Not exact matches
but on the third day using his Power of Resurrection rose from the dead to claim his seat next to God in heaven, I mean next to himself since he was also God and then told the masses that he died for their sins, though oddly enough being God he could have simply absolved them of their sins and he really didn't die because he lives and is coming back to judge man based
upon the original sins... but not sure if that would
work since man can clearly kill a God with
wood and nails... I know, I know confusing and likely to be labeled heresy... but debates about nomenclature and religion... i mean story telling... just don't mix.
Her main concern was whether the device's WhisperNet connectivity would
work in her neck of the
woods, and
upon splashing out on the device, and finding it did, says:
Fishman's acutely chromatic
work is meticulously crafted from
wood and coated in layer
upon layer of paint to razor - sharp precision.
The area devoted to structures will have several
works, including WHAT IS SET
UPON THE TABLE SITS
UPON THE TABLE, a sculpture of a
wood table supporting a piece of trimmed limestone by Lawrence Weiner, combined with a partially carved foundation stone from the Jerusalem wall, on loan from the Jewish Museum..
Upon entering, visitors are greeted with a scent derived from Asian women,
wood, and carpenter ants, and it's just a taste of the
work to come in the show, held on the occasion of Yi winning the museum's $ 100,000 Hugo Boss Prize.
The vernacular
wood frame of his Church at Head Tide (1938) exemplifies this concentration
upon local forms: the black outlines surrounding the structure — increasingly prevalent in Hartley's
work after the early 1930s — metaphorize this inward turning.
To frame these
works, Billingham painted pale blue and pink grids on the walls as well as constructed three
wood and chrome dinghy - shaped sculptures, which rest
upon blue watercolor tapestries and hold a pair of paintings each.
While walking through the engaging show «Alexander Calder: The Paris Years, 1926 - 1933» at New York's Whitney Museum of American Art (through Feb. 15), I came
upon a
work in
wood from the early»30s titled «Requin et Baleine» and thought immediately of Martin Puryear, whose retrospective fills the top floor and atrium of the San Francisco Museum of Modern Art (through Jan. 25).
Building
upon the exhibition Voulkos: The Breakthrough Years, which celebrates the
work of an artist known for drastically changing the way clay is categorized as an art material and discipline, the MAD Transformations exhibitions consider fiber, clay, and jewelry and metals — disciplines (along with glass and
wood) that compose the bedrock of the Museum of Arts and Design's founding mission and collection, and continue to morph in the hands of contemporary artists today.
Secret Garden expands
upon Plensa's long - time study of portraiture presenting a new body of
work in
wood, stainless steel, bronze, and alabaster, and a suite of
works on paper.