Each is an assemblage of
wood scraps on wood, simply assembled and unadorned, but the inference is beyond arithmetic.
Not exact matches
We stepped into her 10 - foot - by -10-foot
scrap -
wood shed
on a hot Phnom Penh afternoon.
Using hay bales and random
scraps of
wood we put together an outdoor dining room, pulled the trailer up
on the side of the road and started selling barbecue.
Sure enough it spilled out and over to the homestead where Adelaide quickly gathered tools and
scrap wood and started working
on a miniature version of a goat chariot that she'd been pondering.
On our right we have a coat rack made from a
scrap of
wood & coat hooks that were already in the house.
With projects forever
on the go around here, there is no shortage to our pile of
scrap wood!
Here's a more detailed tutorial I posted last year
on how to make these
scrap wood houses.
Hold
on to all those
wood scraps!
Paint a test swatch
on the back of a
scrap of
wood from the boards to see if the coverage is right.
Sorry this is so long but I hate to see something turn out badly so as Alicia suggested, always experiment
on a
scrap piece of
wood first.
I had some
scrap wood laying around in my garage, and it was the perfect size to house the cans
on top.
The little
wood banner hanging
on the mirror was made from
scraps of
wood leftover from my plank wall.
While I was there I grabbed a few sticks and was
on my way to make some shabby
scrap wood pumpkins!
The Gili Eco Trust are taking action
on the sheer volume of food waste mixed in with every other
scrap material such as plastic,
wood and metal taken to the dump every day.
Contemporary art is comprised of a variety of materials, we know that, but in three or four days at the fairs — more than, say, in a month in Chelsea — you see it all: string, twine, thread, clay, silicone, wax, rubber,
wood scraps,
wood shims, metal, resins, glass, wire, pins, needles, buttons, stuffing, mattresses, carpet, glazed ceramic, fabric, plywood, rolled paper, glue tiles, boxes, chains, lace — shall I go
on?
He sketches Saint Paul
on the Road to Damascus in 1960, but his Damascus moment came the next year, with blond
scrap wood held together by screws and suspended from the ceiling.
It usually features pieces of
wood,
wood shavings, or
scraps, assembled
on a canvas (if there is painting involved), or
on a wooden board.
Collection (1954/1955) is the artist's first «Combine painting,» an early type of Combine that hangs
on the wall like a traditional painting but reaches into three dimensions with various elements attached to the work's surface — such as the silk veil over the mirror attached just off - center and the found
wood scraps along the top edge.
This abstract creation features strips of newspaper, fabric samples,
scraps of
wood and metal, and smeared, dripping oil paints
on a six - and - a-half foot tall, eight foot wide canvas.
Some early work, which consists of
scraps of
wood, was made
on the roof of her building, which the artist used as a studio.
Aptly titled, Robert Rauschenberg's Collection (1954) presents an array of photographs, fabric
scraps, newspapers clippings,
wood blocks, paint drips, shapes, colors, and textures jostling with one another and jockeying for position
on one vibrant canvas.
Galerie Eva Presenhuber presents three work groups: a series of bird figures, six huge ink paintings, and a group of text related works
on scrap wood.
This guy is good with right angles and mitered corners — chopping and aligning found
scraps of
wood to make simple variations
on the circle, the square, and the X's that imply Jungian archetypes.
As part of Nevelson's massive, commanding works of art, the
scrap wood takes
on majestic proportions, reflecting the artist's personal story of dislocation and self - invention.
Inspired by Cubism, Nevelson took
scraps of
wood and other materials found
on the street near her studio and assembled them into free - standing and wall - mounted sculpture that she would paint a solid colour — most famously, black or white.
Though he often works
on canvas, he frequently incorporates nontraditional materials such as strips of
wood, bricks, wire, electric cords, socks, buttons, paper
scraps, and even caviar to create his trademark puns and paradoxes.
Recycled pieces of fabric, drapery,
scraps of
wood, wire, cut cardboard and paper, other photos, painted motifs, yarn, cord, ceramics, and stickers come and go, speaking not of Michelangelo but of a latter - day tween -
on - a-budget twist
on Giacometti's emaciated sickly figures — suburban sprawl and craft - store spree meet creeping apocalyptic bleakness
on the one hand, and tenderness with a sweet attention to detail
on the other.
The other opens with a constellation of
scrap wood overhead and warnings of monsters and fuckers
on the wall, by Gregg Haberny.
I'd have to agree: «[Austin Thomas's exhibition «Utopic»] embraces an anti-art aesthetic that is so minimal and non-invasive that it makes [Richard] Tuttle's assemblages of cardboard and
wood scraps look positively baroque» — Thomas Micchelli
on «Utopic,» Austin Thomas's solo show at Hansel & Gretel Picture Garden
Next up is the 1998 piece «The Creation Myth,» a sort cityscape built from
scrap wood, folding tables, buckets and mirrors; a toy train outfitted with a fake snake and a live - feed video camera navigates the piece, its findings are projected
on monitors.
Inspired by Cubism, Nevelson took
scraps of
wood and other materials found
on the street near her studio and assembled them into free - standing and wall - mounted sculpture that she would paint a solid color — most famously, black or white.
Propped
on scrap wood, «Inner 10» also leans against the wall.
Painted
on small
scraps of
wood in the basement of his home during the early morning hours, these works display a distinctive palette and a rare mastery of the medium.
Typical «found objects» include natural materials like sand (see Sand Art), earth, stones, shells, curiously shaped pieces of
wood, a human skull; or man - made items such as newspaper cuttings, photographs, pieces of glass, fragments of
scrap metal, pieces of textile fabric, an unmade bed, a bicycle handlebars, and so
on.
Directly inside the entrance to the gallery in Mike Kelley's recent show, one stumbled
on The Keep (all works 1998), a trashy,
scrap -
wood hut issuing hollow «UFO sounds.»
From oil paintings and terra - cotta figures, she passed onto collages, made of
scraps of
wood and metal she would find
on the streets.
These small sculptures are installed outdoors
on public streets and in nature, as well as in museums, where stones,
wood, feathers, shells, and
scraps of cloth are suspended in a delicate web, juxtaposed as visual metaphor.
Paintings
on scrap wood, cardboard, and canvas hang
on the walls or sit
on the floor, while a spray - painted banner, reading «Do Your Part for the Resistance,» and an enormous black - and - white photograph dominate the upper portions of the space.
A solo show by Gianni Politi organised by Galleria Lorcan O'Neill (Rome), a re-presentation of the works the artist produced for his first solo show at the gallery, which included three types of work: abstract paintings made using
scraps of canvas with acrylic, oil and household paint; small portraits
on canvas; and bronze stretchers of varying sizes realized with multi-coloured patinas, marble and painted
wood inserts.
The same can be said of American artist Louise Nevelson, whose large, wooden sculptures, such as her 1979 Untitled, incorporate discarded
scraps of
wood, which were given to her by friends and others, or which she collected
on the street herself.
She collected
scraps of
wood that washed ashore
on the beach in front of her studio in Southold and painted and assembled them into constructions.
Assemblages use
scrap wood from New Mexico, and the drawings
on notebook paper involve colorful, energetic markings.
On display were four «dogleg» - shaped canvases (versions of which were exhibited at James Fuentes Gallery in New York in 2014) and a new series of five sculptural reliefs, as well as several hybrid paintings, composed of multiple canvases joined together and overlaid with various collage elements, such as rope and
scraps of
wood (all works, 2015).
Turning Garbage into Art
on TreeHugger: A Visit to «TransPlastic» by Campana Brothers Drop: Stuart Haygarth's Take
on Bottled Water, in Chandelier Form Sublime Stuart Haygarth Dutch
scrap wood furniture - Piet Hein Eek PET Project: Recycled Plastic Art by Miwa Koizumi
Plenty of people are working
on turning
wood waste into ethanol, but Enerkem is doing
wood chips, yard waste, and building
scraps
The stunning illustrations of the work in progress
on pieces of
scrap wood are by artist Miguel Fuster, who lived
on the street for 15 years.
As this clip from Geoff Lawton's Urban Permaculture DVD shows, rocket stoves work best
on thin bits of
wood, which makes them ideal for utilizing
scrap wood waste and / or tree prunings and coppiced
wood.
Burning
scraps of
wood and tree prunings efficiently, this low tech design provides
on - demand hot water with low emissions using basic craftsmanship and reclaimed materials.
A surface to stencil
on A stencil Painter's tape A paint brush — preferably round and of decent quality Paint for stenciling — I used Fusion Mineral Paint A towel, paper towel, or a
scrap of
wood to «dab» off extra paint Sandpaper in a fine grit (180 is what I grabbed from my stash)
I built the fireplace out of
scrap wood and
scrap ceramic tile, then put the gas stove in front of it with candles
on it.