Sentences with phrase «wood sculptures and installations»

Not exact matches

Featuring 13 works by New Jersey - based Willie Cole, including a site - specific installation, video, and sculptures composed of discarded water bottles, found wood, and one of his signature source materials, previously owned shoes, this exhibition was organized by the David C. Driskell Center where it was on view last fall.

site - specific installation in existing kitchen - kitchen cabinets, appliances, sculptures made out of polymer clay, nylon thread, and wood, 7» x 10» x 14»

His most recent installations comprise rods, chunks, blocks and chips of treated wood, which he arranges into undulating curtain - like forms and explosive wall - mounted sculptures that oscillate between the seemingly organic and manmade.

Known for her monochromatic wood sculptures and wall installations, Louise Nevelson's first museum retrospective was organized in 1967 by The Rose in collaboration with the Whitney Museum of Art.

Under the new leadership of Rodman Primack, who made his mark in London as chairman of Phillips de Pury & Company, the tented design fair translated the branding sponsorship of Perrier - Jouët, Audi, Fendi, Louis Vuitton and Swarovski into the dazzle of such over-the-top showpieces as a glittered sculpture of King Kong climbing Dubai's Burj Khalifa hotel, a monumental wood - hewn structure commissioned from Seattle architect Olson Kundig to house the cafeteria, furniture commissioned by Herman Miller from French modernist Pierre Paulin circa 1972, but realised only now, and a stream of technology - driven works involving a table whose motor sensors raised handcrafted metal flora at the viewer's approach, a clock spinning out countless time zones beforesettling on local time, and an installation by architect Jeanne Gang and photographer James Balog involving a resin iceberg, pierced with brilliants and set against an Arctic panorama.

focus on Merz as an innovator in the field of sculpture and display sculptures and installations made of wax, glass, metal, wicker, wood, photography and neon.

ForestBot, a kinetic, acoustic installation by Jeff Feddersen features a group five robotic sculptures made of wood, metal, fiberglass, rattles, motors and custom electronics.

The Pace exhibition will showcase Nevelson's wood sculptures, wood reliefs and installations created from the late 1950s through the late»80s.

The exhibition brings draws together approximately 20 of Nevelson's iconic black and white painted wood sculptures, wall reliefs, and installations from the late 1950s through the late 1980s.

The exhibition brings together 20 of Nevelson's iconic black and white painted wood sculptures, wall reliefs, and installations from the late 1950s through the late 1980s.

With media that range from the evocative glass marbles of Maya Lin's site - specific installation Fox Lake to the daunting stacking of thousands of buttons in Buffs by Tara Donovan to the textural properties of wood both carved and found from the sculptures of Louise Nevelson and Leonardo Drew to the exquisite detail of Fred Wilson's Venetian glass chandelier Oh!

Celebrated for his full - scale installations and wall - mounted sculptures, Drew uses a variety of materials such as wood, iron, cotton, paper and mud to re-work in the building of new and lively forms.

Other artists who will be included in this exhibition are Dan Flavin (sculpture installations and drawings), Joe Goode (paintings from the Torn Sky series), Donald Judd (a single stack, wood blocks and woodcut prints), Sol LeWitt (sculpture and drawings), Robert Mangold (paintings), John McCracken (sculpture), John McLaughlin (paintings), Cy Twombly (drawings), and Agnes Martin (works on paper).

Embracing many approaches including photography, painting, sculpture, and installation, artist, Carolyn Conrad constructs rural scenes from clay and wood using a minimalist approach.

Installation view of a wood and sand sculpture by Bayne Peterson (foreground) and a silkscreen by Graham McDougal (background) in «A Dialogue on Distortion» at PC - G's Hunt - Cavanagh Gallery.

The exhibition «consists of 50 works of mixed - media collage, assemblage on wood panels, and sculpture presented in an installation designed by the artist that reimagine safe destinations for the black American traveler during the mid-twentieth century.

The cyclical nature of life — decay and resurrection — plays a central recurring role throughout Leonardo Drew's elaborate and enthralling installations and multilayered sculptures, which are often composed of found objects, wood, and fabrics.

«Organized by guest curator Andrew Berardini, the exhibition features new paintings, sculpture, and found wood site - specific installation.

The exhibition brings together approximately 20 of Nevelson's iconic black and white painted wood sculptures, wall reliefs, and installations from the late 1950s through the late 1980s.

Employing a range of materials including bronze, wood, terracotta, silicone, concrete and silver, Tallur L.N. creates sculpture, wall pieces, site - specific installations and interactive work that delve deep into the dichotomies between the tangible and the ethereal, the figurative and the abstract, and the decorative and the conceptual.

«3 - Dimensional» Art is acceptable in this competition and is open to the following media: relief, pottery, sculpture, installation, kinetic, and conceptual 3 - D artworks created in metal, paper, wood, stone, fiber, plastics, glass, ceramics, or any other material which can be used to create 3 - dimensional art.

Isa Genzken's primary media are sculpture and installation, using a wide variety of materials and objects, including wood, plaster, textile, mirrors, mannequins, dolls, posters, suitcases, and other found objects.

The exhibition pairs stand - alone sculptures and wall reliefs with installation elements, such as functional seating made out of hand - cut wood and black wooden wall sconces holding mint green candles.

Works on view will include installations, photography, wood and glass sculpture, paintings, and synesthetic experiments.»

Other featured artists include Anita Arliss, whose mixed - media canvases are included in the permanent art installations at Hartsfield - Jackson Atlanta International Airport; Bethany Collins, who recently completed a residency at the Studio Museum in Harlem; and Justin Rabideau, who salvages wood from new construction sites and houses on the verge of collapse to create scaled pieces — from very tiny wall pieces to very large installations and large - scale sculptures — for his brightly - colored «Shim» series.

Each artist is provided with a generously sized live / work studio with a private kitchen and bathroom and 24 - hour access to facilities, including a wood shop, installation spaces, and a 10,000 - square - foot sculpture facility.

Within The River of Time Is My Mind, featuring Johanson's new paintings, sculpture, and found wood site - specific installation, is on view at MOCA Pacific Design Center and has been extended through October 13, 2013.

Jillian Conrad When creating her sculptures, structures, and installations, Jillian Conrad employs a variety of media — wood, Plexiglas, rocks, sheets of foam, and carpet remnants.

Within her practice she engages with the history of 20th century architecture, design and art, and creates complex but fragile installations and sculptures out of metal, leather, finest woods, and nets.

The exhibit also includes a wall installation with multiple individual fragments, a very large 3 - panel abstract painting on canvas with fabric, paint, and collaged newspaper clippings about UFO sightings, a ceiling — hung mobile and a stabile (sculpture) on a pedestal made with wood, string and found metal.

Paris's Matthieu Haberard brings five new pieces — with a dark wood, epoxy, acrylic painting titled «Screen, where the touch, is a real sensation» (2015), a can - and - water sculpture called «Combine painting» (2015), a wood - and - electric cable piece called «Your time is running out» (2015), as well as two sculptural installations made of steel, plexiglas, acrylic on canvas, titled «Marcel; Where the bulbs are?»

Louise Nevelson, a towering figure in 20th century American art, continues to inspire artists today through her pioneering installations and sculptures made of found wood.

The use of natural materials is seen in Carol Bove's open - form sculpture in petrified wood and steel, Jeppe Hein's series of «rooms» shaped by water, and Richard Long's 12 - foot - diameter installation in Dartmoor Granite, while Ursula von Rydingsvard's composition of cut, stacked and sculptured cedar beams transforms solid material into gestural form.

Gene Pairs... With Ellipses2002Plastic pony beads, nylon string, wood, metal, vinyl and cement35 x 25 feet (Installation at Franconia Sculpture Park) Gene Pairs... With Ellipses consists of 23 pairs of suspended bead strands representing each chromosome in the human genome.Proteins of the first 1,000 base pairs of DNA on each chromosome are strung in opaque beads, while proteins of the final 1,000 base pairs in translucent ones.

While studying painting she continued to developed her love of wood working and has incorporated it into her practice of creating painted sculpture, and installation.

His first solo show in six years, THE BEASTS OF ENGLAND / Animal Farm was an installation heavy reinterpretation of Animal Farm by George Orwell, including a mash - up of large painted works, wood sculpture and creative retail.

Similar to notes that inform the musician through a score, Kang's installation guides its audience through a set of visually subtle, yet conceptually robust steel and wood sculptures.

Utilizing photo - imagery and collage with simple construction materials such as drywall, wood and drywall mud the two artists collaboratively create wall works and sculpture that work as installations when viewed together like they are in this show.

Rothenberg is a painter whose allegiance to the medium has never shaken, while Muñoz's objects and installations evoke classical sculpture in their loving use of bronze, wood, iron, terracotta.

Hlobo creates works on paper, sculptures, installations, and performances using materials such as ribbon, rubber, leather, and wood.

In The Colonies (2016), his first solo exhibition at MoMA, Beloufa presents an immersive installation of kinetic sculptures and video projection; CCTV cameras with Raspberry Pi mounts (small inexpensive CPUs) and speakers; walls made from foam and resin; plastic bags with crushed beer and soda cans; seating areas made from steel, pleather, and wood; and two videos — centered around his 2011 video People's Passion, lifestyle, beautiful wine, gigantic glass towers, all surrounded by water.

Accepted but not limited to: drawing, painting, photography, printmaking, sculpture, fiber, glass, encaustic, ceramics, mixed media, wood, digital art, video, and installation.

Chochola's sculptures and installations are characterized by antagonistic forms that exploit a range of materials - wood, glass, rubber, ceramics, tin, feathers and stone.

Installation view of Asta Groting Sculpture: 1987 - 2008, showing (left - right): «Case» (2006, epoxy resin) «Roboter» («Robot»)(2006, polyester, aluminium, wood, mechanical driver and electronic controls) «Jein» (1996, Styrofoam, mechanical drive, artificial snow)

Louise Bourgeois is showing new marble sculptures at the Robert Miller Gallery and, more impressive, a pair of new primarily wood - installation pieces at Galerie Lelong on West 57th Street.

The show will span a vast array of media: oil on canvas, wood sculpture, porcelain, photography and installation, it will offer a visual experience of great variety, complexity and wonderment.

They involve a myriad of shirts donated by people for the project and the technical installation of the huge outdoor work, which starts in the surrounding woods and ends in the Museum's Sculpture Park.

Installation view of Asta Groting Sculpture: 1987 - 2008, showing: Foreground: «Roboter» («Robot»)(2006, polyester, aluminium, wood, mechanical driver and electronic controls) Background: «Jein» (1996, Styrofoam, mechanical drive, artificial snow)

Accompanying the metal sculptures will be photo installations, paintings, prints, wood cut prints and other sculptures depicting heavy metal imagery and music.

The installation consists of 50 works of mixed - media collage, assemblage on wood panels, and sculpture.