Sentences with phrase «wood sculptures using»

Here, he began making wood sculpture using found objects, often stencilling painted words onto them: see, for instance, Moon (1960, Museum of Modern Art, New York).

Not exact matches

Upcycled Bird Sculpture by Laurie Coyle Designs (LaurieCoyleDesigns.Etsy.com); made using fabric scraps from a friend's handbag - making business, fulled sweater remnants from another friend's blanket - making business, metal scraps from my husband's metal - working and wood salvaged from our home - improvement projects.

People used to make weirdly beautiful scrap wood sculptures.

The artist has been using organic materials since 1990s, such as horse hair, skin, wood, wax, and many others as a starting point to produce disturbing and alienated sculptures.

Andrew's newest work is a new study in creating sculpture using over 500 pieces of recycled wood that are inserted at varying depths into a 36» x 36» wood panel with a black automotive paint background.

Among Hamilton's invited artists — which include Daniel Sinsel, Maria Loboda, Laetitia Badaut Haussmann, and Ella Kruglyanskaya — is Hamilton's partner, Nicholas Byrne, whose Love Pillow sculpture was inspired by the wood objects found in Kettle's Yard: he used the invite to get to know a material better (something Hamilton also admits, telling me that George Kennethson's Forms encouraged her to experiment with alabaster and expand her knowledge of natural materials).

As if painting is just another piece of material that is used in her sculpture; medium: wood, ceramics, painting.

Many artists today are producing paintings and sculptures that resemble or reference textiles, using traditional materials like paint, canvas, wood, paper and glass.

Her artworks from this time were mostly made from junkyard scraps and driftwood, assembled and used in a way to make upright wood sculptures.

They are supplemented by two early paintings, several drawings and, most important, 23 sculptures that sum up her various sculptural uses of wood, bronze, marble, resin and stuffed fabric.

Using found materials, such as wood, plastic, and metal, Danilowicz's sculptures reference urban decay and renewal.

He made sculpture in plastic and also in wood, using wood which he could scavenge or steal from construction sites.

Roughly hewn in wood and then cast in bronze with Baselitz's trademark matt, black patina, the sculpture presents five almost comically elongated legs dressed in familiar high - heels, extending a recurrent motif that was used most recently in paintings and sculpture first exhibited at White Cube at Glyndebourne and White Cube Hong Kong.

But when he used bits of bone, wood or metal to create angular discontinuities and painted them to contradict rather than clarify the form, the wonderfully oddball results not only seem way before their time, but anticipate the «hand - held» sculptures of Franz West and the ad hoc assemblages of Phyllida Barlow.

In many of his sculptures Tzannis literally depicts these elements by using raw concrete and wood, in formations that one would find in construction sites.

Celebrated for his full - scale installations and wall - mounted sculptures, Drew uses a variety of materials such as wood, iron, cotton, paper and mud to re-work in the building of new and lively forms.

In the first years of his career, he made «poor» sculptures, using industrial mterials like Eternit, iron, wood and enamel paint.

Embracing many approaches including photography, painting, sculpture, and installation, artist, Carolyn Conrad constructs rural scenes from clay and wood using a minimalist approach.

While the Los Angeles - based artist has achieved renown for his Modernist - inspired sculptures made using materials ranging from cardboard and wood to steel and concrete — and often rendered in neon colors that would fit right in at an EDM festival — painting has been a central reference point to his work ever since he left his hometown of San Antonio, Texas, to learn under the Chicago Imagists at the School of the Art Institute of Chicago.

For her solo exhibition Blondie, Bircken developed freestanding sculptures, hanging objects and wall art from ropes, vintage clothing pieces, wood, concrete, articles used in daily life, hair and wool.

Interested in the materials used for printmaking — wood, lead, steel — more than the finished product, Walton began to make three - dimensional pieces after seeing an exhibition of sculpture at the Pennsylvania Academy of the Fine Arts.

Monochromatic and usually black, with isolated departures into white and gold, Nevelson assembled the sculptures using discarded pieces of wood that she received or found on the street.

Additionally, he is an acclaimed commercial photographer focused on product and architectural photography, and is also very passionate about his pursuits in figurative sculpture using bronze and wood.

Using wire, wood, glass, sheet metal, bronze and found objects, Calder introduced biomorphic forms and Surrealist imagery into abstract sculpture.

, these include Rasheed Araeen's Chaaryaar (1968/2014), a sizeable sculpture of different - coloured cube - shaped wood frames; Hassan Sharif's series of documentary photographs with the self - explanatory title Drawing Squares on the Floor Using a Cube (1982); Saloua Raouda Choucair's small carved - wood sculpture Poem (1963 — 5); and Dóra Maurer's Seven Rotations 1 — 6 (1979), an infinity - mirror - like set of photographic self - portraits, in which Maurer starts by holding a blank square, which in the second in the series is replaced by the previous photograph, and so on.

«3 - Dimensional» Art is acceptable in this competition and is open to the following media: relief, pottery, sculpture, installation, kinetic, and conceptual 3 - D artworks created in metal, paper, wood, stone, fiber, plastics, glass, ceramics, or any other material which can be used to create 3 - dimensional art.

In a recent series of sculptures titled Systems, for instance, Mr. Tuttle uses aluminum electrical pipes, balsa wood, feathers and silver fox fur in novel juxtapositions that hint at otherworldly landscape and architecture.

Isa Genzken's primary media are sculpture and installation, using a wide variety of materials and objects, including wood, plaster, textile, mirrors, mannequins, dolls, posters, suitcases, and other found objects.

She uses traditional craft techniques to create sculptures made of natural materials, such as wood, bone and animal hides.

The sculptures are assembled using recycled materials i.e. crate wood and old furniture as this has always been Jaffa's signature.

Over the past eight years Dietel has developed a unique paper casting process using handmade paper as a dynamic surface for organic wood sculptures and as the primary medium for stand alone pieces.

In 1986 he started creating sculptures using pipes and wood.

Opening: Matt Johnson at 303 Gallery Matt Johnson's sculptures in wood and found materials explore the relationship between use and disposal, from the artist's studio to construction sites.

The use of natural materials is seen in Carol Bove's open - form sculpture in petrified wood and steel, Jeppe Hein's series of «rooms» shaped by water, and Richard Long's 12 - foot - diameter installation in Dartmoor Granite, while Ursula von Rydingsvard's composition of cut, stacked and sculptured cedar beams transforms solid material into gestural form.

Known for graceful sculptures that use raw materials such as drywall, mud, and wood beams, Overton will create an elegant arrangement of long metal pipes across architectural voids between the Museum's main galleries and performance space and between the performance space and lobby.

The sculptures and prints on show are testimony to Puryear's technical excellence and ability to imbue the wood, metal, wire and willow he uses with a simple elegance, but also a sense of historical meaning, feeling, sometimes even humour.

Von Rydingsvard creates her work from commercially milled cedar beams that are marked, shaped by cuts into the wood, stacked, then glued together; these forms may also be used to cast sculptures in materials including urethane resin, copper, and bronze.

Key examples of Warhol's silk screen paintings and Marisol's wood sculptures illuminate the artists» respective approaches to portraiture while the pairing of their work brings certain affinities into view, including a similar use of repeating figures.

Jackson Jarvis works with natural materials, including clay, glass, wood, and stone, to create sculpture in the round, using traditional African dung firing and Japanese raku techniques.

For more than two decades, while continuing to use found metal, she also began casting her sculptures from «stray, downed pieces of wood.»

His early work includes sculptural works that used common objects such as a low dining table as a material of «wood», and a series of wood sculpture «TSUCHINABURI Factory Product» that used matchsticks, also a common object.

Since making the sculpture that's part of his box art, he's gone onto make «a number of wood sculptures» using the know - how acquired through his initial efforts, he said.

Walking in the landscape is the basis of Long's practice but over the past 40 years he has extended his concerns to encompass photographic and text - based work, sculptures made in stone and wood, small - scale works using handprints and fingerprints on paper and driftwood, and monumental wall drawings made using mud and clay.

The tense physicality of Houseago's sculpture is commanding, due in no small part to its size, but also to the raw materials: he uses plaster, iron rebar, hemp fiber and untreated wood, fashioned in an unrefined manner that keeps angles jagged and surfaces coarse.

Often using wood, bronze, graphite to create rough, expressive figures that seemingly defy physics, the artist is a legend in the realm of large - scale public sculpture.

In this sculpture, the use of white emphasises the inner structure of the work, presenting a marked contrast to the rhythm of the wood grain on the outer surface.

Hepworth's use of elm relates to the size of the sculpture as, before the outbreak of Dutch Elm Disease in Britain in the 1970s, it was the largest indigenous wood available to the sculptor, growing to a diameter of up to 8 feet.

Laboring across a range of media, he applies paint to wood, incorporates trash into sculpture, and makes use of architecturally challenging spaces in a way that methodically explores these various interactions.

Rothenberg is a painter whose allegiance to the medium has never shaken, while Muñoz's objects and installations evoke classical sculpture in their loving use of bronze, wood, iron, terracotta.

Yamamoto had a strong adoration for colors and paintings, but in this exhibition he only presented modest wood sculptures abandoning colors and only using brown.