Sentences with phrase «woodblocks for»

He experimented with the technically demanding art of carving linoleum blocks and, eventually, woodblocks for both wood engravings and woodcuts.

In 1963, Judd's father, Roy C. Judd, created the woodblocks for what became Judd's first large - scale series of prints.

Not exact matches

Downtown dudes and beach bums alike will love rocking these minimal woodblock - print black leather slides for a polished look while walking those hot city streets or chilling poolside.

Due to the Thrianta's short coat, it is not at - risk for digestive issues such as woodblock, however it is still susceptible to problems such as overgrown teeth, flystrike and ear mites.

The game concept is inspired by an appreciation for the craft of ukiyo - e Japanese woodblock prints and their depiction of the environment and natural phenomena.

McCloud, who worked on construction sites for more than a dozen years, transitioned from design to visual art and now utilizes the industrial materials, tools and equipment with which he is so familiar, in combination with traditional pigment and woodblock printing techniques, to create his works.

The fee for the workshop is $ 150 for League members and $ 200 for non-members; no experience in woodblock printing is necessary.

Examples of this experimental approach in the exhibition include Fuller's soft - ground etching, made by impressing lace and a string garlic bag into the plate's surface coating; Ryan's use of a recycled floorboard for her woodblock print; Bourgeois» sculptural treatment of the engraving process; and Nevelson's use of fabric dipped in acid to create etching directly on the plate.

Hugo McCloud (b1980, Palo Alto, California) is known for his large - scale abstract paintings that use materials such as tar paper and metal, and engage with traditional woodblock printing techniques.

Through her Tecelares, Pape proposes an alternative function for woodcuts, then considered a craft tradition; medium becomes a protagonist in these spatial investigations, as the texture of the woodblock becomes a compositional element.

For his arch, Monaghan appropriates Albrecht Dürer's famous 16th - century woodblock print.

The woodblock had originally been used for Autumn Fruits (1935).

By investigating the intersection of American art, East Asia, and the woodblock print movement, Visions of the Orient explores the various ways that «the orient» served as a liberating professional space for these female artists and as a place of creative inspiration.

For his first solo exhibition with Sean Kelly, McCloud has created eleven new, abstract works, mixing unconventional industrial materials — aluminum sheeting, silver aluminum butane paint, and black liquid tar — with traditional pigment and woodblock printing techniques.

For example, her seminal work Home is a Foreign Place consists of 36 woodblock prints, each of which represents a particular memory of home.

In addition to the exhibition of her woodblock prints, the Clark presents As in Nature: Helen Frankenthaler Paintings, which focuses on nature as a long - standing inspiration for the artist.

In this video, Rebecca Salter RA explains the traditional tools and techniques used by the Sato Woodblock Workshop in Kyoto when creating her print for the Summer Exhibition 2016.

Ms Büttner, a Stuttgart - born artist who studied at the Royal College of Art in London, works in prints, sculpture, painting and film, but attracted attention for her use of unfashionable media such as woodblock prints and glass painting.

Known for his imaginative depictions of Chinese and Japanese folklore, culture and history, especially Kabuki — a classical Japanese art form of dramatic dance and song, Yoshitoshi presented the intensity and height of action in his woodblock prints.

Students were inspired by PAAM collection prints and created woodblocks of their own — the first steps to creating work for the exhibition.

She uses brayers — soft rubber rollers usually used for inking lithographic stones, etching plates or woodblocks — roughly four inches wide to apply one color at a time in curving arcs and swirls on 18» x 24» mid-weight paper.

This woodblock print, titled «Two Geisha Preparing for a Fancy Dress Procession» by Kitagawa Utamaro, is part of the exhibit «Utamaro and the Lure of Japan,» coming to the Wadsworth Atheneum.

After Life / / woodblock print and screen print on muslin / / 144 x 168 inches / / made in collaboration with The Bemis Center for Contemporary Arts, Creighton University, The UNION for Contemporary Art, & University of Nebraska, Omaha / / original print / / 2017 (making of video)

John Buck is renowned for his carved wood and bronze sculptures and monumental woodblock prints.

For example «Beggar» (2016), a series of nine, large, black woodblock prints, offers simple iterations of a hooded kneeling figure with arms outstretched.

He did: Blum arranged for the artist to use the floor of his New York studio as the block, and Müller turned to chain saws instead of traditional woodblock tools to slice and gouge the images onto the planking.

Twentieth — Century Painting and Sculpture: Selections for the Tenth Anniversary of the East Building, National Gallery of Art, Washington, D.C., 1989 (Catalogue) Image World: Art and Media Culture, Whitney Museum of American Art, New York, November 8, 1989 — February 18, 1990 (Catalogue) Contemporary Woodblock Prints, Jersey City Museum, New Jersey, December 6, 1989 — March 3, 1990 (Catalogue) Seattle: Before and After, Center for Contemporary Art, Seattle, October 5 — November 27, 1989 Artist of the South Fork, Baruch College Gallery, City University of New York, September — November 3, 1989 Robert Bechtle, Chuck Close, Robert Cottingham, Malcolm Morley, Sigmar Polke, Pat Hearn Gallery, New York, September 16 — October 7, 1989 Personae: Contemporary Portraiture and Self — Portraiture, Islip Art Museum, East Islip, New York, September 10 — November 5, 1989 Art in Place, Whitney Museum of American Art, New York, July 7 — October 29, 1989 Contemporary Art from the Chase Manhattan Bank Collection, The Yokohama Museum of Art, Japan, June 18 — October 1, 1989 First Impressions, Walker Art Center, Minneapolis, June 4 — September 10, 1989.

Except for a central column covered in brightly colored strips, the patterning is black and white, and it was made by means of woodblock printing and high - gloss house paint....

This fascinating show tells the story of a group of artists that dominated the woodblock print business in Japan for much of the 19th century.

The Tobias brothers have become known most prominently for their large - scale woodblock prints on paper and canvas, where they utilize the ancient stamping technique of black - and - white small scale illustrative printmaking in anachronistic, elaborate, and oversize chromatic compositions.

She studied traditional Japanese woodblock printing in Japan where she lived for six years, and has since written two books on the subject.

Belgian artist, Goedele Peeters, also visited our department for a short visit, serving as a Resident Printmaker, making relief woodblock prints with the assistance of our students.

A passionate advocate of this traditional craft, she commissioned the Sato Woodblock Workshop in Kyoto to produce her limited - edition print Tessella 1 and 2 for the Summer Exhibition 2016.

This example of shunga (a genre of erotic woodblock prints dating back to the 9th Century) is significant not only for its shocking metaphor of victory in war --- it makes plain the sexual dimension of conquest --- but also that it signaled Japan's own imperial desires.

Produced especially for Studio Voltaire, Eisenman has produced a woodblock print made in collaboration with print workshop 10 Grand Press in Brooklyn, New York.

The period is also noteworthy for its technical innovations, including joined woodblock construction, which allowed for the creation of larger sculptures, and rock crystal inserts for the eyes on wooden figures, which made the depicted deities more realistic and thereby more commanding.

Best known for his skillful fusion of techniques, Taaffe has mastered a wide range of processes; including collage, linocut, woodblock, rubber stamp, silkscreen, and marbling — all interwoven into richly complex and highly meditative canvases.

October 7 - 19: In Kyoto, works with the printer Tadashi Toda on woodblock carved by Shunzo Marsuda for Crown Point Press.

The Japanese woodblock - print influence is evident in Grande Vague Bleue, for example, and in Grande Vague Noir.

In conceiving «Dust Jackets for the Niggerati,» Walker referenced Alain Locke's «The New Negro,» a seminal text that «signaled an emerging cohesiveness in black American thought and celebrated the creativity of African - Americans,» and was inspired by the Aaron Douglas woodblocks that illustrate the 1925 anthology.

Represented South Africa at the Venice Biennale 1959 Solo exhibition of woodcuts at Wittenborn Gallery, New York Represented SA Touring exhibition, South and North America Painting and Sculpture, National Arts Club, New York Represented South Africa at Sao Paulo Biennale Represented on The National Arts Club International Exhibition of painting and sculpture, New York 1960 Represented South Africa at Ljubljana, Yugoslavia International graphic exhibition Exhibition of incised woodblock paintings at the Egon Guenther Gallery, Johannesburg 1961 Large mural, the Apocalypse, in Our Lady of the Rosary Roman Catholic Church Motsethabong, Welkom, Orange Free State Represented South Africa at Sao Paulo Biennale Made Stations of the Cross for Our Lady of Lourdes Roman Catholic Church, Rivonia, Sandton 1962 Guest Artist of the year at the Transvaal Academy Exhibition of Rock Faces, Egon Guenther Gallery, Johannesburg Designed tapestry St. Anne, woven by Marguerite Stephens, and carved the Stations of the Cross for St. Anne's Anglican Church, Piggs Peak, Swaziland 1963 Appointed President of South African Council of Artists in succession to Walter Battiss Principal witness against State at the Harold Ruben blasphemy trial Represented South Africa at International Conference of Plastic Arts at UNESCO, New York Became founder member of the Amadlozi Group consisting of Eduardo Villa, Sydney Kumalo, Cecily Sash and Guiseppo Cattaneo.

The Wooster Street space contained several of the Tobias» large - scale woodblock prints for which they are best known, as well as a series of ceramic sculptures, whereas the Grand Street space was mostly filled with collages, -LSB-...]

While primarily remembered for his portraits of women, particularly the sumptuously dressed courtesans of the Yoshiwara brothel district, the prolific woodblock print designer Keisai Eisen (1790 — 1848) also produced numerous landscapes throughout his career.

Landscape Prints by Keisai Eisen December 21, 2017 — February 25, 2018 The museum changes the works on view in the Robert F. Lange Gallery for Japanese woodblock prints every two months.

«Every mirror, print, card and woodblock made in my sunny South London studio reflects my passion for colour, drawing and textured materials.»

She was famous for her complex woodblock prints of oriental carpets that required multiple intricately carved blocks of wood.

A new series of woodblock prints published by the LeRoy Neiman Center for Print Studies, Columbia University, featured at the E / AB Print Fair, 2017

Researchers have developed a new technique for printing live cells by drawing inspiration from an ancient Chinese method of woodblock printing...

This woodblock wall shelf is beautifully handcrafted from carved wood and has three sliding drawers and two hooks for hanging coats, umbrellas or other things that need somewhere to go.