Sentences with phrase «woodcut editions»

These lushly colored sheets were used for the woodcut editions.»

Several recent woodcuts will compliment a number of earlier woodcut editions.

Helen Frankenthaler (American, 1928 - 2011) Grove, 1991 color woodcut edition 10/32, signed Frankenthaler and dated (lower right) 21 x 17 inches.

Not exact matches

Focusing on the fundamentals of Japanese woodcuts, the instructor presents examples of woodcut prints, demonstrates cutting and printing blocks with a baren, and with her guidance, allows students to design, transfer, cut, and print a small edition of prints.

Portfolio of three woodcuts / collographs published by Spring Street Workshop, New York, [edition of 33].

[7] He would go on to produce many editions in lithography, etching, silkscreen, woodcut and linoleum cut, producing over 400 prints made by different techniques in his lifetime.

Be sure not to miss an intricate and fantastical woodblock and lithograph edition entitled Monkey Biz by Duke Riley at Graphicstuide / USF; seminal prints by prominent American Pop artists Roy Lichtenstein and Andy Warhol at Gregg Shienbaum Fine Art; a visually hypnotic nine - color screen print by Jason Middlebrook at Flying Horse Editions; an impressive suite of etchings entitled The Caprichos by Emily Lombardo at Childs Gallery; striking figurative lithographs by American artist Robert Longo at Hamilton - Selway Fine Art; a bold woodcut by Royal Academy artist Eileen Copper at Rabley Contemporary Gallery UK; three - dimensional print sculptures by Lesley Dill and mixed media prints by Cuban artist Sandra Ramos at Tandem Press; a series of haunting portraits by the American artist Monica Lundy at Stoney Road Press / Ireland; colorful mixed media work by Stanley William Hayder at Susan Teller Gallery; subtle and contemplative photolithographic prints by Linda Schwarz at Wildwood Press LLC; and bold and colorful works by Alexander Calder and Chuck Close at Thomas French Fine Art.

1991 Portfolio of five woodcuts / linocuts published by Spring Street Workshop, New York, [edition of 35].

From left, «Candy Apples,» (color woodcut on tosa kozo paper; edition 186/200, plus 20 APs), with «Girl in Striped Blouse» and «Half Salmon.»

Donald Judd Untitled, 1988 complete set of ten woodcuts printed in ivory black on Japanese wove Okawara paper paper: 23 1/2 x 31 1/2 inches (59.7 x 80 cm) each framed: 26 x 34 1/4 inches (66 x 87 cm) each edition of 25 with 10 APs and 4 PPs DJ - EPR - 01C

The scroll will be on display through March 30, alongside additional woodcut prints by Shapiro in editions of 30.

Her woodcuts in this style became some of her most sought - after editions, as exemplified by her series Book of Clouds (2007).

Recognized primarily as a painter, his first print project began at Pace Editions in 2007, which resulted in «White Roses,» a thirteen - block woodcut that combined his signature black outlines with vibrant colors to create a rich, beautiful, and dynamic work.

In the 1970s, Tatyana Grosman, of Universal Limited Art Editions, invited Frankenthaler, then in her mid-forties, to make her first woodcut.

He produced many editions in lithography, etching, silkscreen, woodcut and linoleum cut.

Three limited edition woodcuts have been made by Sigrid Holmwood especially for the exhibition.

Life's Soundtrack / / reduction woodcut from 2 blocks / / Produced and editioned at MassArt's Master Print Series, Massachusetts, MA / / 30 x 22 inches, 76.2 x 55.88 cm / / edition of 27 / / 2012

Twenty - two color Ukiyo - e style woodcut printed with 18 woodblocks 24 x 18 inches Edition of 51 Signed and numbered by the artist Printed by Pace Editions Ink Published by Pace Editions, Inc. unframed, pristine condition never framed, hinged or matted.

Terry Winters, Strings (for Cabinet), 2012 Woodcut; 10 5/8 × 13 1/2 inches (unframed) Signed and numbered edition of 100 Courtesy of the artist Can be chosen as a gift for donations of $ 500 or more (plus shipping)

IMAGE: Judy Pfaff,... wind - deer and the honey - grass..., 2017; Woodcut, hand painting, mylar, archival inkjet, varied edition of 12.

Framed color woodcut, «Cameo,» 1980, by Helen Frankenthaler (American, 1928 - 2011), pencil signed lower right, pencil numbered edition of 51, published by Tyler Graphics, paper: 42.1 «h x 31.9 «w, overall: 45.25 «h x 35.25 «w. Catalogue Reference: Harrison, 75

Weaving Scribble, 2017 Eight - color reduction woodcut with monotype stencil 17 3/4» x 23 1/4» Variable edition 2 of 88 Framed Courtesy of the Artist Alexis Nutini was born in Mexico City.

Helen Frankenthaler (American, 1928 - 2011), «Geisha,» 2003, Ukiyo - e woodcut in 23 colors on Torinko paper, pencil signed and dated lower right, edition 39/50, published by Pace Editions, Inc. (New York, NY), gallery label (Lillian Kornbluth Arts, Santa Barbara, California) affixed verso, image / sheet: 38 «h x 26 «w, overall (framed): 42 «h x 30 «w. Provenance: Estate of Lillian Kornbluth (Paterson, New Jersey / Santa Barbara, California)

Woodcut and screenprint on 4 - ply Paper Technologies, Inc. museum board; From the Interior Series; From and edition of 60; Signed, numbered and dated in pencil on recto; Blind stamp on right recto; Gemini stamp on verso; Published and printed by Gemini G.E.L., Los Angeles, CA; Illustrated in: Gemini catalogue raisonne, no. 1501; The Prints of Roy Lichtenstein, A Catalogue Raisonne, 1948 - 1993, No. 249, Pg 230; Image: 51.75 x 65.625 inches; Framed; Estimate: $ 44,000 / $ 55,000

Woodcut and screenprint on 3 - ply Supra 100 paper; from the numbered edition of 45, plus 14 APs, 1RTP, 1 PPII, 3 GEL, 1C, 6SP Signed, numbered and dated in pencil on recto, Gemini blindstamp on recto; Published by Gemini G.E.L., Los Angeles, CA Catalogue Raisonné # 1365; Image: 57.5 x 79 inches; Sheet: 63 x 88 inches; Framed: 65.5 x 91 inches; Estimate: $ 30,000 / $ 40,000

Jennie C. Jones: «Editions,» prints, through Feb. 27, and «Woodcuts» group show, through Saturday; Hiram Butler Gallery, 4520 Blossom; 713-863-7097, hirambutler.com.

His aims and ideas were explained in the Founding Manifesto, a four - page edition with the famous image of Cathedral woodcut by Lyonel Feininger on its cover.

Antonio Frasconi (Argentine / American, 1919 - 2013) Two Woodcuts: Offering and Moon Bird, 1960 and 1965, respectively, Offering an edition of 25, Moon Bird an edition of 20.

Yoshitomo Nara's Words Mean Nothing at All is a Ukiyo - e woodcut in an edition of 25, mounted on archival cardboard.

HELEN FRANKENTHALER Savage Breeze (W.C. 51; S. 29) woodcut in colors, 1974, on beige Nepalese handmade, signed and dated in pencil, inscribed «H / C» and numbered 4/4 (the edition was 31 plus 4 artist's proofs), published by ULAE, with full margins, in excellent condition S. 32 x 27 1/2 in.

Grayson Perry, Animal Spirit, 2016, woodcut printed on 315gsm Heritage White 203.5 x 252 x 8.5 cm Published by Paragon Courtesy of the artist, Paragon Contemporary Editions Ltd and Victoria Miro, London

Katz would go on to produce many editions in lithography, etching, silkscreen, woodcut and linoleum cut, producing over 400 print editions in his lifetime.

Helen Frankenthaler, Cedar Hill (Harrison 121) Woodcut printed in colors, 1983, signed in pencil, dated and numbered 11/75 (total edition includes 18 artist's proofs), on handmade Mingei Momo paper, with the blindstamp of the publisher Crown Point Press, framed Sheet 512 by 631 mm 20 1/8 by 24 7/8 in

HELEN FRANKENTHALER East and Beyond (W.C. 44; S. 25) woodcut in colors, 1973, on beige Nepalese handmade, signed and dated in pencil, inscribed «Artists proof» and numbered 6/6 (the edition was 18), with the ULAE blindstamp, with full marginsin excellent condition, framed S. 32 x 22in.

A multi-faceted print studio, Mullowney Printing focuses on publishing and printing of etchings, woodcut, photogravure, direct gravure, screen print and letterpress editions by leading contemporary artists.

Helen Frankenthaler, Freefall (H. 233) Woodcut printed in colors, on hand - dyed TGL handmade paper, 1993, signed in pencil, dated and numbered 8/30 (total edition includes 12 artist's proofs), with the blindstamp of the publisher, Tyler Graphics, Ltd., the full sheet, printed to the edges, in good condition, framed * (not examined out of frame) Sheet 1970 by 1535 mm 77 1/2 by 60 3/8 in

Helen Frankenthaler, East and Beyond (Harrison 41) Woodcut printed in colors, 1973, signed in pencil, dated» 73 -»74 and inscribed «Trial proof with Orange 2/2», a proof aside from the numbered edition of 18, on Nepalese handmade paper, with the publisher's blindstamp, ULAE, West Islip, NY, framed 600 by 457 mm 23 5/8 by 18 in Sheet approx. 785 by 548 mm 30 7/8 by 21 5/8 in

HELEN FRANKENTHALER Essence Mulberry (H. 57) woodcut in colors, 1977, the colors fresh, on buff Maniai Gampi handmade, signed and dated in pencil, numbered 21/46, published by Tyler Graphics Ltd., Bedford Village, New York, with their blindstamp, the full sheet printed to three sides, soft rippling throughout (characteristic of this paper) stronger along the upper edge, several vertical hairline fissures in the center of the image (common to this edition), soft crimping at the extreme lower edge of the sheet, otherwise in very good condition S. 39 1/2 x 18 3/4 in.

Helen Frankenthaler, Tales of Genji VI Woodcut printed in colors, with pochoir, 1998, signed in pencil and inscribed «AP 7/14», an artist's proof, aside from the numbered edition of 35, on tan TGL handmade paper, framed Sheet 1194 by 1067 mm 47 by 42 in

In those 35 years, the Press has editioned more than 1,200 prints, primarily etchings and woodcuts (made in ancillary studios in Japan and China).