Sentences with phrase «woodblock printing in»

After receiving a degree in mathematics, she went on to study woodblock printing in Bangkok and Tokyo, and intaglio with S. W. Hayter at Atelier - 17 in Paris.

New prints by Gerhard Marx and Walter Oltmann find them engaging with etching, lithography and woodblock printing in new and exciting ways.

She studied traditional Japanese woodblock printing in Japan where she lived for six years, and has since written two books on the subject.

Not exact matches

But a Hayao Miyazaki print done in the style of Japanese woodblock prints may just come close.

This Mexican printers» collective based in Guanajuato sells modern and original woodblock and silkscreen handmade prints and t - shirts.

The Okami inspired «Wolf Goddess» woodblock print was hand - printed in Tokyo with traditional materials and techniques.

This experimental, free form approach to painting also led her to make unprecedented strides in abstract printmaking - particularly woodblock printing.

McCloud, who worked on construction sites for more than a dozen years, transitioned from design to visual art and now utilizes the industrial materials, tools and equipment with which he is so familiar, in combination with traditional pigment and woodblock printing techniques, to create his works.

In his main studio, a kind of square box with tall ceilings, were his woodblocks — both the abstraction shown here and large prints of vintage punk album covers.

In his first project with Alan Cristea Gallery in London, sculptor Antony Gormley created four groups of prints: seven enormous woodblocks; a series of unique body prints; a group of ten aquatints, collectively titled Matrix I — X; and eleven small line etchingIn his first project with Alan Cristea Gallery in London, sculptor Antony Gormley created four groups of prints: seven enormous woodblocks; a series of unique body prints; a group of ten aquatints, collectively titled Matrix I — X; and eleven small line etchingin London, sculptor Antony Gormley created four groups of prints: seven enormous woodblocks; a series of unique body prints; a group of ten aquatints, collectively titled Matrix I — X; and eleven small line etchings.

The fee for the workshop is $ 150 for League members and $ 200 for non-members; no experience in woodblock printing is necessary.

Checklist of works in the exhibition «Views of Japan: Modern Woodblock Prints by Hiroshi Yoshida,» June 20 - September 27, 1987 held at the Dallas Museum of Art.

Each print is unique, and painstakingly produced by an arrangement of flower - shaped woodblocks, each printed in a single color.

Examples of this experimental approach in the exhibition include Fuller's soft - ground etching, made by impressing lace and a string garlic bag into the plate's surface coating; Ryan's use of a recycled floorboard for her woodblock print; Bourgeois» sculptural treatment of the engraving process; and Nevelson's use of fabric dipped in acid to create etching directly on the plate.

Then, I returned to the Print Studio, cut a similar set of stencils to those used in the Blue Lagoon sculptures, and used them to make a series of large - scale woodblock prints editioned on a traditional press.

In the centre of the gallery, he set up a fully functional print studio, where he was present with a team of assistants two afternoons per week, making carefully carved woodblock prints as visitors observed him.

She has her BFA from Herbert Lehman College, was trained in etching color print with Maria Samosa (El Museo del Barrio, NYC, 1972 - 3), in viscosity printing with Arun Bose and Krishna Reddy (NYC, 1972 - 3), papermaking with Zarina Hashmi (NYC, 1979), and in Hanga (Japanese water based woodblock printing) with Sensei Toshi Yoshida (Nagano — Japan, 1984).

These striking prints by the Japanese - American artist and longtime Berkeley professor Chiura Obata present the classic American landscapes of Yosemite and the High Sierra in the tradition of Hokusai's 36 Views of Mount Fuji, executed with a traditional Japanese woodblock technique.

Now at Chelsea's David Nolan Gallery, «Mel Kendrick: Woodblock Drawings» reassembles a series of large - scale woodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywooWoodblock Drawings» reassembles a series of large - scale woodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywoowoodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywood stamps.

In most cases these books and broadsheets were woodblocks printed on paper, but a few were printed on cloth.

His unique woodblock prints often illustrate social issues such as corruption, environmental damage, consumerism and social division, while his paintings depict simpler yet rich and symbolic motifs with explorations in colors and textures.

The exhibition focuses on the work of four artists: Helen Hyde (1868 — 1919), Bertha Lum (1869 — 1954), Elizabeth Keith (1887 — 1956), and Lilian Miller (1895 — 1942), all of whom trained as painters but, while living in Japan, also designed woodblock prints.

Meanwhile, other examples of woodblock prints can be seen at Lady Lever Art Gallery in the autumn, where works owned by local collector Frank Milner reveal the celebrities, sports champions, fashion icons and villains of 19th century Japanese culture.

Viewers will appreciate seeing masterful examples, in contemporary interpretation, of familiar and not so familiar printing techniques — woodblock, etching, silkscreen, lithograph, drypoint and aquatint.

In her display, images of beggars from art history are exhibited on a low table, quite literally begging a closer look, while a series of nine woodblock prints, based on Ernst Barlach's 1919 sculpture of a cloaked mendicant, initially seem childlike in terms of their composition, but prove deeply affectinIn her display, images of beggars from art history are exhibited on a low table, quite literally begging a closer look, while a series of nine woodblock prints, based on Ernst Barlach's 1919 sculpture of a cloaked mendicant, initially seem childlike in terms of their composition, but prove deeply affectinin terms of their composition, but prove deeply affecting.

The Park prints are created by arrangements of dozens of carved woodblocks, printed either individually or in sections.

Rebecca Salter RA's prints from the Sato Woodblock Workshop in Kyoto are part of the Summer Exhibition.

In celebration of the acquisition of Helen Frankenthaler's breakthrough color woodblock print, East and Beyond, 1973, the Art Center presents an exhibition contextualizing Frankenthaler's print.

Seasonal Flowers in Japan: Woodblock Prints by Kawase Hasui April 18 — October 12, 2015 Works on Paper Focus Gallery Free

Related Exhibitions: Native American Art: The Robert and Nancy Nooter Collection, Temples and Shrines in Japan: Woodblock Prints by Kawase Hasui, and The Jewels of Jean Schlumberger

The Circuits prints are relief prints, the consequence of relief - printed woodblocks variously combined with relief - and intaglio - printed etched plates, some of which, notably in Pergusa Three, were embedded into the woodblocks.

Helen Frankenthaler, East and Beyond, 1973, eight - color woodblock print on buff laminated Nepalese handmade paper Sheet: 31 3/4 × 21 in.

The collection has grown and evolved to collect more expansively and in ways that support curriculum across disciplines, and it now holds over 5,000 objects including select and growing holdings of contemporary Chinese art, pre-Columbian art, Japanese woodblock prints, and African art, to name a few areas.

Frankenthaler's paintings were created in the isolation of her studio, but the process of carving and printing woodblocks in collaboration with others brought new challenges to the artist — ones she relished.»

Takahashi Hiroaki (Shotei), Published by Fusui Gabo Cat Prowling Around a Staked Tomato Plant, 1931 Woodblock print, 20 7/8 x 13 7/8 in.

Galería Elvira González presents Judd: Furniture & Prints, a solo exhibition of woodblock prints and furniture in wood and metal by DonaldPrints, a solo exhibition of woodblock prints and furniture in wood and metal by Donaldprints and furniture in wood and metal by Donald Judd.

A week - long exploration working in intaglio to create multi color prints from one copper plate, combining traditional etching process with a la poupee inking, mono printing, chine colle, with the option of using a woodblock as a second plate / matrix.

Detail: Yase Village from the series Famous Places in Kyoto, n.d. woodblock print, by Ando Hiroshige (Japanese, 1797 - 1858).

Woodblock printing is, in fact, one of the most common artistic practices throughout the world.

«Storytelling with Saris is a multi-layered collaborative art and advocacy project that uses woodblock prints on saris, writing, performance, and video to address women's empowerment in the face of climate change in a remote Bangladeshi island linked to the artist's heritage.

Polly Apfelbaum, Little Dogwood 66, 2012; Woodblock print on handmade paper, 20 x 20 in.; Courtesy of Durham Press; © Durham Press and the artist; Printed and published by Durham Press

In 1963, Judd's father, Roy C. Judd, created the woodblocks for what became Judd's first large - scale series of prints.

This exceptional woodblock print on handmade paper is immediately identifiable as the work of master printmaker Carol Summers (1925 - 2016)(check out his bio in Wikipedia).

In such acclaimed works such as 2003's Untitled I (Female), 2009's King Kata # 3: Peel Out (After Yoshitoshi's Incomparable Warriors: Women Han Gaku, and A Children's Story, she also draws upon Japanese Ukiyo - E woodblock prints and paintings.

In addition to the exhibition of her woodblock prints, the Clark presents As in Nature: Helen Frankenthaler Paintings, which focuses on nature as a long - standing inspiration for the artisIn addition to the exhibition of her woodblock prints, the Clark presents As in Nature: Helen Frankenthaler Paintings, which focuses on nature as a long - standing inspiration for the artisin Nature: Helen Frankenthaler Paintings, which focuses on nature as a long - standing inspiration for the artist.

The title reflects her fascination with Japanese woodblock prints, especially the subtle colors found in the work of Utagawa Hiroshige (1797 — 1858), an artist whose work she owned.

It also introduced the technique of «guzzying,» a term Frankenthaler used to describe the way she would manipulate the surface of the woodblock, marking it in this case with sandpaper and dental tools to achieve the desired textured effects before printing.

In this video, Rebecca Salter RA explains the traditional tools and techniques used by the Sato Woodblock Workshop in Kyoto when creating her print for the Summer Exhibition 201In this video, Rebecca Salter RA explains the traditional tools and techniques used by the Sato Woodblock Workshop in Kyoto when creating her print for the Summer Exhibition 201in Kyoto when creating her print for the Summer Exhibition 2016.

Ms Büttner, a Stuttgart - born artist who studied at the Royal College of Art in London, works in prints, sculpture, painting and film, but attracted attention for her use of unfashionable media such as woodblock prints and glass painting.

When the first public exhibition of modern - style woodblock prints took place in Shanghai in June 1931, it heralded an explosive art movement that helped shape the course of modern Chinese art history in the 20th century and has remained a vital part of contemporary China» s artistic language.