Water and Shadow: Kawase Hasui and Japanese Landscape Prints emphasizes Hasui's earliest and most creative period of
woodblock print design from 1918 to the Great Earthquake of 1923, when many of his early prints were destroyed.
Not exact matches
McCloud, who worked on construction sites for more than a dozen years, transitioned from
design to visual art and now utilizes the industrial materials, tools and equipment with which he is so familiar, in combination with traditional pigment and
woodblock printing techniques, to create his works.
The exhibition focuses on the work of four artists: Helen Hyde (1868 — 1919), Bertha Lum (1869 — 1954), Elizabeth Keith (1887 — 1956), and Lilian Miller (1895 — 1942), all of whom trained as painters but, while living in Japan, also
designed woodblock prints.
Throughout her career, New York artist Gloria Garfinkel (b. 1929) has drawn inspiration from the vivid
designs and unexpected color combinations of Japanese fabrics and
woodblock prints.
Robertson references the forced perspectives of Ukiyo - E
woodblock prints and the narrative strategies of Giorgio de Chirico, while also implementing his experiences with graphic
design and commercial mural painting.
Chris Johanson and Johanna Jackson have created an edition of 75
woodblock printed denim capes and blankets, along with 50
woodblock prints on paper with the same
design.
Participating groups from Georgia, featuring artists, community organizations, and college, university, and high school students,
design and carve 4» x8»
woodblocks that are
printed on the day of the event with a steamroller.