Not exact matches
Here are some other pieces from that collection, a dress, an ensemble, rather, with a skirt that's made from plywood, and this beautiful leather corset, a leather bodice that was made
by the prosthetics workshops at Roehampton hospital, with these amazing prosthetic legs that were carved from ash
wood that have filigree
relief carving inspired
by Grinling Gibbons.
When I saw his architectonic
relief paintings of the early seventies with new materials like
wood, felt, and different levels, slopes, and planes they struck me
by their relationship to Picasso's Synthetic Cubism and Picasso's Cubist sculpture and Jackson Pollocks» cut out paintings like Out of the Web.
Reliefs by Rachel Hellman recall Charles Hinman, but in
wood.
I am interested also
by other works from the same era: as well as the wonderful 1977 Rational Concepts portfolio of prints (7 English artists: Norman Dilworth, Anthony Hill, Malcolm Hughes, Peter Lowe, Kenneth Martin, Jeffrey Steele, Gillian Wise) there's a delightful pastel colour study
by Jean Spencer and two of Peter Lowe «s
reliefs from 1968 in perspex mounted on
wood, both 23 x 23 cm: Permutation of 4 Groups of 2 and Permutation of 4 Groups of 3, in which rational order and faktura combine to produce objects of staggering beauty.
SUYAMA SPACE: 2324 Second Ave. «Metamorphosis / Web,» an installation of two bodies of work (one a virtual ecosystem of flax, abaca and cotton pods, the other carved
wood reliefs and flax - covered objects)
by sculptor Yuriko Yamaguchi.
Stella has several other works in the auction including Lot 201, «Playskool Bobbin,» a 35 3/4 -
by -47-
by-33 1/4 - inch wall
relief of acrylic on cast bronze,
wood, etched honeycomb aluminum, fiberglass, balsa
wood laminate, plastic and masking tape.
The components are found objects as well as shapes she has precisely cut from Lucite, aluminum,
wood, cardboard and paper, yielding pieces that are not unlike the wall
reliefs made
by Frank Stella beginning in the 1980s.
After Industry will also feature work
by Verginer's son, Christian Verginer, including several wall
reliefs, made of
wood and depicting scenes of forests.
Jae Ko creates paper -
relief sculptures
by soaking rolls of adding - machine paper in water infused with Japanese inks made from
wood ash.
As at Christie's, work
by Brazilian artists was highly sought after, with strong prices including Sergio Camargo's painted
wood construction, Hommage à Fontana (
Relief no. 129), 1967, selling for $ 1.5 million, far above the $ 600,000 / 800,000 estimate.
All of the artworks that populate The Conjured Life bear close scrutiny, both in observing and exploring the subject matter and noting the various visual strategies and formal means, from the straightforward representation of Magritte to the low -
relief plaster technique of Max Ernst; from the shamanistic deer skin,
wood, and felt used
by Jimmie Durham to the full - size rubber life raft cast in bronze
by Jeff Koons.
The modest show, organized
by guest curator Jay Belloli and largely selected from holdings in the artist's foundation, includes student efforts, late paintings, a few ceramics, some
wood carvings, jewelry designs, two glass vases, a Surrealist abstraction carved in low -
relief on the back of an illuminated plexiglass sheet and more than a dozen prints.
Published in conjunction with Dominique Lévy's exhibition of the artist's work, Joel Shapiro features the first full catalogue of the
wood reliefs, as well as new texts
by Phyllida Barlow, David Raskin, and Olivier Renaud - Clément, poems
by Peter Cole and Ange Mlinko, and a comprehensive chronology written in collaboration with the artist's studio.
Influenced initially
by the still life painting of his father William Nicholson (1872 - 1949), and
by Cubism, he achieved his creative peak early on in life, with his famous series of «White
Reliefs» - low
relief sculpture in painted
wood, made between 1934 and 1937, after which he and his second wife Barbara Hepworth (1903 - 1975) established the St Ives School in Cornwall.
Victor Pasmore 1908 - 1998 Synthetic Construction (White and Black) 1965 - 6 T00784 Oil on Formica, painted
wood and PVC
relief 1226 x 1226 x 265 (48 1/4 x 48 1/4 x 10 7/16) Inscribed on back in white paint «VP», centre Presented
by the artist 1966 Exhibited: Henry Moore to Gilbert and George: Modern British Art from the Tate Gallery, Palais des Beaux Arts, Brussels, Sept. - Nov.
Accompanied
by archival materials from the still active Atelier Arcay, the exhibition includes twelve works that document his progression from easel painting, which he abandoned in 1956, to the
wood reliefs that facilitated the expansion of his practice into architectural space.
During the 70s, he continued innovating - this time
by rejecting his former emphasis on the flat, 2 - D nature of the picture plane, and incorporating collage, felt,
wood and other materials into the new «
relief paintings» of his Polish Village series (1970 - 1973).
Oak, at first almost the only
wood used, became monotonous, and as a
relief, ebony and other rare
woods, introduced
by the then commencing commerce with the Indies, were made available for the embellishments of furniture and
wood work of this time.
The
wood - effect cabinetry, neutral - toned floor tiles and white walls of this plain and simple kitchen are thrown into sharp
relief by the bold - as - brass fridge - freezer in sassy orange.