Sentences with phrase «woodblock printing»

Woodblock printing refers to a technique for making printed pictures or text by using a block of wood. The wood is carefully carved with raised areas that represent the desired image or letters. Ink is applied to the raised portion of the block, and then paper is pressed onto it to transfer the ink and create the print. Full definition
The exhibition highlights the influence of Japanese art on Van Gogh with 60 of his paintings and drawings — and a collection of Japanese woodblock prints by Hiroshige, Hokusai and Kuniyoshi
Michael Werner Gallery is pleased to present an exhibition of woodblock prints from the 1960s by the German artist, Georg Baselitz.
Featured at the opening of the exhibition will be Hart Crane's The Bridge, a scroll of the poem illustrated with woodblock prints by Joel Shapiro, published by Arion Press.
Siri Berg, It's All About Color # 6 Japanese woodblock prints on archival board, 60 x 30 inches November 20 — December 28, 2008 Franklin 54 Gallery presents collage works and assemblages by Siri Berg.
While living in Kyoto she studied traditional Japanese woodblock printing with Professor Kurosaki Akira and has since written two books on the subject.
In February, Brown will demonstrate and discuss the techniques of Japanese color woodblock printing in a free public lecture and weekend - long workshop sponsored by the Art Students League of Denver.
Highlights include 20 iconic self - portraits by Ivan Albright (1897 — 1983), created at the end his career using a variety of drawing and painting media, and a selection of color woodblock prints by Gustave Baumann (1881 — 1971), a Santa Fe — based artist, designer, and letterpress printer who studied at SAIC as a teenager.
June 24 - October 6, 2010 Consisting of works from the UAMA permanent collection, this exhibition focuses on woodblock prints from the nineteenth century and explores the print - making process, everyday life in pre-modern Japan, and the cultural exchange that took place between Japan and the Western world.
On the seventh floor, covering the years 1925 to 1960, images of immigration and alienation in the cities from artists including Charles White, Maya Deren, and George Tooker begin to compete with heroic depictions of the American West by Andrew Wyeth, Grant Wood, and Chiura Obata (whose Ukiyo - e woodblock prints of America's national parks represent a major recent acquisition and a collection highlight).
The exhibition spans more than a century of Japanese color woodblock printing as represented by three generations of artists who produced prints from the 1830s to the 1970s.
Hugo McCloud (b1980, Palo Alto, California) is known for his large - scale abstract paintings that use materials such as tar paper and metal, and engage with traditional woodblock printing techniques.
The Tobias brothers have become known most prominently for their large - scale woodblock prints on paper and canvas, where they utilize the ancient stamping technique of black - and - white small scale illustrative printmaking in anachronistic, elaborate, and oversize chromatic compositions.
We're proud to present Plein Air, a new limited edition woodblock print made by Allen Jones RA in celebration of our Matisse in the Studio exhibition.
Paula Wilson, «Tomorrow's Tomorrow,» 2008, 0il, spray paint, collaged / inlayed paper including woodblock prints mounted on paper, 50 x 50 ″
Photograph of the exhibition «Views of Japan: Modern Woodblock Prints by Hiroshi Yoshida,» June 20 - September 27, 1987, held at the Dallas Museum of Art.
Other engagements of note with Edmonton's arts community include his limited edition woodblock print accompaniment to the Society of Northern Alberta Printmakers» spring 2014 edition of SNAPline, and his performance Custodial Walk (2014, in collaboration with Émilienne Gervais), presented by The Drawing Room.
In her series of reduction woodblock prints entitled The Sum of All the Parts, López uses the medium to layer texture and color as she describes the rusting surfaces of I - beams and the very joints of construction.
The University of Michigan Museum of Art (UMMA) presents Multiple Impressions: Contemporary Chinese Woodblock Prints an exhibition on view July 16 — October 23, 2011.
In a related exhibition titled Voyages: Time Travel, on view at Solo Impression, 601 West 26th Street, New York City from September 8 - October 6, 2007, Kozloff will show new woodblock prints produced at HuiPress, Maui, Hawaii as well as new lithographs and monoprints produced at Solo Impression.
She has her BFA from Herbert Lehman College, was trained in etching color print with Maria Samosa (El Museo del Barrio, NYC, 1972 - 3), in viscosity printing with Arun Bose and Krishna Reddy (NYC, 1972 - 3), papermaking with Zarina Hashmi (NYC, 1979), and in Hanga (Japanese water based woodblock printing) with Sensei Toshi Yoshida (Nagano — Japan, 1984).
She has made tapestries, embroideries and furniture, as well as using woodblock printing methods and hand - painted 16 mm film.
In this video, which features footage recorded by Rebecca Salter on one of her trips to Japan, the Royal Academician demonstrates the tools and techniques used in traditional woodblock printing.
Brangwyn, like many artists in the mid-19th century, began collecting woodblock prints, ceramics and paintings, eventually amassing a significant collection of Japanese art, part of which he donated to the William Morris Gallery.
Ukiyo - e prints and books from the 19th to the early 20th centuries, including works by woodblock print masters Hiroshige (1797 - 1858), Hokusai (1760 - 1849) and Yoshitoshi (1839 - 1892).
Highlights include coloured woodblock prints by Hokusai and Kunisada (pictured).
The installation features woodblock prints, hand - painted scrolls and wood carvings with a focus on the rich artistic traditions from the historic eras of Japanese cultures spanning more than 400 years.
Yuasa uses his own photography or media images in combination with Japanese woodblock printing methods to produce strikingly beautiful artworks.
Water and Shadow: Kawase Hasui and Japanese Landscape Prints emphasizes Hasui's earliest and most creative period of woodblock print design from 1918 to the Great Earthquake of 1923, when many of his early prints were destroyed.
Installed across both galleries are a number of large woodblock prints based on seven distinct body poses.
The exhibition includes works ranging from a powerful sculpture by Willie Birch about the 1992 Los Angeles riots (Pensive, 1992) to a delicate woodblock print by Helen Frankenthaler (Cedar Hill, 1983).
A beautiful, engaging rare early woodblock print by the Japanese print master Joichi Hoshi.
In the centre of the gallery, he set up a fully functional print studio, where he was present with a team of assistants two afternoons per week, making carefully carved woodblock prints as visitors observed him.
Susan Goethel Campbell Heatscapes, Faulty Vision, David Klein Gallery, Detroit, 2017 Woodblock prints mounted on panels
Now at Chelsea's David Nolan Gallery, «Mel Kendrick: Woodblock Drawings» reassembles a series of large - scale woodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywood stamps.
A specially commissioned set of Japanese woodblock prints seemed to be the perfect vehicle.
Polly Apfelbaum, Night Flowering (2009), Multicolor woodblock print on Kozo (Japanese triple - thick handmade paper), 16 x 16 inches
A second, and equally engaging exhibition at The Clark, No Rules: Helen Frankenthaler Woodcuts, traces her groundbreaking work in woodblock printing back to 1973, when Frankenthaler made her first woodcuts.
In addition, Nandini learned viscosity printing from Arun Bose and spent four years in Japan studying woodblock printing with Taika Kinoshita.
Some very real and ancient wormholes are now helping to trace the distribution of insect species and artwork.A biologist found himself in the unlikely world of centuries - old European woodblock print art.
Sudden Shower over Shin - Ōhashi bridge and Atake is one of the most famous woodblock prints by the Japanese artist Hiroshige.
A rare woodblock print announcement designed by Wolf Kahn for the 1955 Xmas Show of Small Works of Art, a draft of the Hansa bylaws, and other ephemera convey the Hansa artists» creative energy and innovative ideas.
Experimenting with various techniques, Gormley has placed woodblock prints alongside his crude oil and petroleum jelly Body Print (made by Gormley pressing his own body onto the paper), asserting the freedom of the body in space.
A 19th - century Japanese woodblock print depicts Chinese hero Yu's mythic battle against a monstrous flood.
Analysis of woodblock prints provides unusual insight into wood - munching critters» territories
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