Sentences with phrase «wood framed glass»

This rare and elegant vitrine console table features a wood framed glass top that opens up to a silk lined vitrine display compartment above a ormolu - mounted frieze resting on two squar...

Living / Dining Area Taking advantage of The Seri's tropical location, the majority of the rooms boast large, bengkirai wood framed glass doors that can be opened up, thereby ensuring that guests can enjoy open air living, while being sheltered from the elements.

Not exact matches

You could always get extra creative and make the frame yourself from cardboard, wood, sticks, or whatever you have lying around (though it's probably easier if you forgo the glass).

These glass fountains can be framed with stainless steel, natural copper, or wood to help create a unique and classy impression.

DETAILS YOU»LL APPRECIATE Made from a poplar wood frame with MDF backing; cork border and glass mirror Includes 20 pushpins.

This shapely wall mirror features a hand - applied silver leaf finish on a solid wood frame that fits the contour of the beveled glass.

A white sheepskin rug covers gray wood - like floor tiles that lead to a seamless glass shower fitted with gray grid surround tiles framing a small tiled niche located beside a polished nickel exposed plumbing shower kit.

KEY PRODUCT POINTS Frame is wood finished with silver leaf and glass front.

Beautiful master bathroom features a stained wood double vanity with brass pulls flanking stacked shelves topped with a white countertop framing his and her sinks paired with gooseneck faucets under curved brass vanity mirrors illuminated by 4 light brass linear wall sconces atop tan herringbone tiled floor with seamless glass shower to the left and bathtub to the right.

Framed by gray wash wood floors, a steel gray center island is fitted with inset cabinets, polished nickel pulls, and a white quartz countertop finsihed with a deep farmhouse sink paired with a polished nickel gooseneck faucet lit by three glass globe pendants.

KEY PRODUCT POINTS Framed print with wood and a glass front.

CHAIR similar tan chair / / COUCH similar tan sleep sofa / / MIRROR similar scalloped mirror / / CRATE similar wooden crate / / PILLOW yellow greek pattern, similar grey quatrefoil pattern / / KNOBS similar seashore knobs / / ENTERTAINMENT CENTER similar white tv stand / / FRAMES white wood frame / / LAMP similar glass bottle lamp / / SIDE TABLE ikea grey end table / / COFFEE TABLE... View Post

Amazing bathroom features off white paint on upper walls and beveled subway tiles on lower walls framing vintage glass sconces illuminating an oval frameless mirror over a reclaimed wood washstand topped with white porcelain trough sink paired with his and her wall - mounted faucets beside a tiled drop - in tub accented with white beveled subway tile surround and vintage shower kit.

In the bathroom, wood - framed mirrors hang from the ceiling by jute rope, and an indoor glass shower opens onto an outdoor stone shower.

Exposed wood ceilings, columns, ocean - framing glass, and designer furniture fill the interior spaces, creating a classic black and white ambiance, the perfect contrast to the vibrant colors of the Caribbean environment.

Bedouin jars for water and dates can be found at most doorways and in the beds that line the tiny road between the suites; chests sit at the end of every bed and ornate Omani doors in heavy wood are framed in glass tables.

✔ STURDY AND DURABLE CONSTRUCTION: It's built stable, with a powder - coated steel frame and long - lasting MDF material in a black wood finish with a smoked glass desktop.

Gill & Lagodich Studios produce the highest quality gilded and wood antique frame restoration, sizing services, custom - antiqued mirror glass, custom - made frame replicas, and fabrication of contemporary gilded and patinated wood, gessoed, and ebonized frames designed by artists, architects, decorators, and our own in - house designers.

Kerry James Marshall Souvenir: Composition in Three Parts, 1998 - 2000 Plastic, glass, paper, wood, steel and framed video still 98 x 32 x 22 in.

(detail), 2017 nylon, glass beads, artificial sinew, monofilament, acrylic batting, steel, and wood frame 60 x 52 inches 152.4 x 132.1 cm Certificate of Authenticity included LM25423

1,188 found objects, including wood, metal, glass, paper, plastic, Styrofoam, rock, rope, rubber, and other materials, and 13 photographic grids, framed, each comprising 99 chromogenic prints.

, 2017 nylon, glass beads, artificial sinew, monofilament, acrylic batting, steel, and wood frame 60 x 52 inches 152.4 x 132.1 cm LM25423

Framed in a contemporary wood frame with hammered silver face and black sides using archival spacers behind conservation clear glass.

Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.

SANDRA CINTO Untitled 1999 Tinted black and white photograph with etched glass in custom wood frame Each panel: 44 1/2 x 20 x 4 inches; Overall: 97 x 20 x 4 inches Edition of 3

LLYN FOULKES Deliverance 2007 Oil, acrylic, luan, carpet, clothing, cotton, water putty, wood, glass eyes, hair, photograph on wood frame panel 72 x 84 inches (182.9 x 213.4 cm) ARG # FOL2004 - 2007

Donna Huanca BLISS (REALITY CHECK), 2017 Mixed media installation including unique performance, sound piece, sand, plexi glass, wood, unique scent, oil, acrylic and pigment on plastic, latex, metal, horse hair, lead on a steel frame with aluminum fastenings Dimensions variable

Untitled (clue), 2016, variable dimensions, PVC flooring on wall, wood frame (25 x 30 cm) with tinted glass and found photographs of uncle and Sadat, faux wood laminate backing.

Oil stick on printed paper with translucent glass and wood frame, 51 x 34 3/4 inches.

Lot 1, «Under the Eiffel Tower in Tokyo Lauwarm,» a steel, wood, styrofoam, glass object with 48 framed photographs by Martin Kippenberger (1953 - 1997), sold for $ 64,000, an auction record for a sculpture by this artist.

Recommended framing specification: window mounted with 12.5 cm boarder, tulip wood painted grey and UV protective glass

4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches

The photograph is printed on beautiful archival Epson Velvet Fine Art Paper, framed with glass and white wood.

Framed in glass and wood painted white.

Blown glass, wood, metal and glass display case, five framed digital prints.

Image credit: Anna McKee, WAIS Reliquary: 68,000 Years, (detail), 2013 - 15, include silk, glass, glacier water, wood frame, 22» x 14.5» x 9»

Cherry wood, brass, glass, two walnut framed ortho litho film prints, bronze, rope, copper foil.

Succession, 2016, Premium black granite, laser etched surface Blacklisted: A Planted Allegory (Asylum), 2015, Slide projector, 35 mm slide, custom Da - Lite rear projection aluminum framed projection screen Blacklisted: A Planted Allegory (Herbarium), 2015, Steel herbarium cabinets, MDF, wood, hardboard, brass, assorted paper, 133 hand - cut silhouettes Blacklisted: A Planted Allegory (Collection), 2015, MDF, cast glass, flameworked glass, tempered glass, silkscreen print

Featured works include Restless Fakir, an incandescent bed of nails created with metal frame, glass, wood, optical fibre, and light; Eden Blooms, a trio of suspended orbs conjuring floral blossoms, created with optical fibre, steel, acrylic, sintered nylon, and light source; and Ferryman's Crossing II, comprising a parable of Siddhartha translated into morse code using mirror, light, and animation.

They complement and contrast her earlier works — wall mirrors constructed of glass shards, wood, and reclaimed frames which insist on personal negotiations with reflection and desire, and immersive installations that reference architecture and cinema.

A woman's heel next to a broken glass; a young man about to enter a wood; the bloodied mouth of a reclining woman — when contemplated in sequences, these frames form open, interpretable stories, although Devriendt establishes no clear - cut script or coherent narrative that might explain their connection.

Installation View of Constructing an Evolutionary System, 2011, Collaged acrylic, frames, glass, and wood on canvas, panel and glassine, 15 x 8.5 ft.

Yinka Shonibare MBE, The Victorian Philanthropist's Parlour, 1996 - 1997, Dutch wax printed fabric covered wood, cast iron, brass, marble, mirror, bound printed books, porcelain, glass, framed works on paper, and props (Courtesy the artist and James Cohan Gallery; Photo: Phoebe D'Heurle)

day, year, glass, stone, wood, bone, plastic, 2014, UV printed mat board, inkjet print, staple, plexiglas frame, 20» x 16»

It consists of a dozen identical triptychs — each comprising wood - framed, colored glass rectangles — and three bronze sculptures displayed in vitrines like medieval church relics.

Cyrcle., who pulls inspiration from the wild wild west with their play on cowboys and Indians while incorporating modern elements and primitive technics into their work with colored glass and carved wood frames.

chalk on vintage collaged music sheets Artwork measures 78 x 25 inches, 83.5 x 30 inches framed, deckle edge paper is floated in natural wood moulding with glass.

Yinka Shonibare MBE, «The Victorian Philanthropist's Parlour», 1996 - 1997, Dutch wax printed fabric covered wood, cast iron, brass, marble, mirror, bound printed books, porcelain, glass, framed works on paper, and props, 8.5 x 16 x 17.4 feet.

During the 1970s, Camnitzer created a key body of work that blended both language and humor — producing a series of object - boxes that placed ordinary items within wood - framed glass boxes with text printed on brass plaques.

Framed in a restored vintage wood frame with warm pewter finish using archival matting behind conservation clear glass.