The Tobias brothers have become known most prominently for their large - scale
woodblock prints on paper and canvas, where they utilize the ancient stamping technique of black - and - white small scale illustrative printmaking in anachronistic, elaborate, and oversize chromatic compositions.
Chris Johanson and Johanna Jackson have created an edition of 75 woodblock printed denim capes and blankets, along with 50
woodblock prints on paper with the same design.
«Storytelling with Saris is a multi-layered collaborative art and advocacy project that uses
woodblock prints on saris, writing, performance, and video to address women's empowerment in the face of climate change in a remote Bangladeshi island linked to the artist's heritage.
Opening with an artists» reception on December 11, 5 to 7 pm., the exhibit will feature etchings and
woodblock prints on paper.
In most cases these books and broadsheets were
woodblocks printed on paper, but a few were printed on cloth.
Kawase Hasui (Japanese, 1883 - 1957) Kiyomizu Hall, Ueno, from the series Twenty Views of Tokyo (Tokyo nijukei, Ueno Kiyomizudo), 1928, Color
woodblock print on paper.
Helen Frankenthaler, East and Beyond, 1973, eight - color
woodblock print on buff laminated Nepalese handmade paper Sheet: 31 3/4 × 21 in.
Gorgeous
woodblock print on paper by America's foremost printmaker Carol Summers.
Polly Apfelbaum, Little Dogwood 66, 2012;
Woodblock print on handmade paper, 20 x 20 in.; Courtesy of Durham Press; © Durham Press and the artist; Printed and published by Durham Press
This exceptional
woodblock print on handmade paper is immediately identifiable as the work of master printmaker Carol Summers (1925 - 2016)(check out his bio in Wikipedia).
Woodblock print on paper, each scroll 36 in x 10 ft., installation dimensions variable
Kawase Hasui, Carp Banner, Toyohama, Kagawa Prefecture,, color
woodblock print on laid paper, 1948.
Polly Apfelbaum, Night Flowering (2009), Multicolor
woodblock print on Kozo (Japanese triple - thick handmade paper), 16 x 16 inches
Not exact matches
French director Sébastien Laudenbach works with pen, paper and paint, crafting his take
on the Brothers Grimm fairy tale with simple lines and color blocks that suggest — without replicating — Japanese
woodblock prints.
This photo gallery represents my third take
on the famous Japanese
woodblock print series «12 Views of Mt. Fuji», which showcases the nearly - symmetrical Mt. Fuji from 12 outstanding vantage points around the Japanese countryside.
He was actually brought
on to Edo Superstar when he compared Jed Henry's
woodblock prints to Yoshitoshi's
prints.
Elsewhere throughout the exhibition, Asian art abounds: from Zao Wou - ki's 1953 «Lune Noire,» a dreamlike vision of blue and gold, to the delicately detailed ukiyo - e
woodblock prints, to Nam June Paik's «Global Grove,» an avant - garde 1970s video art that both reflects
on and foreshadows the growing impact of television as «the landscape of tomorrow.»
McCloud, who worked
on construction sites for more than a dozen years, transitioned from design to visual art and now utilizes the industrial materials, tools and equipment with which he is so familiar, in combination with traditional pigment and
woodblock printing techniques, to create his works.
(1) The nine
prints on view from the 1960s, 70s and 80s, demonstrate his mastery through lithography, etching, silkscreen, and
woodblock, and further illuminate his extensive exploration of line and mark making.
Her blend of vintage
woodblock prints, antique texts and vintage sutras provide us with a rich and delightful viewing experience — Golden Poppy Acrylic, ink and watercolor
on mixed media collage
on paper — pictured above.
This is an unframed, intaglio, lithography,
woodblock, digital
print on paper, by the iconic artist, Squeak Carnwath.
Examples of this experimental approach in the exhibition include Fuller's soft - ground etching, made by impressing lace and a string garlic bag into the plate's surface coating; Ryan's use of a recycled floorboard for her
woodblock print; Bourgeois» sculptural treatment of the engraving process; and Nevelson's use of fabric dipped in acid to create etching directly
on the plate.
Then, I returned to the
Print Studio, cut a similar set of stencils to those used in the Blue Lagoon sculptures, and used them to make a series of large - scale
woodblock prints editioned
on a traditional press.
Paula Wilson, «Tomorrow's Tomorrow,» 2008, 0il, spray paint, collaged / inlayed paper including
woodblock prints mounted
on paper, 50 x 50 ″
The exhibition highlights the influence of Japanese art
on Van Gogh with 60 of his paintings and drawings — and a collection of Japanese
woodblock prints by Hiroshige, Hokusai and Kuniyoshi
Kawase Hasui (Japanese, 1883 - 1957), Asahi Bridge, Ojiya, from the series Souvenirs of Travel, Second Series, August 14, 1921,
woodblock print, ink and color
on paper.
Yun - Fei Ji (Chinese, born 1963), «Migrants of the Three Gorges Dam,» 2009, hand -
printed watercolor
woodblock mounted
on mulberry paper and silk, 18-1/8 x 348-3/8 inches, number 106 from edition of 108
Japanese Impressions: Color
Woodblock Prints from the Rodbell Family Collection is the first exhibition at the Clark to focus on the Institute's permanent collection of Japanese p
Prints from the Rodbell Family Collection is the first exhibition at the Clark to focus
on the Institute's permanent collection of Japanese
printsprints.
Frankenthaler has worked with Pace
Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut
printed from 15
woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale
print using a combination of aquatint, woodcut and pochoir techniques.
The workshop will focus mainly
on woodblock printing, the choice of medium of Taring Padi, an artist - activist collective from Yogyakarta which Yusuf is founding member of.
Along with
woodblock prints and rare paintings and drawings by these artists, original
woodblocks, proof
prints, and tools give viewers a deeper perspective
on the lives and creative processes of the artists.
The exhibition focuses
on the work of four artists: Helen Hyde (1868 — 1919), Bertha Lum (1869 — 1954), Elizabeth Keith (1887 — 1956), and Lilian Miller (1895 — 1942), all of whom trained as painters but, while living in Japan, also designed
woodblock prints.
In her display, images of beggars from art history are exhibited
on a low table, quite literally begging a closer look, while a series of nine
woodblock prints, based
on Ernst Barlach's 1919 sculpture of a cloaked mendicant, initially seem childlike in terms of their composition, but prove deeply affecting.
Seasonal Flowers in Japan:
Woodblock Prints by Kawase Hasui April 18 — October 12, 2015 Works
on Paper Focus Gallery Free
Relief
printed from 11
woodblocks on Somerset Velvet, Soft White, 300 gsm.
On a single work's surfaces, on a colored ground, Zheng makes thousands of prints from woodblocks he has carved, printing type, found stamps, and more recently Chinese papercuts; he finishes the work by painting into it by han
On a single work's surfaces,
on a colored ground, Zheng makes thousands of prints from woodblocks he has carved, printing type, found stamps, and more recently Chinese papercuts; he finishes the work by painting into it by han
on a colored ground, Zheng makes thousands of
prints from
woodblocks he has carved,
printing type, found stamps, and more recently Chinese papercuts; he finishes the work by painting into it by hand.
The talk will touch
on Judd's four - decade engagement with
woodblock prints as well as his interest and use of color across all media.
Drawing
on a tradition of
printed prayer books and literary texts that stretches back over centuries, she has woven streams of paper cut from a
woodblock -
printed book into five separate three - dimensional scrolls.
In addition to the exhibition of her
woodblock prints, the Clark presents As in Nature: Helen Frankenthaler Paintings, which focuses
on nature as a long - standing inspiration for the artist.
An exhibition of the
prints, including woodblocks and progressive proofs will be on view at Pace Prints, 32 East 57th Street, from September 11 through October 18,
prints, including
woodblocks and progressive proofs will be
on view at Pace
Prints, 32 East 57th Street, from September 11 through October 18,
Prints, 32 East 57th Street, from September 11 through October 18, 2014.
Participants may work with visiting artists and the Curator of Education and focus
on a particular movement or type of work — such as white - line
woodblock prints, portraiture, or Abstract Expressionism.
His recent inventive, refreshing exhibition — Brandt's first solo show in Europe — presented three series of
woodblock prints, all made
on the artist's handmade paper with his handmade ink, in frames crafted by him from his own matrices.
In the mid 1980s, he relocated to Knoxville, TN, set up a studio and continued making paintings
on wood panels that were inspired by the carved and stained
woodblocks left from
printing projects.
Since 2002, she has curated three exhibitions of contemporary Chinese
woodblock prints and visited schools and art centers, conducting workshops and talks
on the subject.
Installed across both galleries are a number of large
woodblock prints based
on seven distinct body poses.
Between Two / / silkscreen pigment, acrylic, felt, paper, canvas,
woodblock prints, spray paint
on steel armature / / In collaboration with the Fabric Workshop and Museum in Philadelphia, PA / / 126 x 174 inches, 320.04 x 441.96 cm / / 2010
Davies»
woodblock prints of New York City will be
on view.
The exhibit features pieces that take a traditional stance
on this theme, such as «The Great Wave off Kanagawa» (1830), a multicolor
woodblock print by Katsushika Hokusai, juxtaposed against modern pieces such as Christian Marclay's «Bottled Water» (1990), a glass bottle filled with un-spooled audiotape recordings of dripping water.
After Life / /
woodblock print and screen
print on muslin / / 144 x 168 inches / / made in collaboration with The Bemis Center for Contemporary Arts, Creighton University, The UNION for Contemporary Art, & University of Nebraska, Omaha / / original
print / / 2017 (making of video)
Dirty Fingers is a large group exhibition focusing
on various forms of printmaking which include silk - screening, etching, stenciling, stamp and
woodblock printing.