Sentences with phrase «woodblock prints from»

In the first iteration, Japanese woodblock prints from the 19th century will be showcased alongside notable prints from Henri de Toulouse - Lautrec.

June 24 - October 6, 2010 Consisting of works from the UAMA permanent collection, this exhibition focuses on woodblock prints from the nineteenth century and explores the print - making process, everyday life in pre-modern Japan, and the cultural exchange that took place between Japan and the Western world.

Contemporary Woodblock Prints from Crown Point Press, Edison Community College, Fort Meyers, Florida, 1991 (Catalogue) The Language of Flowers, Paul Kasmin Gallery, New York, December 12, 1991 — January 16, 1992 Past / Present: Photographs from the Collection of the Museum of Fine Arts, Houston, The Museum of Fine Arts, Houston, December 8, 1991 — February 9, 1992 Six Takes on Photo - Realism, Whitney Museum of American Art, Champion International Corporation, Stamford, Connecticut, November 15, 1991 — January 25, 1992 (Catalogue) American Realism and Figurative Art: 1952 — 1990 (organized by Japan Association of Art Museums), The Miyagi Museum of Art Sendai, Miyagi, November 1 — December 23, 1991.

Japanese Impressions: Color Woodblock Prints from the Rodbell Family Collection is the first exhibition at the Clark to focus on the Institute's permanent collection of Japanese prints.

Not exact matches

Rabble wines include single varietals with labels showcasing a selection of historical woodblock print renditions from the Nuremberg Chronicles from the 1400s.

Inspired by woodblock motifs from India, our print features shades of pretty plum and alluring aqua.

This photo gallery represents my third take on the famous Japanese woodblock print series «12 Views of Mt. Fuji», which showcases the nearly - symmetrical Mt. Fuji from 12 outstanding vantage points around the Japanese countryside.

Within a week of MoMA's reinstall, the Metropolitan Museum of Art unveiled «Open Access»: a shift toward becoming an ostensible museum without borders, wherein the digitized catalogue of all public domain artworks from its collection, totaling more than 375,000 images — from Japanese woodblock prints, to studies by American modernist painter Arthur Dove, to Eugène Atget's gelatin silver prints of a Haussmann - izing Paris — are now accessible and downloadable to anyone with an Internet connection, anywhere, at any time.

Elsewhere throughout the exhibition, Asian art abounds: from Zao Wou - ki's 1953 «Lune Noire,» a dreamlike vision of blue and gold, to the delicately detailed ukiyo - e woodblock prints, to Nam June Paik's «Global Grove,» an avant - garde 1970s video art that both reflects on and foreshadows the growing impact of television as «the landscape of tomorrow.»

McCloud, who worked on construction sites for more than a dozen years, transitioned from design to visual art and now utilizes the industrial materials, tools and equipment with which he is so familiar, in combination with traditional pigment and woodblock printing techniques, to create his works.

(1) The nine prints on view from the 1960s, 70s and 80s, demonstrate his mastery through lithography, etching, silkscreen, and woodblock, and further illuminate his extensive exploration of line and mark making.

Taking influence from classical portraiture, Egyptian hieroglyphs and Japanese woodblock prints, as well as public signage, information boards, and traffic signs, the artist connects the clean visual language of modern life, with the fundamentals of art history.

She has her BFA from Herbert Lehman College, was trained in etching color print with Maria Samosa (El Museo del Barrio, NYC, 1972 - 3), in viscosity printing with Arun Bose and Krishna Reddy (NYC, 1972 - 3), papermaking with Zarina Hashmi (NYC, 1979), and in Hanga (Japanese water based woodblock printing) with Sensei Toshi Yoshida (Nagano — Japan, 1984).

The exhibition spans more than a century of Japanese color woodblock printing as represented by three generations of artists who produced prints from the 1830s to the 1970s.

Kawase Hasui (Japanese, 1883 - 1957), Asahi Bridge, Ojiya, from the series Souvenirs of Travel, Second Series, August 14, 1921, woodblock print, ink and color on paper.

Drawing inspiration from the rawness and decay of the urban landscape, McCloud creates rich, large - scale abstract paintings and sculptural objects by fusing unconventional industrial materials — tar, bitumen, aluminum sheeting and oxidized steel plates — with traditional pigment and woodblock printing techniques.

Now at Chelsea's David Nolan Gallery, «Mel Kendrick: Woodblock Drawings» reassembles a series of large - scale woodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywooWoodblock Drawings» reassembles a series of large - scale woodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywoowoodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywood stamps.

Yun - Fei Ji (Chinese, born 1963), «Migrants of the Three Gorges Dam,» 2009, hand - printed watercolor woodblock mounted on mulberry paper and silk, 18-1/8 x 348-3/8 inches, number 106 from edition of 108

Water and Shadow: Kawase Hasui and Japanese Landscape Prints emphasizes Hasui's earliest and most creative period of woodblock print design from 1918 to the Great Earthquake of 1923, when many of his early prints were destPrints emphasizes Hasui's earliest and most creative period of woodblock print design from 1918 to the Great Earthquake of 1923, when many of his early prints were destprints were destroyed.

Ukiyo - e prints and books from the 19th to the early 20th centuries, including works by woodblock print masters Hiroshige (1797 - 1858), Hokusai (1760 - 1849) and Yoshitoshi (1839 - 1892).

More recently, his work has addressed social and political controversies through large - scale narrative paintings that combine elements of the Japanese woodblock print with inspiration from Renaissance church art.

Frankenthaler has worked with Pace Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut printed from 15 woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale print using a combination of aquatint, woodcut and pochoir techniques.

The workshop will focus mainly on woodblock printing, the choice of medium of Taring Padi, an artist - activist collective from Yogyakarta which Yusuf is founding member of.

Right, from left to right: Bayer Book (2014), digital print and acrylic, 4 x 24 x 13 inches; Gate II (woodblock)(2014), digital print and acrylic, 24 x 14 inches; Gate (woodblock)(2014), digital print and acrylic, 24 x 14 inches.

In her display, images of beggars from art history are exhibited on a low table, quite literally begging a closer look, while a series of nine woodblock prints, based on Ernst Barlach's 1919 sculpture of a cloaked mendicant, initially seem childlike in terms of their composition, but prove deeply affecting.

Rebecca Salter RA's prints from the Sato Woodblock Workshop in Kyoto are part of the Summer Exhibition.

Kawase Hasui (Japanese, 1883 - 1957) Kiyomizu Hall, Ueno, from the series Twenty Views of Tokyo (Tokyo nijukei, Ueno Kiyomizudo), 1928, Color woodblock print on paper.

Relief printed from 11 woodblocks on Somerset Velvet, Soft White, 300 gsm.

On a single work's surfaces, on a colored ground, Zheng makes thousands of prints from woodblocks he has carved, printing type, found stamps, and more recently Chinese papercuts; he finishes the work by painting into it by hand.

Throughout her career, New York artist Gloria Garfinkel (b. 1929) has drawn inspiration from the vivid designs and unexpected color combinations of Japanese fabrics and woodblock prints.

Drawing influence from classical portraiture, Egyptian hieroglyphs and Japanese woodblock prints, as well as public signage, information boards and traffic signs, the artist connects the clean visual language of modern life, with the fundamentals of art history.

A week - long exploration working in intaglio to create multi color prints from one copper plate, combining traditional etching process with a la poupee inking, mono printing, chine colle, with the option of using a woodblock as a second plate / matrix.

Detail: Yase Village from the series Famous Places in Kyoto, n.d. woodblock print, by Ando Hiroshige (Japanese, 1797 - 1858).

Drawing on a tradition of printed prayer books and literary texts that stretches back over centuries, she has woven streams of paper cut from a woodblock - printed book into five separate three - dimensional scrolls.

Japanese Art at Skinner includes fine paintings, calligraphy, and woodblock prints, pottery, sculpture, netsuke, and textiles from antiquities through contemporary works.

Utamaro, the Japanese master of the woodblock print, is one of Katz's own eclectic reference points — along with Jackson Pollock, Sixties television advertisements and an Egyptian sculptor from the second millennium BC.

An exhibition of the prints, including woodblocks and progressive proofs will be on view at Pace Prints, 32 East 57th Street, from September 11 through October 18,prints, including woodblocks and progressive proofs will be on view at Pace Prints, 32 East 57th Street, from September 11 through October 18,Prints, 32 East 57th Street, from September 11 through October 18, 2014.

Works include woodblock prints, hand - painted scrolls, metal works and sculpture that highlight esteemed and centuries - old artistic practices and traditions from the cultures of Japan, China, India, Tibet and Thailand.

His recent inventive, refreshing exhibition — Brandt's first solo show in Europe — presented three series of woodblock prints, all made on the artist's handmade paper with his handmade ink, in frames crafted by him from his own matrices.

Contextual label information from the exhibition Japanese Woodblock Prints, March 19 — April 27, 1980 at the Dallas Museum of Fine Arts.

In the mid 1980s, he relocated to Knoxville, TN, set up a studio and continued making paintings on wood panels that were inspired by the carved and stained woodblocks left from printing projects.

Utagawa Kuniyoshi, Returning from the Shin Yoshiwara by Moonlight, ca. 1834, color woodblock print, 10 ⅝ x 15 inches.

Twentieth — Century Painting and Sculpture: Selections for the Tenth Anniversary of the East Building, National Gallery of Art, Washington, D.C., 1989 (Catalogue) Image World: Art and Media Culture, Whitney Museum of American Art, New York, November 8, 1989 — February 18, 1990 (Catalogue) Contemporary Woodblock Prints, Jersey City Museum, New Jersey, December 6, 1989 — March 3, 1990 (Catalogue) Seattle: Before and After, Center for Contemporary Art, Seattle, October 5 — November 27, 1989 Artist of the South Fork, Baruch College Gallery, City University of New York, September — November 3, 1989 Robert Bechtle, Chuck Close, Robert Cottingham, Malcolm Morley, Sigmar Polke, Pat Hearn Gallery, New York, September 16 — October 7, 1989 Personae: Contemporary Portraiture and Self — Portraiture, Islip Art Museum, East Islip, New York, September 10 — November 5, 1989 Art in Place, Whitney Museum of American Art, New York, July 7 — October 29, 1989 Contemporary Art from the Chase Manhattan Bank Collection, The Yokohama Museum of Art, Japan, June 18 — October 1, 1989 First Impressions, Walker Art Center, Minneapolis, June 4 — September 10, 1989.

Zarina: Paper Like Skin January 25 — April 21, 2013 This retrospective of Indian - born American artist Zarina Hashmi is the first major exploration of the master printmaker's career, charting a developmental arc from her work in the 1960s to the present and including many seminal works from the late 1960s and early 1970s, woodblock prints, etchings and lithographs, and a small selection of related sculptures in bronze and cast paper.

This large - scale survey covers Maiolino's extraordinary oeuvre from the early 1960s to the present, bringing together expressive woodblock prints, visceral cement sculptures, politically - charged films and performances, fluid drawings, and monumental installations of unfired clay.

Workshops see artist Tal R bring a fortune telling tent and woodblock printing studio to the Art Gallery, so that weekend visitors can watch as magenta prints are created, and a two - day Spiritual Speed Dating event whereby leading figures from various religions, lifestyles and teachings discuss spirituality, creativity and rituals.

Kiddos, isn't much of a departure from the work I saw last summer, in fact, Nick Sullivan is still playing around with the common and familiar: imagery re-appropriated from Japanese woodblock prints.

This selection of Iona Rozeal Brown's work presents male figures appropriated from traditional Japanese woodblock prints and radically transformed through an overlay of hip hop style.

Participating groups from Georgia, featuring artists, community organizations, and college, university, and high school students, design and carve 4» x8» woodblocks that are printed on the day of the event with a steamroller.

The exhibition includes works ranging from a powerful sculpture by Willie Birch about the 1992 Los Angeles riots (Pensive, 1992) to a delicate woodblock print by Helen Frankenthaler (Cedar Hill, 1983).