and sew cabin components individually.

Inspired by Japanese culture and traditions Natural woodwork and the application of sophisticated sliced wood and laser cutting technologies have been used to produce new interior finish options, including Art Wood / Organic, Art Wood / Herringbone and Laser Cut Special.

Inspired by Shimamoku wood patterns, the new forms that combine the artistic combination of natural woodwork and application of Japan's sophisticated sliced wood and laser cutting manufacturing technologies can be seen in the new LS.

A lower price means that specifications must be cut and LG started by using a polycarbonate body — while rugged, it does not have the premium feel or look of metal, glass, leather or wood.

He starts with something he learned by cutting wood in a workshop then uses it to frame insights from his research.

When I saw his architectonic relief paintings of the early seventies with new materials like wood, felt, and different levels, slopes, and planes they struck me by their relationship to Picasso's Synthetic Cubism and Picasso's Cubist sculpture and Jackson Pollocks» cut out paintings like Out of the Web.

Each sculpture is constructed pixel - by - pixel with hand - cut, hand - dyed strips of wood in an overtly laborious process that is in direct contrast to the slipperiness and speed of the digital world.

By soldering, blasting, cutting and fusing the metal before mounting it on wood panel, he created dramatic scapes of scorched surface and raw, sharp edge that confront the viewer with visceral immediacy.

At the same time, I was making fake wood out of paint, by rolling the sheets of paint into what looks like a log and cutting against that to make what looks like fake wood grain.

Whereas later wood works, including Cedar Piece 1959/1964 and Secant 1977, are not cut into or drastically altered but rather are arranged by the artist, these early sculptures stand out as singular works.

One of Andre's early carvings, Last Ladder was made by cutting a series of concave forms into a rough - hewn beam of wood that had been salvaged from a construction site.

«The scale and the handmade paper that has been colored — it's not just one medium, but he's really gone out of his way by using etching and wood cuts simultaneously.

By manipulating the wood and other objects to weather and age them, Drew's awe - inspiring sculptures reveal the artist's intense attention to shaping, cutting, building, and working his pieces through his own material language.

(That last reference, according to the news release, is more or less how these paintings begin; Mr. Peterson «plots the relationships between color, mood, scale, weight, surface tension and directional flow,» before cutting the wood and assembling and painting it by hand.)

Phil F. Brown, one of the artists, cuts most of his wood from storm - fallen trees or ones displaced by construction.

There were many surprising passes: Lot 87 was a thunderbolt design of fluorescent tubes by Dan Flavin that was one of his finest works in that it was an appropriate concept; Lots 122 and 130, large and excellent paintings by Sandro Chia (b. 1946); Lots 203 and 205, a good painting and a superb sculpture by Nancy Graves (1940 - 1995); Lot 223, a good gouache on paper by Sam Francis (1923 - 1994); Lot 242, a very good wood and paper collage by Louise Nevelson (1899 - 1988); Lots 279, 281A, 293, and 309, works by Andy Warhol, and Lot 299, «Fast Sketch Still Life With Abstract Painting,» a 60 by 90 inch oil on cut - out aluminum by Tom Wesselman (b. 1931), shown below.

I break the clean - cut compositions or the so called «Op art» effect by adding loose brushstrokes, by placing hand carved wood panels in front of my «clean» wall paintings and my monochrome surfaces and thus break them with a rough gesture.

The components are found objects as well as shapes she has precisely cut from Lucite, aluminum, wood, cardboard and paper, yielding pieces that are not unlike the wall reliefs made by Frank Stella beginning in the 1980s.

The raw, weathered wood is contrasted by machine - cut font and hints at economical tensions between labor and technology, or divisions between production and capital.

The use of natural materials is seen in Carol Bove's open - form sculpture in petrified wood and steel, Jeppe Hein's series of «rooms» shaped by water, and Richard Long's 12 - foot - diameter installation in Dartmoor Granite, while Ursula von Rydingsvard's composition of cut, stacked and sculptured cedar beams transforms solid material into gestural form.

Von Rydingsvard creates her work from commercially milled cedar beams that are marked, shaped by cuts into the wood, stacked, then glued together; these forms may also be used to cast sculptures in materials including urethane resin, copper, and bronze.

Fabricated from boards cut from the wood of the tree, they were conceived by Stockholder as static armatures that she will activate with various types of paint, from auto lacquer to acrylic, visually suggesting walls (or a gallery) filled with pictures.

By the end of the course, participants will have learnt how to prepare, cut, ink and print wood engraving blocks (the techniques for which can also be applied to woodcutting and linocutting blocks) and will have created at least two small wood engraving prints to take home.

Using the techniques developed in creating the windows and inspired by art history, engineering, literature, and mathematics, Standley has ambitiously created Daphne, a massive 17 foot sculpture incorporating cut paper temples integrated into the top of a fallen tree constructed from reclaimed wood from Virginia.

«It's taking an alloy object and transferring it to wood, which is seen as this crafty, traditional format; but it's obvious that the works were cut by a machine.

FFDG is pleased to present San Francisco - based artist Ryan De La Hoz (who has been featured by Juxtapoz in both our print and online editions) in his first solo show with the gallery entitled «Impassible Terrain» including cut paper works, textiles, puzzles, drawings, works on canvas, and a watercolor painting on wood.

Three colour wood block cut Edition of 30 66 x 56 cm Signed and numbered by the artist The price of the edition increases as it sells out