Camargo's painted
wood reliefs draw a parallel with Espinosa's painting «Emina», where the repetition of a simple form creates hovering illusions of space and movement.
Not exact matches
Schoonhoven's first
wood and papier maché
reliefs mimic the geometric hieroglyphs of his early
drawings.
The exhibition brings
draws together approximately 20 of Nevelson's iconic black and white painted
wood sculptures, wall
reliefs, and installations from the late 1950s through the late 1980s.
Locality serves as the frame for Herbert Singleton's carved wooden
reliefs that
draw upon New Orleans, and its black mourning and spiritual practices, and Chicagoan Eddie Harris's
wood construction that channels Black Power and that reimagines Batman as a totem for resistance.
Created in several discreet bursts of activity from 1889 until his death in 1903, these remarkable works on paper reflect Gauguin's experiments with a range of mediums, from radically «primitive» woodcuts that extend from the sculptural gouging of his carved
wood reliefs, to jewel - like watercolor monotypes and large, mysterious transfer
drawings.