Sentences with phrase «wood gallery frame»
Rendered in a vintage - inspired chalkboard style, it's beautifully displayed in a black wood gallery frame, ready to hang.
https://www.bedbathandbeyond.com/ Not exact matches
I had been wanting to change it up for awhile, and am loving botanical prints these days, so I took the opportunity to incorporate some in some reclaimed wood frames we made for a little gallery wall.
KEY PRODUCT POINTS Gallery wrapped giclée reproduction on canvas and designed with a Pulai wood floater frame with a gray finish.
The high - quality print features a cute grey feline with pink painted nails, and is gallery - wrapped around a sturdy wood frame.
Sept. 10 — Oct. 18, 2014 DERRICK ADAMS at Tilton Gallery New York Screen images from situation comedies, music videos and stand - up comedy inspired New York - based artist Derrick Adams to create a new series of faceted wood sculptures and colorful mixed - media collages that appear to be framed in vintage televisions on view in «Live and in Color.»
New to the fair was a sector called Survey, bringing gravitas with a deliberately digital - free zone that called on 13 galleries to present tightly curated historical projects — the standout, New York artist Alison Knowles's The Boat Book, 2014, eight 8ft - high, wood - framed movable pages covered with images described by her dealer, James Fuentes, as «seminal social sculpture» that is «read» by crawling through it.
RYAN MCGINNESS — We All Belong (detail), 2014, oil, acrylic on wood panel, in artist's frame, 36 x 28 inches (91.4 x 71.1 cm) Photo courtesy the artist and Quint Gallery
Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.
Of course, there were many thematic and visual references to poverty and exclusion that were framed by the discourse of art history — as in a metal construction by Jannis Kounellis [who died in February this year] that combines a hard - edged steel - cast minimalist frame with multicoloured rags of Arte Poveraat White Cube, for example; or in a an arresting display of Sadie Benning's «drawings» made of wood, Aqua - Resin, casein and acrylic gouache with motifs reminiscent of African textilesat Susanne Vielmetter Los Angeles Projects; or works about otherness framed by the formerly excluded, or on their behalf — as in a display from the Goodman Gallery in Johannesburg, South Africa; or Andres Serrano's unforgettable photographs of notable figures in American pop culture, such as his portrait of Snoop Dogg (America)(2002) placed next to that of Donald Trump, on view at Galerie Nathalie Obadia.
4/5 + 2 AP Frank Stella Untitled, 1959 Enamel on canvas board 17 3/4 x 11 3/4 inches Collection of Bill and Sheila Lambert Dan Flavin «monument» for V. Tatlin, 1967 cool white fluorescent light 96 x 28 x 5 inches Robert Morris Untitled, 1976 - 1980 Felt with metal grommets 96 x 85 x 20 inches Back Gallery Richard Serra Untitled, 1975 Paintstick on paper 37 3/8 x 49 5/8 inches Private collection, Switzerland Ad Reinhardt Black Painting, 1960 - 1966 Oil on canvas 60 x 60 inches Tony Smith New Piece, 1966 Welded bronze, chemically treated black 20 3/4 x 43 1/2 x 42 inches Jo Baer Untitled, 1972 Oil on canvas 72 x 72 inches Second Floor (left to right) Rotunda Agnes Martin Untitled, 1965 Black ink on paper 11 x 11 inches David Hammons Untitled (Basketball Drawing), 2006/7 Dirt on paper, wood frame, asphalt Overall: 120 1/2 x 100 x 27 inches Robert Indiana Love, 1966 - 1999 Stainless steel 36 x 36 x 18 inches Front Gallery Andy Warhol Ambulance Disaster, c. 1963 Silkscreen ink on paper 40 x 30 inches Anselm Reyle Untitled, 2006 Mixed media on canvas, acrylic box 92 x 78 1/2 inches Mark Grotjahn Untitled (White Butterfly), 2002 Acrylic on canvas 30 x 30 inches Sol LeWitt Progressive Structure, 1997 Painted wood 49 1/4 x 49 1/4 x 49 1/4 inches Agnes Martin Untitled, 1960 Oil and ink on linen 12 x 12 inches Liza Lou Comfort Blanket, 2005 Cotton and glass beads 29 1/2 x 53 1/8 inches Private collection, New York Günter Uecker Gegenstroemung II, 1965 Nails on canvas, painted with white color 32 1/4 x 32 1/4 x 2 3/4 inches
Wrapped & Unwrapped, Terrain, hand tufted cotton, wool, genuine silk cocoons, on canvas, wood frame, Carol Wisker, 3rd Street Gallery
Merlin James, Bird, Branch, House, 2010, acrylic on acrylic with wood frame, 66 x 53 cm / 26 x 20.9 in © Merlin James & Kerlin Gallery
Leeza Meksin, Fin Box, 2014, site - specific installation at Airplane Gallery, spandex, wood and steel frame, ratchet straps, turquoise beads, light bulbs, zip ties, 122 × 92 × 75 inches.
Yinka Shonibare MBE, The Victorian Philanthropist's Parlour, 1996 - 1997, Dutch wax printed fabric covered wood, cast iron, brass, marble, mirror, bound printed books, porcelain, glass, framed works on paper, and props (Courtesy the artist and James Cohan Gallery; Photo: Phoebe D'Heurle)
Images: Chosil Kil, Ducks and Drakes, 2014, latex balloons, helium, hi - float, thread, aluminum, rubber bands, coins, Courtesy of the artists and One and J. Gallery; Chosil Kil, Doubles, 2014, leather, aluminum, wooden frame Courtesy of the artists and One and J. Gallery;; Chosil Kil, Volume II, 2013, performance, Courtesy of the artist; Chosil Kil, Doubles, 2014, leather, thread, wood, copper, Courtesy of the artist and Aoyama Meguro; Chosil Kil, You owe me big time, 2012, concrete floor, acrylics, filler, corks, Installation view, Objectif Exhibitions, 2012, Courtesy of the artist and Galleri Opdahl; Chosil Kil, 49th Attempt, 2012, lambskin leather, thread, sound baffling, Styrofoam peanuts, zip, Courtesy of the artist and Galleri Opdahl
-LSB-...] you're looking to add a little more texture and color to your walls, look at this wood frame gallery DIY from Christina's Adventures.
-LSB-...] I shared it in our wood frame gallery wall, and a lot of other people asked where they could find the tutorial.
I had some wood cut down at Home Depot, stained them, and added a command hook to make an interchangeable «frame» for the middle of this gallery wall.
We've got the gallery wall, which is planked with wood and covered in lots framed art and photos.
I had been wanting to change it up for awhile, and am loving botanical prints these days, so I took the opportunity to incorporate some in some reclaimed wood frames we made for a little gallery wall.
My thought was that this gallery wall could grow with them, and we can easily add their works of art in wood or white toned frames moving up and across the wall.
Even simple white wood frames transform a random photo fest into a gallery of family history.
A small gallery on one side of the bed displays vintage artworks and etchings, framed in various shades of wood to add contrast and whimsy and create a focal point when entering the space.